Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
The creature’s moral ambiguity characteristic was a vile ingredient to the construction of this novel Frankenstein because it made the reader 's sympathies with him even after the audience knows he had committed murder because the readers had seen the truth this creature had to face. That he had tried everything within his power to peacefully live with them, to interact, communicate, and befriend them “these thoughts exhilarated me and led me to apply with fresh ardour to the acquiring the art of language”, that even though he was seen as a monster because of the looks he was created with, something he had no control over, he still had hope to be seen as equals, ”My organs were indeed harsh, but supple; and although my voice was very unlike the soft music of their tones, yet I pronounced such words as I understood with tolerable ease. It was as the ass and the lap-dog; yet surely the gentle ass whose intentions were affectionate, although his manners were rude, deserved better treatment than blows and execration;” this hope of his was utterly crushed, and can only set him up for utter disappointment(12.18). Because in the end he only received hates, scorns, violence, and prejudice from his good will. So in the end of the story, Mary Shelley’s forces the readers to see within the creature’s heart and for
Mary Shelley’s novel Frankenstein centers around a creator who rejects his own creation. The plot thickens as Victor Frankenstein turns his back on his creation out of fear and regret. The monster is cast out alone to figure out the world and as a result of a life with no love, he turns evil. Shelley seems to urge the reader to try a relate with this monster and avoid just seeing him as an evil being beyond repentance. There is no doubt that the monster is in fact evil; however, the monster’s evilness stems from rejection from his creator.
The world consists of people that have the ability to overcome evil or become consumed in it. In Mary Shelley’s Frankenstein, a creature believed to be monstrous and destructive is created and as a consequence despised by the society he is brought into. Through the perspectives of Walton, Frankenstein, and the creature, Mary Shelley counters Frankenstein’s belief that the creature is a ‘demon’. The creature exemplifies more heartfelt characteristics than the creator Victor Frankenstein himself. Though Frankenstein’s creature portrays the physical attributes of a malevolent character, his human-like emotions overcome his ability to let evil consume him. He demonstrates acts of knowledge and empathy, but society judges him for his appearance and undeniable strength.
Mary Shelley’s Frankenstein, is a novel of interpersonal struggle between inborn traits versus the self determined willingness to work for success. The author demonstrates the contrasting personalities of Victor and the Creature specifically in regard to the nature they are born with in contrast to who they made of themselves. Innate aspects hinder personal growth for the Creature although he works hard to become a self-made man, whereas nurturing miens obstruct growth for the dignified Victor despite his fortunate nature. Shelley demonstrates sympathy with a Creature who tries to overcome his monstrous form more than a gentleman who abases him in order to convey that no matter how hard he tries to overcome his nature, personal choices can only take him so far. Through contrasting Victor’s and the Creature’s innate personas and willingness to achieve success, Shelley is allowing the reader to question whether or not a person is able to work past his genetic boundaries and inherent instincts to become whoever he wants to be, or, if he is stuck having the same success level of his parents due to his intrinsic nature. Both scenarios play a key role in the character’s lives; if Shelley had not embedded this “nature versus nurture” theme into the plotline, then the plot would have ceased to exist due to a lack of conflict on the Creature’s part.
Throughout Mary Shelley’s “Frankenstein”, the author stresses the theme that “one should be careful as the loss of innocence is destructive”. In “Frankenstein”, Victor Frankenstein and the creature he creates undergo a loss of innocence. As a young adult in the university, Victor has lofty ambitions and a curious nature. He is young, and he sees the world and the possibilities for success that it offers, and so he sets forth the goal of animating an inanimate assemblage to life. Upon doing so, Victor is quickly stripped of his innocence. Mere seconds after bestowing life unto his creature, Victor says, “Breathless horror and disgust filled my heart” (Shelley 43). He rushes from the room, abandoning the creature out of fear, which, unbeknownst to him at this time, will act as a catalyst to the monster’s own fall of innocence.
