Henry Fiseli The Nightmare Romanticism

897 Words2 Pages

Samuel Westermayer Professor William Adams Intro to Humanities C100 6 February 2017 The Nightmare My initial thoughts and feelings towards this piece of art was that of concern and a feeling of uncomfortable fear. There is a lot of unexplained activity going on in this painting and I feel there must be a lot of symbolism to the characters involved here. The woman cloaked in all white who looks like she is in pain, the demonic entity who is sitting upon her chest, and the dark horse peeking into the seen with flared nostrils and a menacing look all seem to be key to the dark theme being portrayed in this painting. The thing about this painting that interests me the most is the imp like creature sitting across the woman’s chest, …show more content…

He was born in 1741 and passed away in 1825. During his life as a painter, he enjoyed exploring the darker and more twisted side of life. Fuseli is most admired for his subjectivism, intricate symbolism and bold composition (visual-arts-corks.com). The Nightmare was created in 1779 and was an instant hit. It became Fuseli’s most successful painting and became a landmark in the development of Romanticism. The Nightmare owes its everlasting fame to two significant reasons: It was one of the first painting to successfully portray an intangible idea, rather than an event, a person, or a story. Second, the exact intentions of the artist remain obscure (visual-arts-corks.com). The monster that is sitting on the woman’s chest is what is called an incubus, which is a male demonic entity who, per mythological traditions, lies upon women to engage them in sexual activity and lead them into …show more content…

The only exception to this color scheme is the woman, who is cloaked in more heavenly whites and gold tones. Some believe the painting to be a piece of romantic retaliation, focusing on the girl laying on the bed who may have been an object of the artist’s unreturned attention. While traveling through Europe, Fuseli met and fell madly in love with Anna Landholdt. Anna’s father refused Fuseli’s marriage proposal and quickly pledged her to another. Many theorists believe Anna is the woman in this painting and the demonic figure sitting atop her chest is Fuseli’s image of himself (Independent.co.uk). The horse in the background is seen pushing its head through the curtain, and it could be that this ghostly horse was the imp’s means of traveling through the night. No one is quite certain of the symbolic meaning of the horse, this was just the most accurate

Open Document