Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Important of drawing
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Important of drawing
Filippo Juvarra
The Italian architect most widely known as one of the most accomplished architects of his time is Filippo Juvarra. He was born to a family of goldsmiths and engravers in Messina, Sicily, Italy on March 7th, 1678 and died in Madrid, Spain on January 31st, 1736. In his 58 years of life, Juvarra became popular in Europe in the early18th century. He was an amazing draftsman, and designed furniture, interiors, altars, theater sceneries, urban complexes, along with architectural views. Juvarra studied under Carlo Fontana, a Swiss architect, who is known for continuing the classicizing of a late baroque roman architecture, which was later carried on by Juvarra. Fontana was a principal professor at the Academia di San Luca, where Juvarra would later return to teach.
…show more content…
Later, some of his later works were was also bound after his passing. There are five albums that contain over a thousand of Juvarra’s drawings and scene designs also preserved from his earlier time in Rome. Juvarra’s work resembles simplicity, clarity, and luminosity; he also had an affinity for structure. Juvarra’s work largely resembles the concern for incident light and luminosity. At the beginning of his career, Juvarra tried to get commissioned, but it was a struggle. He did receive a few commissions from Fredrick IV, Louis XIV, Charles XII, and Joseph I. Eventually, in 1714, Juvarra was commissioned in Savoy by Vittorio Amedeo II. Amedeo was looking for an architect who would be able to transform Turin from ducal to royal capital. After this project, Juvarra was widely known and sought after for his talent. In twenty years, Juvarra was able to accomplish the building and remodeling of eight churches, sixteen palaces, and a dozen altars, while also preparing designs for projects that unfortunately were not
It is a long-with-standing stereotype that Italians love to gamble. This is true. My great grandfather, Pasquale Giovannone, played the riskiest hand of cards when he immigrated to the United States as an illegal stowaway at the age of thirteen. He forged a life for himself amidst the ever-changing social and political shifts of the early nineteenth century. The legacy he left would later lead to the birth of my father, John Giovannone, in Northern New Jersey in 1962.
Francisco Pizarro was a famous Spanish explorer. On September 13, 1524, Francisco Pizarro set sail from Panama to a conquest of Peru. He brought about eighty men and forty horses with him. In 1528, Pizarro went back to Spain managed to obtain in a group of people from Emperor Charles V. Francisco Pizarro was known for capturing the Inca Emperor, Emperor Atahualpa, in 1532. In 1533, Pizarro conquered Peru.
Filippo Brunelleschi gained much of his architectural signature from his studies in Rome. He was already making a name for himself in Florence before he started working on a design for the Baptistery doors. “After Lorenzo Ghiberti had won the competition (1401) for the Baptistery doors, the runners-up, Donatello and Brunelleschi, both left for Rome to study sculpture and architecture respectively” (Meek np). It was actually a blessing in disguise that Brunelleschi lost the bid for the doors because it led him to move to Rome for a period of time. This exposed him first hand to the ancient Roman buildings and the specific architecture in their designs. According to PBS, “Brunelleschi spent the next 10-years living rough in Rome with his good friend, the sculptor Donatello, studying the ruins of the great city” (“Filippo Brunelleschi” np). A decade is a long time to absorb a narrow field of architecture. It is inevitable that he picked up on the design elements and incorporated them into his own. Through independent study, Brunelleschi could truly focus on what interested him and thus making it a passion of his. After his time spent in Rome, Brunelleschi moved back to Florence where he was “responsible for initiating the rediscovery of ancient Roman architecture” because he “understood its inherent principles and he employed them in an original manner” (Meek np). As a result it is indisputable that Brunelleschi’s ...
Andrea Palladio was born in 1508A.D. in Italy. At a very young age he became a stone mason, however his journey into architecture began when he met Gian Giorgio Trissino who immediately saw ability in him and decided to mentor Palladio. Trissino combined a study of classical architecture with architecture of the time, all the while allowing Palladio room to develop a style of his own. In time Palladio was constructing villas through out the country side of Italy, in all he constructed 30 villas, 18 of which are still standing today. Perhaps Palladio’s most famous work was the Villa Rotondra or La Rotondra which was started around 1565 and took approximately 4 years to build and was greatly inspired by the Pantheon in Rome. It is interesting to note that la Rotondra is different from Palladio’s other villas in a number of ways, and it is evident that these differences help distinguish it from the rest. The main differences between Palladio’s Rotondra and his other work are, The Rotonda is set on a hilltop, it is located near a...
