Antonio Vivaldi: The Age Of Abolitionism

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Antonio Vivaldi born on March 4th 1678, which was the Baroque music style. In 1678 not only was it the baroque period it was also the years just after the Renaissance. 1670s was part of the Age of Abolitionism. The Age of Absolutism was the age when European monarchs struggled to centralize their power. And in Britain the English Civil war and the glorious revolution happened a few years prior to Vivaldi's life. In Russia, Peter the Great and Catherine the great were reforming Europe and trying to improve it. Antonio lived until July 28th 1741, in his life the enlightenment happened, it was the age of reason, philosophy, and age of new music. Great music and composers came out of this era, Ludwig van Beethoven, Johann Bach, Frederic Chopin, George Handel, Wolfgang Mozart and many more composers. Also under this time ballets and operas became popular to the public. This was the time of the application of the Renaissance. Antonio Vivaldi had an interesting life during this time period, his childhood, his outstanding music and unique style, and influence were special for this time.
Antonio Lucio Vivaldi was born in 1678 in Venice, Italy. Vivaldi's family was religious, so they had him baptized as soon as possible. His first baptism was done by a midwife who was told that Antonio's life was in danger. The baptism occurred immediately after his birth, this may have been because of his poor health or because the mom thought he was in danger because of an earthquake that happened earlier that day. Also Antonio's mom thought we was going to be a priest so she had him baptized at such at early time. He was later officially baptized at San Giovanni Battista in Bragora, Sestiere di Castello, Venice almost two months after his birth. He ha...

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...n 1705, his first composed pieces where published. These pieces were his Opus 1 which was twelve Sonatas for two violins and basso continuo in conventional style. His second collection, Opus 2 was published it was the same as the format of the first. Twelve sonatas meant for the two violins and basso continuo in conventional style. Opus 3 was the breakthrough that he was looking for. It was twelve concerti for one, two and four violins. This piece was dedicated and sponsored to the Grand Prince of Tuscany, Ferdinand. Stabat Mater was one of his earliest masterpieces. Even though the piece looked like it was written in haste, the string parts were simple, movements one, two, and three were repeated in the next three, and not all the text was set it was a wonderful piece. Perhaps he wrote it that way on purpose and it was just the forced essentiality of the music.

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