Mary Shelley Wollstonecraft, in the summer of 1816, tells the world a story she claims owes its life to her husband, their two friends and her own inner author, which is accredited to her literary parents. She tells a heartbreaking story of a misbegotten creature with no sense of belonging and no companions. She tells of an unloving creator, one who wishes he had not been so foolish in his creation, and who hates that which he has created. Mostly, however her riveting tale seeks to point to the horror created by society, that of people unloved and uncared for, meting out miserable existences until either the upper class citizens take pity, if they are “pleased” by them, or else, until their lives are over. The monster in Frankenstein is
The horror and tragedy of Mary Shelley’s gothic novel Frankenstein has made it one of the classics, read again and again. It shares the story of Victor Frankenstein who, seeking the end to human suffering and death, inadvertently causes his own demise when he creates the lonely being known to the readers only as “the creature”. Throughout the book, Victor struggles not only with the creature, but with himself as he fails to take parental responsibility for his own creation and it ultimately destroys him. Mary Shelley’s theme that is portrayed throughout the novel is that if no one takes responsibility for their actions, then there is no way for them to fix their mistakes and there are consequences.
Loss of self is the inevitable consequence from interfering with nature’s course. In the 19th century the mass production in the industrialization period denied any form of connection between creator and creation. This self-indulged behavior in man kind’s developments is evident in the unchecked industrialized ‘progress’ of Victor Frankenstein. In Victor’s search for superiority his God- like transgression leads to the symbolic creation of the creature. Victor abandons all moral consideration to fulfill his perennial curiosity when he condemns his own creation that was created in his likeness, to a life time of hostility and suffering.
Mary Shelley’s Frankenstein promotes the truly violent reality of the natural world through its deployment of gothic literature styling, primarily death and gloom. Victor’s creature evolves through its struggle to survive after its escape from Victor’s apartment, its initial care for humanity eroding into the most natural and primitive solution present in nature - violence. Shelley’s novel also touches upon the medieval code of chivalry, making use of high levels of emotion to portray Robert Walton as a chivalrous knight who dismisses the concerns of the lower classes in pursuit of personal glory, only to have his glory denied by said commoners.
Mary Shelley’s ‘Frankenstein’ explores the relationship between creator and being in a very complex manner and allows the reader to delve deep into the psyche of the purpose of their individual journeys. Victor deals with the problems he encounters in his life by fleeing and seeking alternatives instead of confronting them. His avoidance creates further problems once the Creature he created begins to seek him out. The Creature on the other hand is left with nothing; he has to seek understanding and solace by himself. They each have a need to fulfill something inside of them that is constantly fleeting, an acceptance that cannot be found in others. They give themselves to their passions without much contemplation or thoughts of consequence.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
Mary Shelley’s Frankenstein is a novel about the struggle of acceptance, yet the debate between nature and nurture as well as whom the real monster actually is shines through. Shelley brings the serious juxtapositions of acceptance and rejection, companionship and isolation, and their consequences to readers’ attention through the encounters between man and monster. Victor Frankenstein’s creation is left in isolation and forced to live through everyone’s hatred towards him. Because the monster is a dismembered, strange looking creature made from body parts, many people who meet him are frightened and therefore do not want to form a relationship with him. This can be very damaging to someone, monster or not. The monster’s character is directly
Mary Shelley’s romantic novel Frankenstein evokes elements of revenge following the alienation of a seemingly sensitive character, and the return of his vengeance to seek out his creator and find his true home. Through Shelley’s use of ongoing metaphors and vivid, somber tones, the monster not only finds his creator, but he forms his own pathway to knowledge and acceptance of his true self. Shelley makes a plethora of parallels between her novel and the novel Paradise Lost; comparing the two characters of the monster and Adam as one. In this, Shelley creates a connection to the romantic era the novel was written in, where the true self is found by the naturalistic surroundings and self perseverance.
Mary Shelley’s famous work “Frankenstein” contains a mixture of literary styles that make it iconic Romanticism, but with obvious influences of the previous periods. The Enlightenment Period took place several decades before “Frankenstein” was written, but it’s philosophy is very prominent throughout the work. The overarching theme of “Frankenstein” explores the morality of enlightened thinking through the character development of both main characters and their relationship. Victor’s character embodies enlightenment philosophy at war with both gothic and romantic philosophy. The Creature embodies the literal monstrosity that results from knowledge being pursued too far for human comprehension, which is what creates the conflict of the story.