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Feminism history
How are gender differences connected to inequality
How are gender differences connected to inequality
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What does gender inequality means to you as a human? In the twenty-first century, feminism is influential for women being equal to men, however, places in the world today, the history, or stories lack the consideration of women as in humans. In the play, Lysistrata, who is the main protagonist, is an ambitious woman formed a plan to end the Peloponnesian war by convincing the women forgoing any sexual privileges with their men, in order to courage the return of their partners back home. Ultimately the play does not acknowledge the significant improvement or equality in women status from both views of men and women. The overarching the play demonstrates the men’s perception of women is entirely not treated as humans. The dialogue between …show more content…
In the introduction of the scene, the women are gathering for a meeting which Lysistrata request for and she begins to reveal her plan, as women, we can work together to end the war. At the start, Kalonkie, a friend of Lysistrata initiated “How can women do a thing so austere, so political?”(10), immediately women are questioning what qualification women can do to end a war the only skill comprehend is to be a lovely housewife. The notion of women minds dose not expands and believes that they are capable of doing things beyond. As well in this quote, there is emphasize on the word “political” Kalonkie is demonstrates politics is a difficult aspect to understand and is mainly a man’s job. The questions of women do not have the qualify knowledge of fixing such a complex situation. However, once Lysistrata deliberates her plan on a sex strike unhesitatingly Kalonkie speaks “no! I’d walk through fire for you- you know I would!”(10), this immediate response shows women are not entirely supportive of Lysistrata’s plan, and women will exclusive will do anything else besides supporting the sex strike. As well, a scene in the Akropolis women is infidelity escaping so they can go have sexually contact with their husbands. Lysistrata response on this behave was not positive aspect about women “No wonder poets write tragedies about us.” (12), Lysistrata the protagonist demonstrates responses are actually the behavior of what men consider of women. Women are considered only for their sexual desire, to be pretty and sit all day, while allowing the men achieve all the action and heroic stuff. These impressions of hesitance of women are shown throughout in deliberation and see nothing beyond of
In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,
...brought this power imbalance to the open, however, by exploring what would happen if women took the initiative to claim the dominant rold in society. The women, when able to successfully overcome the men and take power in the city, left the men with no choice but to either fight to regain the power, as they attempted to do in Lysistrata, or succumb to the women’s plans, as they did in both Assemblywomen and, eventually, Lysistrata. In relinquishing their power to women, the men forfeited their masculinity and became stereotypically feminine while the women also forfeited their gender norms to stay in power. Athenian unions, therefore, subsisted on a constant inequality of power kept carefully balanced by each partner staying in their designated role in the marriage – the husband the strong moneymaker living outside of the house, the wife the submissive homemaker.
Lysistrata, on the contrary shows women acting bravely and even aggressively against men who seem resolved on ruining the city- state by prolonging a pointless and excessively expending reserves stored in the Acropolis. The men being away at war would come home when they could, sexually relieve them selves and then leave again to precede a meaningless war. The women challenge the masculine role model to preserve traditional way of life in the community. When the women become challenged themselves they take on the masculine characteristics and defeat the men physically, mentally but primarily strategically. Proving that neither side benefits from it, just that one side loses more than the other. It gives the impression that the women are heroes and the men are ignorant, which contradicts what Euripides said but is chiefly written to entertain.
in this play, women are used as a symbol of male power, or lack of it.
First, Lysistrata is clearly identifiable as a leader for Athenian women. In the beginning of the play, Lysistrata secretly organizes a meeting between all the women of Greece to discuss a strategy to end the Peloponnesian War "if the women will meet here - the Spartans, the Boeotians, and we Athenians - then all together we will save Greece" (Page 468, 40-42). During the meeting, which Lysistrata leads, Lysistrata suggests to the women of Greece to withhold sex from their husbands. The women are hesitant and some refuse "I won't do it! Let the war go on" states Myrrhine, an Athenian woman (Page 470, 132). However, with Lysistrata' encouragement, the women swear an oath to withhold sex from their husbands until a treaty of peace is signed. Also, throughout the play, Lysistrata continuously directs, instructs and coaches the women of Athens on how to behave. Furthermore, the men call upon Lysistrata to make the treaty between Sparta and Athens "Only Lysistrata can arrange things for us; shall we summon her?" (Page 494, 1...
