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Psychotic disorder
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The trail upon which I found myself was overgrown with foliage, hampering my process through the dark, infected woods. As I rounded what appeared to be the final bend, a large ominous clearing yawned before me. I came to an abrupt halt and was cautiously astonished to hear the insistently loud crying of an abandoned baby. Imagine my surprise when my feet moved of their own accord, drawing me closer and closer to the forlorn whimpering to which the cries had died down to. Though my mind was in a feverish state, a clear part of the cerebrum remembered something bad, something so horrible indeed, that I feared to imagine it; lest I should drown in the murky depths of guilt. What was this thing that threatened to ruin me? I pondered absentmindedly …show more content…
“You must be hungry at this late hour. Let me retrieve some food.” Immediately, as if by smart understanding, the baby stopped crying, occasionally letting through a mellifluous sound for her compassionate big sister. I regarded the empty cupboards. Unfortunately for me, my family had not gotten supplies that week. Contemplating my choices, I finally had a rare stroke of inspiration. Why not let digesting the food be the finale of my dear Victoria’s life? Sighing contentedly, I adopted a caring disposition and said to Victoria, “My dear, I will have your food in a minute.” Upon saying, I seized my long overcoat for rain pattered on the windows knocking with its icy fingers, demanding passage. Turning back once to observe Victoria for a final scrutiny before her death, I fled down to the gardens, not caring if any foolish noblemen were out to perceive me. Once there among the withering chrysanthemums and calla lilies, I pried open several rocks and used one to smash the others into tiny fractals of their previous selves. I chose soft rocks so the noise would be limited. To this day, I commend myself on how nicely I split those. Returning to the parlour, I held the palms with the pulpous rock out to Victoria. “Eat,” I urged
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
How are the themes of good and evil explored in Chapters 16 and 17 of
The quote shows the creature’s feelings towards humanity. He believes that it is not his fault for acting like a monster but humans' fault for they refused to accept him. By isolating the creature they turned him into a monster who wanted revenge against the person who brought him into existence only to suffer. The creature only wanted to belong but when he was continuously treated terribly he saw that it would never happen and became the monster everyone expected him to be.
Mankind has always acknowledged the gap between the human race and animals. Why have only humans produced great world leaders such as Martin Luther King Jr? Why has an evil dictator such as Hitler not hailed from the animal species? In Pensées, French Christian philosopher Blaise Pascal deemed that “Man’s greatness comes from knowing he is wretched: a tree does not know it is wretched. Thus it is wretched to know that one is wretched, but there is greatness in knowing one is wretched”. Pascal’s declaration that greatness in mankind comes from being wretched is presented in Mary Shelley’s Frankenstein Victor Frankenstein and the creation of the monster. The death of his loved ones due to his creation of the monster led Frankenstein to realize his own
“I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.”
Literature often works as depicted act of betrayal. Many people, friends, and family may portray a protagonist, but they will likewise be guilty of treachery or betrayal to their own values. In the novel Frankenstein by Mary Shelley, there is acts of betrayal between Victor Frankenstein and the monster. In the Novel Victor Frankenstein is a betrayal of life itself because it should be given naturally and not created by a scientist man. The monster is actually the one who is majorly betrayed, he may look like a hideous dangerous monster on the outside but, not one within himself. From the beginning of the novel, Victor betrays the monster, and this betrayal is seen on many levels throughout the novel. The tragic figure in Mary Shelley’s horror novel Frankenstein, Victor Frankenstein, is truly the instrument of betrayal to his creation of the monster because life should be given naturally not by creation of suffering and horrific which is made by man.
In Mary Shelley’s gothic tragedy Frankenstein, the creature’s vengeance towards its maker is justified. This is through the novel’s ideas of abandonment, loss of innocence and the dangers of ambition: all effects of the actions of Victor Frankenstein. Furthermore, Shelley incorporates her personal ideology of romanticism into the text to give the narrative extra depth and meaning, as well as strengthen the resentment of the natural creature against the nature-defying Victor. It is in these ways that the author presents the beast’s retribution towards its creator as necessary.
In chapter four The Frankenstein novel frankenstein has guilt that he made the monster that killed his little brother, william and states that “If the study to which you apply yourself has a tendency to weaken your affections, and to destroy your taste for the simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind.” This statement is saying that If you put your mind,heart and soul into something but it is unlawful without a doubt should you do it? I personally disagree with this due to the way I have been raised. I was raised to obey the Bible and draw closer to God,but Satan was always throwing obstacles over to my way so it was even harder to get a close relationship to God. I feel that if you put your mind to do something that does not harm you in any sort of way
Mary Shelley, the renowned author of Frankenstein, explores the consequences of man and monster chasing ambition blindly. Victor Frankenstein discovered the secret that allowed him to create life. His understanding of how bodies operated and the science of human anatomy enabled him to make this discovery and apply it to the creation of his monster. Walton wished to sail to the arctic because no sailor has ever reached it. The monster was created against his will, his ambition was to avenge his creation as a hideous outcast. These three characters were all driven by the same blind ambition.
“Life and death appeared to me ideal bounds, which I should first breakthrough, and pour a torrent of light into our dark world. A new species would bless me as its creator and source, many happy and excellent natures would owe their being to me. No father could claim the gratitude of a child so completely as I should deserve theirs.” (Shelley 39).
Frankenstein is a revolutionary novel that represents the struggle between addiction, power, human nature, and nature itself. Throughout the novel, various themes, including acceptance, addiction, and fear are presented. Overall, the novel is classic literature that gives readers something to keep in the back of their heads.
In childhood, people learn the most about morality by watching the way their guardians behave. Guidance and lessons learned from a young age establish an individual's basic beliefs of right and wrong. In Mary Shelley's Frankenstein, Victor Frankenstein successfully creates life, but quickly abandons his monster as a result of its horrifying appearance. The monster was then left alone in the world, taking in any information it learned as truth. The monster was made even more vulnerable by its hideous appearance, which caused all the people the it met throughout its journey to react violently or abandon the creature. Frankenstein could have helped the creature acclimate to society by not abandoning it during its first moments in the world, by making it aware of its horrifying appearance and by teaching the monster morality
As the bushes and brush grew more solid I began to ponder. Will I make it through this forest tonight or will I be taken in by the thick of the mystery? Sounds from sluggish foot steps caused a vibration around me that lead me to stop in my place and listen closely. Could this forest be haunted or was I just over exaggerating? I started to get very nervous by this time. “It will be just fine,” I told myself. I am just imagining things. I continued my journey through the forest but negative thoughts were running through my l...
Once we looked at the pavement and found the blocks loose and displaced by grass, with scarce a line of rusted metal to shew where the tramways had run. And again we saw a tram-car, lone, windowless, dilapidated, and almost on its side. When we gazed around the horizon, we could not find the third tower by the river, and noticed that the silhouette of the second tower was ragged at the top. Then we split up into narrow columns, each of which seemed drawn in a different direction. One disappeared in a narrow alley to the left, leaving only the echo of a shocking moan. Another filed down a weed-choked subway entrance, howling with a laughter that was mad. My own column was sucked toward the open country, and presently felt a chill which was not of the hot autumn; for as we stalked out on the dark moor, we beheld around us the hellish moon-glitter of evil snows. Trackless, inexplicable snows, swept asunder in one direction only, where lay a gulf all the blacker for its glittering walls. The column seemed very thin indeed as it plodded dreamily into the gulf. I lingered behind, for the black rift in the green-litten snow was frightful, and I thought I had heard the reverberations of a disquieting wail as my companions vanished; but my power to linger was