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Truman Capote's personal feelings about the killers depicted in Cold Blood
Truman Capote's personal feelings about the killers depicted in Cold Blood
Themes for in cold blood by truman capote
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The 1960s and 1970s can be seen as the birth time of literary journalism. Literary journalism uses literary techniques, which was unheard of at the time. During this time frame the work Tom Wolfe coined “New Journalism” in a 1973 collection of journalism articles he published as The New Journalism. The New Journalism included works by Tom Wolfe himself, Truman Capote, Norman Mailer, and Gay Talese. The 1960s and 1970s was when literary journalism was most important.
The 1960s and 1970s was a time of drastic change in American culture. African Americans obtained the right to vote. People became concerned about the environment such as pollution and cigarettes. Drugs became more popular and sexual freedom exploded. College campuses across the country demanded desegregation, unrestricted speech, and withdrawal from the war in Vietnam. Tom Wolfe, Truman Capote, Norman Mailer, and Gay Talese capture these major ideas in the works.
A significant work by Tom Wolfe is The Electric Kool-Aid Acid Test, which brings the reader along a journey of a bus ride with young adults dabbling in acid that leads to a trip that is not forgotten. The main character Kesey’s travel managed to captivate readers and permitted them to read the book as a fiction piece rather than a news story. The Pranksters see their trips as a breach of their physical worlds and realities. Throughout the book Wolfe focuses on placing the Pranksters and Kesey within the context of their environment. Where Pranksters see ideas, Wolfe sees objects.
Wolfe’s book exposed counterculture norms that would soon spread across the country. Wolfe’s accounts of Kesey and the Pranksters brought their ideologies and drug use to the mainstream. The Electric Kool-Aid Acid Test undeniably alte...
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...to reporting. Esquire editor Harold Hayes later wrote that “in the Sixties, events seemed to move too swiftly to allow the osmotic process of art to keep abreast, and when we found a good novelist we immediately sough to seduce him with the sweet mysteries of current events.”
Sexually exploration was also a prominent feature of this time frame. Talese explores sexually freedom in his non-fiction work of Thy Neighbor’s Wife. Thy Neighbor’s Wife was first published in 1981. The piece of writing shocked Americans. The book brings to light the fascinating personal odyssey and revealing public reflection on American sexuality, which changed the way Americans looked at themselves and one another. To prepare for writing such a story, Talese had sexually intercourse with his neighbor’s wife for several months at a clothing-optional resort called the Sandstone Retreat.
Boynton, Robert S. (1997). Jonathan Harr. The New New Journalism: Conversations with America’s Best Nonfiction Writers on Their Craft. Retrieved from http://newnewjournalism.com/bio.php?last_name=harr
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
An amuse-bouche is an hors d'oeuvre served to shock the taste buds. Chefs are meticulous in their choice of ingredients for an amuse-bouche, as this one bite proclaims who they are and what they create. The bite must be just right. The writing of Amy Hempel and Anne Beattie is a lot like an amuse-bouche. Their opening sentences are immediately engaging, a unique and deliberate diction allows for maximum intensity in a limited space, and their stories are about the moment, rather than a prolonged succession of cause and effect events. An examination of the following six stories, “In the Cemetery When Al Jolson is Buried,” “Nashville Gone to Ashes,” “Jesus is Waiting,” “A Platonic Relationship,” “Home to Marie,” and “Find and Replace,” prove Beattie and Hempel’s concentrated works are demonstrative in the art of restraint.
Insanity is a blurred line in the eyes of Ken Kesey. He reveals a hidden microcosm of mental illness, debauchery, and tyranny in his novel, One Flew Over the Cuckoo’s Nest. The remarkable account of a con man’s ill-fated journey inside a psychiatric hospital exposes the horrors of troubling malpractices and mistreatments. Through a sane man’s time within a crazy man’s definition of a madhouse, there is exploration and insight for the consequences of submission and aberration from societal norm. While some of the novel’s concerns are now anachronous, some are more vital today than before. One Flew Over the Cuckoo’s Nest is a compelling tale that brings a warning of the results of an overly conformist and repressive institution.
...rphy knows the other patients are not crazy but the big nurse convinces them that they are. One student says “the book gave her insight into the mental institutions and that she liked the characters’ care free quality, even though they were ill.”(LA times) Kesey expected the same response from all of his audience, although, he received a negative response from parents. As author Upton Sinclair said about his book The Jungle, ‘I aimed my book at America’s heart, but I hit it in the stomach.” (Books Reconsidered), so did Kesey.
Parini, Jay ed. American Writers, Supplement V. New York: Charles Scribner's Sons - The Gale Group. 2000. 275-93.
