He was not willing to take responsibility for the monster he created. The monster was his responsibilities, his belongings, but Frankenstein didn’t accept the monster, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bedchamber…” (35). the moment his creation comes to life, Frankenstein abandons it and letting it free into the world. Frankenstein did not know what the monster is even capable of, leaves it unattended. In the article, “The Age of Biological Control”, A.T. Nuyen discusses bioethics as well as Confucianism, which is the religion of ethical, political, and social teachings. The article also goes over Francis Fukuyama’s concepts which examine the transformation human beings will go through. Moral principles don’t seem to matter because scientists are willing to do just about anything to reach their scientific goal, no matter the responsibilities that follow. Shelley reveals how ignoring one’s responsibility will catch up to them and cause havoc on their life. Frankenstein avoided his responsibility of the monster and in return, the monster began killing his loved ones and getting revenge on his creator for abandoning
Victor Frankenstein is blinded to the consequences of his scientific experimentation because of his overly obsessive personality. Mary Shelley’s story serves as a cautionary tale warning against the damaging powers of obsession. The search for knowledge, recognition and prosperity can lead one down a very dangerous road and take them away from what really matters in their life.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Furthermore, the creator has a responsibility for all the consequences that the creation causes. Frankenstein did not fulfill his responsibility. For instance, Frankenstein was in “... horror and disgust…”(Shelley 21) when his creation came to life. Therefore, Frankenstein, at the beginning of his creation new life, did not care for the monster at all because of the fear aroused in him. Frankenstein was also didn’t succeed in his responsibility for the monster because he left him the day after the creation was brought to life. For example, “[Frankenstein] did not dare to return to the apartment which [he] inhabited.” (Shelley 21). In the end, Frankenstein left the monster on his own without any regard on how the world
Mary Wollstonecraft Shelley’s Frankenstein exposes some of the harsh natures of human characteristics in this gothic novel through a genius, Frankenstein, and his hideous creation, Frankenstein’s monster. These two most important characters of the novel try to obtain power over one another and power is one of those harsh natures and is one of the strongest drives of human desire. Doctor Victor Frankenstein and Frankenstein's monster have altering positions of power as the novel progresses and their power is measured through knowledge, hostility, threats, and even death.
Frankenstein falls further and further down the path to insanity. He treats the creature he has made with contempt and does not even listen to its entreaties. His friends and family are killed off by the creature’s revenge, but still he blames the creature for its malicious intent rather than assuming responsibility. At last, in the confrontation between Dr. Frankenstein and his creature, the transformation is complete. The creature has matured above the normal human level, accepting his station in life and making small demands with enormous conciliations. Meanwhile, Dr. Frankenstein cannot abide to even look the creature in the eyes and continues to rage at it for the faults which he placed in the creature through his own negligence. Dr. Frankenstein becomes less than human by his desire for knowledge - it turns him into the
His intentions to create life were purely to become remembered and looked upon as great for having creating life. After he had created the monster, he thought of nothing of what he would do with the monster after he had created it and he took absolutely no responsibility to it. As the book continues, the monster begins to express more and more of his internal thoughts and unconscious. The monster sets out on a conquest to take out revenge on Victor and anyone who may be related. On his journey, the monster stumbles upon William who is related to the Frankenstein’s and he decides to kill him. The monster says, “The child still struggled and looked me with epithets which carried despair to my heart”, “I gazed on my victim, and my heart swelled with exultation”. (Shelley) The monster is consciously aware of his actions towards this child and still continues with his plan. This demonstrates the monsters ego as described by both Freud and Jung. The ego is where our conscious awareness exists. Not only is the concept of the monsters ego portrayed but also the superego. The superego is the morals an individual has and the inner voice that tells an individual that we shouldn’t do something. The monster shows some remorse and knowledge that what he is doing is cruel and wrong by his dialect with William during this tragedy. After the monster has been rejected by society, he goes
Frankenstein describes the beginning of his life as a happy time with his family. During his childhood, Frankenstein was passionate about learning, but his emotional connection with Elizabeth kept him from completely engrossing himself in his studies (Shelley 38). When Frankenstein left home to study at the university of Ingolstadt, he became intent on his quest to uncover the mystery of life. He tells of working in the laboratory until sunrise and being indifferent to the beauty of the world around him (Shelley 56-63). These changes in Frankenstein’s way of life represent Shelley’s belief that one’s passions must be controlled or the passions wi...
