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The comparison of gothic and gothic revival architecture
The development of gothic architecture
Influence of gothic architecture
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Revivalism in nineteenth century America was primarily driven by the establishment of churches with the separation of styles denoting religious denominations. In part to the nineteenth century picturesque movement, the gothic revival style soon became a movement of nationalism. Best known for his gothic revival churches, Richard Upjohn quickly became a leader in the picturesque style; particularly seen in his most notable work, the Trinity Church in New York City. Similarly, H.H. Richardson applied his own style toward his Trinity Church located in Boston.
Upjohn and Richardson were both influenced by the architectural styles that originated before them. These styles laid the foundation for their design aesthetics; as well as reasoning, making them influential in religious communities throughout the architectural scene that was taking place in the United States at the time. Upjohn’s essays dealing with the Romanesque style was part of the movement which primed the way for Richardson. Bold and generously serene, his villa-house designs were a premature struggle for functional expression in picturesque; further contributing to the development of, both, H.H. Richardson and Louis Sullivan. Upjohn possessed many of the aspects which were unified by Richardson and further developed in many of the first modernism works.
Upjohn's influence for his Trinity Church design came from the Ecclesiological movement, which supported "authentic" medieval forms. His work incorporated many of the Ecclesiological principles concerning church form, plan, and orientation; which included: emphasis on the chancel and altar; utilization of natural and honest materials; and a general approach to the spirit of medieval English churches. During his work o...
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...se History of American Architecture (Westview Press, 1979), 164-165.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 295.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
Leland M. Roth, A Concise History of American Architecture (Westview Press, 1979), 164-165.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 295.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
CBS Boston. "Boston’s Best Buildings Or Works Of Architecture « CBS Boston." Accessed March 13, 2014. http://boston.cbslocal.com/top-lists/bostons-best-buildings-or-works-of-architecture/.
The Effects of American Reform Movements in the 1900s Living in the United States of America is all about opportunity. The opportunity to get a good job, make money, and lead a life of good quality; in other words, the opportunity to live, live, and live the Pursuit of Happiness. However, the opportunity for many people was not around throughout the 1800s. Certain groups of people did not hold the basic rights that were guaranteed by the Constitution. In fact, most of the people that had opportunity were the wealthy white men, and few other people ever had any chance to lead a good life.
Queen Anne architecture can not be defined easily. It's architectural style has many different characteristics. In this paper, I will show how the Queen Anne style evolved from the architecture that was common during the reign of Queen Anne herself and also show how it evolved in America in the late 1800's during the Industrial Revolution. I will then show how the Queen Anne style is incorporated into today's architectural design.
Alberti, Leon Battistia. On The Art of Building in Ten Books. Trans. Robert Tavernor, Joseph Rykwert, Neil Leach. Cambridge: MIT Press, 1988. Print.
In her book “The Tall Building Artistically Reconsidered”, architecture critic Ada Louise Huxtable discusses the skyscraper. Huxtable composed a response to Louis Sullivan’s manifesto, “The Tall Office Building Artistically Considered”, which was composed in 1896. In his manifesto, Sullivan states, “It is the pervading law of all … true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law.” Sullivan argued that a building’s exterior should reflect the interior functions. The problem with the skyscraper is not a technical one, but an artistic one. Huxtable’s view on the form and function of the skyscraper successfully follows Sullivan’s beliefs.
When walking through Boston's renowned Harvard Yard, one may scope out the mixture of architecture throughout its landscape. From the traditional Memorial Hall influenced by Romanesque churches, to the Carpenter Center for the Visual Arts, Harvard Yard is like a salad bowl of architecture. Perhaps because I am a lover of Victorian style structures, or maybe because of its interior's beauty and richness, Memorial Hall intrigued my interest most of all.
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
Paul Rudolph was born on October 23, 1918. “The year of Rudolph’s birth, 1918, was a key date in world history” At the end of World War I, the old established conventions of balance of power, Renaissance culture, and surplus-value economy broke down. He was not only a famous American architect, but also the Chair of Yale University's Department of Architecture for six years. Paul Rudolph was known for his complex floor plans and the new approach of concrete. “The work of Paul Rudolph has had a profound effect on the architecture of the second half of the twentieth century, but its potential for further influence has only begun to be explored.” Paul Rudolph brought many influences in his work in Florida. The time is remarkable for his approach to creative and experimental methods of construction, to expanding the structural possibilities of materials to their limits while reviving both static and aesthetic possibilities of materials; for his effort to explore and thrive the spatial copiousness, complexity, and interrelationship of the interiors and exteriors of his architectures, their location, their
By the time the Act of 1670 created the commission to rebuild churches, four years had passed since the fire. Some churches gave up waiting for the committee and began repairs and rebuilding with the help of private donations. A new obstacle formed: “Wren and the Commissioners were therefore faced not with fifty-one churches waiting to be rebuilt, but with fifty-one in states ranging from largely rebuilt to others untouched since the Fire and still in ruins” (Jeffery, Page 44). Any design or draft Wren composed had to take into account existing walls, foundations, and recent renovations. His freedom in design was severely limited.
Temko, Allan. (1993). No Way to Build a Ballpark: and Other Irreverent Essays on Architecture. San Francisco: Chronicle Books.
Harwood, Buie, and Bridget May. Architecture and interior design from the 19th century: an integrated history, volume 2. Upper Saddle River, N.J.: Pearson Prentice Hall, 2011.
Neil Stevenson. (2007). Architecture Explained: 375 Hudson Street, New York, New York 10014: DK Publishing.
17. Howe, Jeffery. "Frank Lloyd Wright". A Digital Archive of American Architecture. 1998. Boston College. 2004. http://www.bc.edu/bc_org/avp/cas/fnart/fa267/FLW.html (accessed 29th April)
Frank Lloyd Wright and Le Corbusier are two very prominent names in the field of architecture. Both architects had different ideas concerning the relationship between humans and the environment. Their architectural styles were a reflection of how each could facilitate the person and the physical environment. Frank Lloyd Wright’s Robie House, is considered one of the most important buildings in the history of American architecture and Le Corbusier s Villa Savoye helped define the progression that modern architecture was to take in the 20th Century. Both men are very fascinating and have strongly influenced my personal taste for modern architecture. Although Wright and Corbusier each had different views on how to design a house, they also had similar beliefs. This paper is a comparison of Frank Lloyd Wright‘s and Le Corbusier ‘s viewpoints exhibited through their two prominent houses, Frank Lloyd Wright’s Robie House and Le Corbusier’s Villa Savoye.
Curtis, W J. "11. Skyscraper and Suburb: America between the Wars." In Modern architecture since 1900, 144-158. London: Phaidon, 1996.
Louis I. Kahn, 1985, John Lobell, Between Silence and Light: Spirit in the Architecture of Louis I. Kahn, Boston: Shambhala Publications, pp.44.