On page 16, Lysistrata says to Kleonike, “I’m positively ashamed to be a woman-- a member of a sex which can’t even live up to male slanders!” I find it contradicting how in the beginning she says that she is ashamed to be a woman because the only thing they are good for is glamour, but yet she believes that with this same ability, they have the power to stop the war. If she thinks that women have the ability to get the men to stop the war then she has to have some pride in being a woman. When Lysistrata proposes that the women should give up having sex they disagree with her at first believing that she’s taking things too far. However, after she explains how they can go about doing so the other women come around and agree with her. She tells
Lysistrata is a work of fiction inspired by real life events, and although the outcome of the play did not have a vast effect on the Peloponnesian war itself, it did however, bring up a subtle notion of female strength and wit. Although being comical in the play, the idea of letting women be in charge of political issues remained a question that other politicians, writers, and philosophers57 pondered on through continuing
In Aristophanes play Lysistrata, the women of Greece take on the men to stop the raging war between the Athenians and the Spartans. To stop the war, the women withhold sex from their male counterparts, and take over the Acropolis for themselves. The women are indeed triumphant in their goals to stop the war, and the Athenians and Spartans come to an understanding. What is blatantly ignored, however, is that Aristophanes creates a gender war that, although seemingly rejoices the actions of the women, instead mocks the women’s power-struggle in a male dominated society, focuses on the male-privilege seen throughout the entirety of the play, and should be disregarded in the fact that this play is not even from a women’s perspective.
Her play proved that women are not at the mercy of men and are capable of making decision or assumptions for themselves. The two leading women in the play emphasize the idea of women having power. Even though it is in tedious means of her play, it contributes greatly to the overall idea. The reader of the play or participating actors are introduced to dynamic gender roles that can be seen in everyday life. The play showed how women are capable of taking control of their own lives and how it affects the lives of others around
The play Lysistrata takes on a lot of gender roles, and the views of woman and men in the play are of a stereotypical point of view. There is a lot of gender power and a reversal of traditional gender roles by weakening the theory that men hold real power in society. The woman mostly Lysistrata show through actions, that they are more effective at provoking change.
However in Lysistrata the women needed to get involved to resolve the war between the Spartans and the Athenians. This was a huge red flag for the audience in Athens because of the Athenian attitude towards women. Treated as almost a second class citizen to men, the women in Lysistrata took an active role in persuading the men of Athens to find peace with the Spartans by way of abstinence. Particularly Lysistrata got a group of women together that disliked the current suffering caused by the war and convinced them to not sleep with their husbands until they decided to work towards peace.”...imagine. We’re at home, beautifully made up, and we walk around the house wearing sheer lawn shifts… and we keep our distance … they’ll make peace soon enough”(p.146). Using their sexuality as a weapon towards the men in Lysistrata the women effectively forced the men to change their political attitudes. This further proved to undermine the democracy by showing the audience that even the women noticed that the current system was causing problems and it needed to be changed. So much so that women were willing to make their husbands suffer until an agreeable result was achieved. Once an agreement was achieved between both sides the Spartans and Athenians drank together and celebrated their new found peace. This gave the audience another taste of what it would have been like if the war was over. Using the contrast
Lysistrata is portrayed as a typical commander of war that gives orders and does not take part in the war. While being the mastermind behind the sex strike, she is able to separate her self from the other women in her ability to resist her attraction for men. The women are used as pawns by this cunning and powerful, Lysistrata, who is victorious in establishing peace in Greece.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...