Mahanakhon building is very similar to HdM’s skyscraper. It is composed of seventy-seven floors that are shifted elements that break out from the surface to create terraces and balconies. This allows for a public plaza, retail space, a large number of homes, hotel including a bar and restaurant. This building absorbs the city. According to ArchDaily “its distinctive sculptural appearance, has been carefully carved to introduce a three-dimensional ribbon of architectural ‘pixels’ that circle the tower’s full height, as if excavating portions of the elegant glass curtain wall to reveal the inner life of the building – metaphorically and actually an architecture that encloses and protects its inhabitants while revealing the inner life of their city. The pixilation gives MahaNakhon an arresting profile on the skyline while generating a set of very special features to house the diverse functions of the building complex in an intelligently strategic way”. OMA designed MahaNakhon by gradually blending or melting in the city as it moves up between the ground and sky. This effect is created...
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
For example, he uses texture, color and organic forms to make the landscape look as real as possible. Most of the shapes are formed by shifts in colors and line because the canvas are two-dimensional. The viewer can observe that the painting is dominated by greys, browns, ochers, and other natural colors such as green and yellow to give the scene a more nature-like look. All the components and objects painted in this piece appear to have the same texture and color as the ones found in real life, such as rocks suggesting a rough hard texture and clouds being soft, which probably means that Vernet took in consideration real landscapes and places he might have seen in real life. While using different shades of grey, and painting dark clouds, Vernet was able to convince that a storm was approaching but he also decided to add source of light coming from the upper left corner by using a golden yellow color to create a sense of warmth, which creates a nice contrast between the light and the coldness from the overall shadows that seem to dominate the artwork, creating variety; however, the repetition of colors such as greys gave the whole piece a sense of unity and they also express the shadows of a stormy day. We
...the tower installed alongside the office building as part of the whole, they have to linked each other so there is no need to leave this entire large building which finally become more self-sufficient and union just like Bauhaus.
Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary and traditional construction classical concepts and simply in the field of art and literature. The architectural elements like domes, arches, and classical shapes have lost their identity but the post modernism tries to bridge between these historical forms and contemporary styles. The related architects not only struggled to achieve the image for the buildings but also rejected oversimplified diagrams for living. The post modernism here tries to achieve theoretical base for their designs that creates the excitement in the design program.
In the short reading, The Cunning of Cosmetics, by Jeffrey Kipnis, he begins by explaining what architecture is reacting to and how it effects the direction it is going in. As a result from explaining this, he starts to ponder on his job on Herzog & de Meuron and question, “When did my infatuation with HdM’s work begin?”(Kipnis 23) he starts to realize that buildings have the “Ability to insinuate itself into my psyche” without forcing itself upon someone. He is able to analyze this in the magazine he was reading Arch- Plus by Nikolaus Kuhnert and see how he separated the magazine into two sections – Ornament and Minimalism, through this he able to explore prime examples such as Signal Box and Ricola Europ, explaining how the use of their materiality and modern ornamentation can give a “Erotic allure…the sirens of the Odyssey”. Overall he is clarifying that
Designed by the English architect John Nash between 1815 and 1821 as a seaside resort for the Prince Regent, it combines a fanciful assortment of Chinese, Indian, and Islamic motifs (267). John Nash was an English architect who had designed the Royal Pavilion. When I saw this picture, I reminded of Hindu temples because of Royal Pavilion domes like a Hindu temple dome and the others domes look like a mosque dome. The Royal Pavilion is a countless architecture that is why people are keen to see. On my response, The Royal Pavilion is embodie a piece of art which are still standing in the same way and his art is evident. I agree with the author regarding a fanciful assortment of Chinese, India, and Islamic
Architecture has always been an integral part of the society and its culture. It not only defines the space of the community that it participates in but it also shapes the community’s place in history. Moreover, historians all over the world have found architecture playing a key role while they study the communities in time periods. Architecture helps the historian decipher the civilization's daily life and the values they hold. The historians are able to decipher as such by looking at the recurring structural feature and ornamental feature of certain buildings of certain time period. Some of the significant feature of the building usually defines the political regime or the religious values of the civilization.
The Temple was very large and beautiful. My friend and I were both stunned by how gorgeously built the Mandir was. The buildings were big and stretched across several acres of the land. Next to the temple was another large building, which was used as a center for gatherings and entertainment purposes. The temple had many different entrances, the main one we noticed were the big steps ...
Comprehensive urban planning needs to be sustainable, economic and consider the prevalence of historical buildings within the scope of the design plans. When community leaders and planners convene to discuss and review designs for refurbishing a neighborhood all aspects of potential new construction and how it will fit into existing buildings. Ghasemzadeh states “A good urban planner and/or designer will know the principles to adhere to and steps to take to maintain or improve the conditions of an urban area through effective planning and desi...
It takes a while to process everything that is going on, but once you see the whole picture, the smaller details come out and are noticeable, even within the visually assaulting Square. The tall buildings are the first things you recognize; just the sheer size of them makes you feel like a tiny, unremarkable speck of dust. Each has its own character and was created with a unique design. A uniting factor of the buildings is the windows. The glass surface reflects the afternoon sun’s light, making a giant mirror from the buildings’ sides. The mirrors create an enormous hall of other building’s distorted reflections. Hanging from the buildings are advertisements for everything under the sun. Many billboards are for the different musicals that are going to be shown at Broadway soon; the classics, like West Side Story, Phantom of the Opera, Annie, and Wicked, are always there. Others are announcing the release of a new HP laptop, or Samsung HDTV. Some unveil a high fashion store’s new fall line of sweaters and jeans. Of course, there is the obligatory Coke commercial, telling you to enjoy a refreshing bottle of ice cold Coke.
of their buildings. One of the basic questions that this paper will be seeking to answer is whether architects and critics accepted ...
Meijenfeldt, E. V., and Geluk, M. 2003. Below ground level: creating new spaces for contemporary architecture. Birkhauser
Skyscrapers are known to be high-rise buildings that effectively changed the corporate work environment and has altered the way society works and functions. However, it was because of the increasing amount of people in each city and the changing needs of society that caused this design development and progression. The industrial revolution provided pathways to create tall towers, known as skyscrapers, and put large numbers of people in them (Mitchell 1997) and efficiently save space. 19th Century architects found that they could improve ratios of open floor space to solid construction; this could be achieved by using reinforced concrete framing and thin curtain walls. Along with this, they could apply elevators so people can go up high levels in tall buildings without having to climb the stairs (Mi...
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.
The pavilion is significant figure in the history of modern architecture, regarded to be influential with its open plan and use of exotic material. There is a blurred spatial demarcation where the interior becomes an exterior and exterior becomes the interior. The structure constantly offers new perspectives and experiences, as visitors discover and rediscover in the progress of moving throughout the in’s and out’s, a non directional conforming circulating movement pattern. To facilitate this movement, even though it is a visually simplistic plan, its complexity is derived from the strategic layout of walls with its intimation of an infinite freedom of