Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Vernacular architecture past and future
Vernacular architecture past and future
Essay on aesthetic element of vernacular architecture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Vernacular architecture past and future
Architecture has followed the course of history, it marks triumphs, disasters, marvels in engineering and structure within society. Architecture can be judged through four categories; Physical, Economical, Socio-cultural- political and Technological aspects all having a high influence on the final design. This is also recognised through the two chosen case studies, The Farnsworth House in Illinois, USA designed by Mies Van Der Rohe, and constructed between 1945 and 1951, and Little Moreton Hall in Cheshire, England which began construction 1504 with extensions being added for the next one hundred years. Both pieces of architecture are highly contrasting yet serve the same function, they have both been heavily influenced by the above factors, …show more content…
The house of Tudor was the reining monarch at the time and they introduced the design style seen on Little Moreton Hall. The white background with the crossing of darkened wood beams. At the time much of society, especially those with wealth who could afford to construct large buildings would often construct them to the Tudor style as a sign of loyalty to the House of Tudor and the reigning monarch. The Tudor era was also a violent era, there were many challenges to the firmly held power of the monarch including the Pilgrimage Of Grace 1536-7 which was brutally suppressed. This form of suppression is also reflected within architecture. Many buildings constructed within the Tudor era consisted of limited materials, bland exterior decorations and many churches, tower castles and public buildings often had very loyal pro-monarch messages or statues. Although Little Moreton Hall never included any of these it still showed the following trend with society by following the Tudor design concept. Unlike Farnsworth House Little Moreton Hall didn’t incorporate any new technology or any design concepts like Farnsworth House. Unlike Farnsworth House, Little Moreton Hall is a vernacular example of architecture hence it has restrictions placed upon it. Vernacular architecture is defined as “Vernacular architecture is composed of local materials and derived from local customs, techniques that have been passed on from generation to generation”(February 20, 2018, https://www.archdaily.com/tag/vernacular-architecture)- which applies to Little Moreton Hall. Though in the sixteenth century many of the populace were poverty stricken and had little wealth, hence the need to use vernacular architecture not out of choice but out of necessity. However the Moreton’s chose to
Hitchcock, Henry Russell. Early Victorian Architecture in Britain Volumes I and II. New Haven: Yale University Press, 1954.
.... After the houses of parliament burnt down the chosen style was Gothic not Classical. Pugin undertook all of the interior work. Another example was Scarisbirck Hall in Southport built in 1837 the great hall was with a timber framed roof with no classical plaster ceilings and it was all based on knowledge of the mediaeval architecture and all materials used were true.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
A few key questions being asked in this examination of Kenwood are: why has this building been extensively written about? And, what are the influencing factors on its importance of inclusion at several points in the historical record? It is my opinion that Kenwood House gains and keeps its stature and relevance in architecture, through its association with a few key noteworthy and influential figures. Without the role of the first Earl of Mansfield, or the first Earl of Iveagh, Kenwood would have never became noteworthy, or would have suffered and decayed at the expense of time. It is an important building today as much for who owned it and lived there, as it is for any one architectural reason.
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
... the use of colorful stained glass windows and flying buttresses. The Gothic style was something awe-inspiring. Masons challenged gravity to create works of art that literally reached the heavens.
“In the Cause of Architecture” is an essay written by Frank Lloyd Wright in 1908. In this work, Wright outlines many of his architectural values. This text goes into great detail about the philosophy behind Frank Lloyd Wright’s architecture, as well as many important milestones in his life, such as working for Adler and Sullivan. This text is useful because it comes straight from Frank Lloyd Wright himself. It talks about many things important to his role as a notable American, such as his influences for his architecture and his architectural
The Palace of Westminster, also known as the Houses of Parliament, serves as the meeting place for the House of Commons and the House of Lords. The Old Palace was a medieval building that was destroyed by fire in 1834. After the fire, a competition was held for architects to submit plans for the new building that should be in a Gothic or Elizabethan style hoping to embody the conservative values of England. A Royal commission chose Charles Barry’s designs for a Perpendicular Gothic palace. Barry’s own style was more classical than Gothic which is why Augustus Pugin’s involvement was so crucial in Barry winning the competition. Barry’s plans reflected more of his knowledge of the neo-classical style through its symmetry. Pugin was the leading authority on Gothic architecture at the time. Almost all of the remains of the Old Palace were incorporated into the new design. Their work on the Palace began in 1840 and, while most of the work was finished by 1860, the New Palace of Westminster was not complete until a decade later. One of the most identifiable features of the Palace is the Elizabeth Tower, commonly identified by its main bell, “Big Ben”. The building is also known for two main spaces; the Lord’s Chamber and the Common’s Chamber. It is well identified by its main façade which runs parallel to the River Thames. The Palace, as it stands today, has been conserved very well to best display the designs as Charles Barry and Pugin intended them to be displayed. The Palace was, and remains, the center for political life in the United Kingdom, just as it remains a major iconic landmark of London. Many articles and books have been written discussing and disputing the history and design of the New Palace of Westminster, as well as the...
The reason for this piece is to attempt a comparison between two architectural examples that employ classical design from different stylistic eras of architectural history. The two styles I've chosen to discuss are the Renaissance and Baroque periods. An understanding of classical architecture needs to be made, as it is the fundamental style of any period that developed architecturally
When the Chateau was first constructed in 1623, it was constructed as a hunting lodge made of brick, stone, and slate (3-1 Internet 3). When the New Chateau was constructed around 1631 and it was decorated in the Baroque style. The style expressed the power and authority of the head of state. Baroque architecture combined in new ways as classical and renaissance elements as columns, arches, and capitals. Sweeping curved areas replace orderly rectangular areas and sculpture and painting played a greater part in building design, helping create an illusion of great space. Interest in the relationship between buildings and their surroundings led to a greater emphasis on city planning and landscape design. This emphasis was used greatly in the construction of the palace at Versailles. Baroque buildings in Austria, Spain, and Latin America were especially ornate and elaborate. The baroque architecture in France was more classical and ordered (pg 85, World...
Wright designed according to his desire to place the residents close to the natural surroundings. He felt that a house should be a natural extension of its surroundings and not just positioned on a site. Wright designed his buildings so its layouts and features could merge with its surroundings rather than merely resembling a rectangular box on a lot. Wright stated, “A building should appear to grow easily from its site and be shaped to harmonize with its surroundings.” His main objective was to demonstrate how people can be harmonious with
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.