How Did Josquin Des Prez Influence Renaissance Music

1101 Words3 Pages

The Renaissance is often referred to as one of the most influential periods of time throughout the development and course of human life on this planet. During this era, society saw a large awakening in interest in art, philosophy, and music. This lead to mass development and experimentation with new types of music especially. For example, people shifted their focus of creating musical pieces for a church environment and began to branch out and write for both pleasure and praise. Two composers in particular in this age, Josquin des Prez and Giovanni Pierluigi da Palestrina, were significantly involved in the transition between making music solely for religious instances and producing it for secular purposes. Their influence on the music produced …show more content…

Josquin des Prez, born in either Northern France or Sothern Belgium, is unlike most composers during this period because little is actually known of his early life. For example, it is not even known if he was born in 1440, 1455 or any date in between. What is known, however, is that in the 1470’s des Prez travelled to Italy where he began work in the court of Cardinal Ascanio Sforza composing masses, motets, and French secular polyphonic songs called chansons. Des Prez often wrote both his sacred and secular music with many overlapping vocal pieces, known as canon form. In this style the coinciding melodies blend together to create a range of melodies that is very pleasing to the ear. It is especially difficult to write in this style but Josquin des Prez shows his mastery of the skill in his motet, Ave Maria, gratia plena. In this piece, the opening bars start with the superior singing “Ave Maria” only to have the alto join in, also singing “Ave Maria”, halfway through “Maria”. This continues with the tenor then overlapping the alto, and ends when the bass overlaps …show more content…

Much like Josquin des Prez, very little is known of the early life of Palestrina. He was born circa 1525, in the village of Palestrina, Italy about 20 miles from the city of Rome. Taking a similar route to des Prez, Palestrina moved to Rome to begin his musical career. Here he composed mostly liturgical music used for worship services. Whether it was Palestrina at Saint Peter’s Basilica or Josquin des Prez at the Church of Notre Dame, both composers produced and performed music for the Roman Catholic Church. However, the two differed as des Prez was more liable to create a piece of secular music, while Palestrina focused his composition on masses, motets, hymns, and lamentations. This was likely because of Palestrina’s close ties with the church his entire life and the freer lifestyle experienced by des Prez in his travels. Palestrina, nonetheless, made just as much of an impact on the musical world as des Prez with his revolutionary rules to counterpoint for the Catholic Church. At a time when new and elaborate polyphonic was being widely produced, the Catholic Church felt as though the meaning of the song was becoming increasingly hidden behind the music itself. Palestrina set out to create a set of rules for the composition of sacred pieces that still allowed for the newfound beauty of polyphony to be written into church music, while still having the song communicate the religious texts. He did this by composing

Open Document