The most famous commission by Cosimo is probably his home place - the Palazzo Medici. Remembering his father's word: "do not draw attention to yourself," Cosimo abandoned the original plan by Brunelleschi, which was twice as large as the actual building; and adopted Michelozzo's more humble design. Yet the exterior look of the building is still forbidding and fortress-like. Three layers, with each layer indicating a different level, compose the exterior wall. Rustication, an element that was also applied to the city hall, was used on the ground floor of the palace. Along with the double arched windows, the Palazzo Medici reminds anyone who looks at it of the actual role of its master. Unlike the low-key exterior look, the inside of the house is expensively decorated with frescos, paintings, sculptures, valuable antiques, and the finest furniture.11 For instance, The Bronze David by Donatello and Judith and Holofernes by the same sculptor, the famous fresco masterpiece Procession of th...
Giovanni de Verrazzano was the first European to sight the New York Harbor, Narragansett Bay, and Block Island. He sailed to America with four ships in 1524. He died do to cannibalistic natives.
Former Chicago White Sox pitcher Esteban Loaiza has been arrested for allegedly dealing cocaine out of his California rental home. He was taken into custody in Imperial Beach, near the Mexican border.
Europe after the Black Death moved into a period of intense creative revolution and advancement in all creative fields. This Renaissance period moved all aspects art and architecture away from the medieval gothic style and into a time of classical rejuvenation. The architectural side of this movement grew out of Italian cities like Florence, Venice and Rome and would greatly impact architectural design throughout the world for centuries. Among the most influential architects of this period was Leon Battista Alberti, a prodigious writer, thinker and designer from Florence. Alberti was raised during his most formative years, the first part of the 15th century, in the shadow of Brunelleschi. Brunelleschi's successful design for the Duomo in Florence would have been a major inspiration for Alberti to pursue what would be an incredibly successful career in architecture. His influence would be far reaching in the field of architecture and inspire great designs in urban planning and both public and private building designs. In this study of Alberti's architectural theory we will focus primarily on his thoughts about the purpose of private structures and his ideas about the importance of the centralized cortile.
Filippo Brunelleschi Was an important figure in the renaissance. The reason that I chose was because he was an amazing architect his legacy still lives on in the form of his buildings as well as his artwork. Brunelleschi is so admired that a parade is held for him every year in Florence. His most famous building and final resting place The Santa del Maria del fiore was a great example of Linear perspective which he rediscovered. Another thing contributed to the visual arts was vanishing point perspective. So how did this goldsmith with no architectural training turn into a leading figure of the renaissance.
Andreas Vesalius was well known for his dissections in the 1500’s. Growing up in Brussels he was captivated by the anatomy of animals. Throughout his childhood Andreas dissected many small animals trying to uncover life’s mystery. This curiosity regarding anatomy came very naturally, due to the fact that he was born into a family of physicians. Vesalius started his formal education at the University of Louvain; then traveled to Paris to continue his studies in medicine. During his life time, Vesalius was an accomplished physician, and professor of anatomy. He also received his degree as a doctor of medicine at the age of twenty-two. Vesalius writings and teachings set the foundation of anatomy we know today, hence why he received the title; founder of modern anatomy.
The Renaissance was a time of culture and rebirth. Some of the most brilliant minds in history were inspired by it. Three philosophers, Leonardo Bruni, Niccolo Machiavelli, and Baldassare Castiglione, wrote their best pieces of literature during this time period. All three pieces have been studied through time, and many of the ides have helped historians get an idea of what the past governments where like. World leaders throughout history have used the writers’ ideas.
Claudio Monteverdi, the influence and inspirations Alexander Lee Claudio Monteverdi is considered to be one of, if not the most significant transformer of European music. A genius since childhood, Monteverdi was a creative and dominant musician. Though a good number of his compositions were famous with other musicians and composers, on the other hand, shaped the musical compositions of ages that followed. As the melodic atmosphere in Europe changed, Monteverdi modernized his vision of music. He had the ability to write completely two different expositions on composition.
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
Andrea Palladio (1508-80) was one of the most influential figures of Renaissance architecture, who worked in Vicenza in northern Italy as well as in Venice and the surrounding Veneto.
Some of the most prominent personalities of the renaissance architecture were Filippo Brunelleschi and Leon Battista