When Victor Frankenstein gives life to his monster, Mary Shelley shows the reader how disappointed Frankenstein is with the outcome of the monster, "How can I describe my emotions at this catastrophe"(Shelley 55), these descriptive words show how Frankenstein is disgusted with the monster that he has created. He is disappointed because he wanted his creation to be something beautiful, instead, he creates an ugly monster. The monster enters the world and is immediately unloved by his creator. Frankenstein does not take responsibility for his creation instead he abandons him, leaving him to fend for himself. The monster did not start out more evil than anyone else, “He does acts of evil, yes, but they can be equated to tantrums from a lonely
From the very beginning of the Monsters birth in Frankenstein, he wants to be accepted by his creator. Victor realizes the atrocity he creates and flees his laboratory once the Monster awakens. “Unable to endure the aspect of the being I had created, I rushed out of the room”(Shelley 43). This is first time the monster is alienated and by his own creator. This foreshadows how the Monste...
From the very opening of the novel, there is an introduction of a character and his relation to nature, in this case, Robert Walton as he depicts the grandeur of nature through his letters sent to her sister while setting out on his adventure to the North pole; “There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour” (Shelley 10). Through this description, it is evident that Romantic elements are being portrayed through Frankenstein since the love and emotion for nature is emphasized repeatedly. Moreover, Romantic literature regards emotion and imagination as more important entities than reason and formal rules. This characteristic is exemplified throughout the novel and is the main cause of the scientist’s invention which is caused due to his curious nature rather than rational thoughts. Generally, The Romantic Movement was established in the late 18th century by artists across Europe. The concept of Romanticism is that rationality doesn’t provide an explanation to everything. Thus, Romantics were known for their irrational thoughts and deep emotions unlike the Enlightenment Age, where rationality, collective thoughts, science and deductive reason were heavily focused on which eventually led to the birth of the Industrial Revolution (Hug 17 Mar. 2014). Many writers embraced the ideology of Romanticism and often incorporated several characteristics throughout their texts, for instance, Marry Shelley’s Frankenstein. The novel regards a young curious scientist residing in Switzerland named, Victor Frankenstein. Being an inquiring individual, he shifts to the University of Ingolstadt where he develops an interest in alchemy and chemistry. Expanding his knowledge a...
Mary Shelley's, Frankenstein, tells the story of Victor Frankenstein, a young scientist who created a monster in a scientific experiment. Shortly after discovering he had created a self loathing monster, Victor immediately began to regret his decision. After being denied a companion to love and be loved by, the monster makes it his mission to destroy the life of Victor Frankenstein as he knew it. Going to great lengths, the monster decides to end lives in return of Victor’s sufferings.
Dr. Frankenstein is socially irresponsible, stubborn, and extreme in his actions throughout the novel's plot. His irresponsibility shows through many times in his feelings toward his creation. While he was in the process of shaping his creation, Frankenstein is so caught up in his work and his yearning to be remembered for all time that he does not ponder about what will happen after life is breathed into this being. He is so consumed by his work he does not sleep for days on end, go outside, eat meals, or write to his family with such frequency as he had before he commenced. After his creation comes to life, he refuses to accept his obligation as the creator to his creation. He does not care for it, shelter it, provide it with food or love, nor teaches the creation. Eventually all the monster wants from the doctor is a companion like himself. Frankenstein even refuses to accept the responsibility of providing a source of companionship for the creation since he does not allow for any connection between himself and the monster. The doctor is intensely set in his ways. Even after his creation kills his son and frames Justine, Frankenstein still will not change his attitude and does not want any association between himself and his creation. Frankenstein is so convinced that his creation will kill him next, he does not stop and think about what else he could have meant by, "I will be with you on your wedding night." The thought does not enter his head that the monster is foreshadowing the death of his bride. Then after the monster has taken this action, Frankenstein is wrathful towards his creation for not killing him. Frankenstein again shows his persistence when he tries to kill the creation. The monster leads his creator through all kinds of rough terrain, and then into the snow. Frankenstein does not care that the monster is vastly superior in physique compared to himself, and that he will never be able to seize the monster unless the creation allows the doctor to catch him. His thick skull does not let any of this affect his thirst for revenge.