In the early 1960’s, Ken Kesey worked in the psych ward in a veterans hospital as an aide. During the course of his job, Kesey realized the administrators were giving patients experimental LSD to cope with their mental illnesses. After seeing this being done, he started to wonder, who is mentally stable and what classifies a person as insane (Kesey)? With this in mind Ken Kesey wrote, One Flew Over the Cuckoo’s Nest. This classic novel depicts the image of a psych ward under control by the manipulative, Nurse Ratched. The patients on the ward are lifeless; every waking moment is scheduled and controlled, until one day when a new patient, Patrick McMurphy arrives. Patrick McMurphy brings life back into the patients and helps them push the boundaries. With McMurphy on the ward there becomes a new normal. When answering the question of what normalcy is, Kesey uses character development, symbols, and motifs to give insight of the psychological well-being of others and how it shifts with positive and negative changes.
The 1920s was seen as a turning point in American history in terms of literature, art, and music. Also known as the Jazz Age, the era brought new highly visible social and cultural trends. My research question asks not only how did the writers reflect their views, but how the historical context of that time period affected the minds of the intellectuals. I am interested in this topic because I wanted to investigate the reasoning behind modern literature, and arguably the first real American style, leaving behind the romantic 19th century British influenced writing and conservatism.
American journalist and politician Claire Boothe Luce, and her speech to the journalist at the Women's National Press Club, criticize the American press for surrendering fulfilling work for cheap dramatize stories. Luce, in her speech, discussed the many problems the journalist face in the writing community. This purpose is to introduce problems in the writing community. She uses happy tone to appeal to her uninterested colleagues, as well as, diction, ethos, pathos, and logos. Claire Luce gives a powerful speech while bringing the American press down.
Max Perkins once wrote to Thomas Wolfe that "[t]here could be nothing so important as a book can be." Perkins lived and died believing this, as A. Scott Berg attests with his book, Max Perkins: Editor of Genius. Berg's book begins by describing a rainy evening in mid-Manhattan where a class of budding editors and publishers awaits the infamous Maxwell Perkins for a discussion on editing. Here Berg reveals Perkins as "unlikely for his profession: he was a terrible speller, his punctuation was idiosyncratic," and he was an awfully slow reader by his own admission (4). But none came near Perkins's "record for finding gifted authors and getting them into print"(4). Perkins defines editing to the enthusiastic class, not as being a great speller or grammarian, but as knowing "what to publish, how to get it, and what to do to help it achieve the largest readership"(4). This introduction leads the reader into a long flashback of Perkins's life as an editor, the risks he took with books by new talents and the undying support he gave artists, proving Perkins to be "America's greatest editor."
During the sixties, Americans saw the rise of the counterculture. The counterculture, which was a group of movements focused on achieving personal and cultural liberation, was embraced by the decade’s young Americans. Because many Americans were members of the different movements in the counterculture, the counterculture influenced American society. As a result of the achievements the counterculture movements made, the United States in the 1960s became a more open, more tolerant, and freer country. One of the most powerful counterculture movements in the sixties was the civil rights movement.
Johnson, Michael L. The New Journalism: The Underground Press, the Artists of Nonfiction, and Changes in the Established Media. Lawrence: University of Kansas, 1971. Print.
Railton, Stephen. "Ken Kesey & The Merry Pranksters." 2012. University of Virginia. 9 April 2014 .
The Hippie Movement changed the politics and the culture in America in the 1960s. When the nineteen fifties turned into the nineteen sixties, not much had changed, people were still extremely patriotic, the society of America seemed to work together, and the youth of America did not have much to worry about, except for how fast their car went or what kind of outfit they should wear to the Prom. After 1963, things started to slowly change in how America viewed its politics, culture, and social beliefs, and the group that was in charge of this change seemed to be the youth of America. The Civil Rights Movement, President Kennedy’s death, new music, the birth control pill, the growing illegal drug market, and the Vietnam War seemed to blend together to form a new counterculture in America, the hippie.
Through his use of symbols to represent corrupt society, Ken Kesey renews the reader’s concept of insanity. The combine, a heartless machine reduces stray societal participants, shaving them down to the exact same length. Kesey proposes that the ‘insane’ are those who refuse to be cut down, not those who are naturally different. Chief, confused by the demands of society, refuses to talk in order to prevent his ‘harvesting’. He knows his participation in Big Nurse’s experiments will lead to his eventual ‘fix’. McMurphy, showing him how be comfortable with his differences, frees Chief from his paranoia against conforming. The ‘insane’ recognize the corrupt values of society and separate themselves from it, eventually becoming too far pressured and conforming or finding happiness and comfort in their differences.