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Frankenstein symbols essay
Fate vs free will definition
Fate vs free will definition
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Fate is the development of events beyond a person's control, regarded as determined by a supernatural power, while Free Will is the power of acting without the constraint of necessity or fate; the ability to act at one's own discretion. Throughout the novel Frankenstein by Mary Shelley, the question of fate vs. free will is brought to the reader’s attention. Victor Frankenstein and the Monster make many decisions throughout the novel. Each decision has an effect on different characters in the novel. The decisions that Victor and the Monster make in the novel cause the reader to think about whether these are of fate or free will.---tighten up
Throughout the novel, Victor Frankenstein speaks of fate and similar topics often. One of the first
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They both like to gain knowledge of how the world works, for example when Frankenstein was interested in the mysteries of the natural world and the monster wanted to and did learn how to speak and read by learning from De Lacey, Felix, and Agatha teaching Safie. He also then starts to read and gain knowledge from the books he reads which include, Paradise Lost, Plutarch’s Lives, and the journals that he stole from Victor in his clothes. They also become more aware of their surrounds and adapt to them as they gain more knowledge. An example of this is Victor learning of electricity by watching a lightning storm, which he then later uses to bring the monster to life. An example of the monster learning and adapting is when he learns of fire. “One day, when I was oppressed by cold, I found a fire which had been left by some wandering beggars, and was overcome with delight at the warmth I experienced from it. In my joy I thrust my hand into the live embers, but quickly drew it out again with a cry of pain.” This quote is proof of the monster’s quick learning and adaptation. They are also both outcasted by society and although they don’t like it, they prefer to live away from society. Another similarity between the two is their hate for each other. Their mutual hatred started off when Victor saw the monster as ugly and worthless. Had he been a real father to the monster, he would have cared for him anyway. However due to the disapproval and abandoning of the monster by Victor, the monster grew a special hatred for his creator and father, Victor. All of these similarities are a way to show how although they take different versions, they are paths. They continually both suffer the same
Deterministic perspectives are based upon the conviction that activities, choices, and occasions, are all unavoidably controlled by already existing reasons. One artistic illustration in which determinism assumes a prevailing part is in the novel Frankenstein by Mary Shelley. Shelley utilizes the idea of determinism tied into destiny and predetermination to pull the readers into the lives of Victor, the Creature, and Captain Walton, which at last, strengthens the repulsiveness of the novel.
live his life under the demands of retribution. Victor Frankenstein’s fate is not so simple; fate is
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
Countless situations created in life will always have some consequence, whether the outcome is a positive outcome or a negative outcome. During the novel, Frankenstein, there are many incidents portrayed through the characters that have both a positive outcome and a negative outcome, no matter the type of situation. The majorities of the situations that are conveyed in this novel almost always have a negative outcome because of the way the effects damage and hurt the innocence of the other characters in the story. In this novel many of the negative outcomes are a consequence of a hideous monster, known as Frankenstein’s monster, which was created by the hands of Victor Frankenstein.
The evil that is present in Victor and the monster is another example of similarity between the characters. This evil in both characters is caused, although not directly with Victor, by society. The monster tries to be accepted by society. He shows kindness toward society and he tries to help people. However, he is immediately rejected by society because of his ugly physical appearance. The evil and the anger present in the monster comes when the monster presents himself as a friend to a family that he has secretly helped. Instead of accepting the monster as one of their own, the family immediately sees the ugly form of the monster and rejects him.
Mary Shelley shows how both Victor and the monster create sympathy for one another. They are both victims, but they are also wrongdoers. They bring a great burden of suffering to each other lives, causes hatred to be created for the characters.
This truly is remarkable, two novels of different time periods, with characters of startling resemblance. God and Frankenstein's creations stunningly resemble each other. The monster relates to Satan, Adam, and Eve. Victor quotes, "You may render me the most miserable of men, but you shall never make me base in my own eyes," this is when the monster asks for a companion, Victor refuses. The monster also shows that he will go to any extent to be happy and complete vengeance when he goes on a murder spree.
All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course, the first action and link in the chain is started by Victor Frankenstein. Victor’s life starts with great potential. He comes from a decently wealthy family whose lack of love towards each other never existed. He is given everything he needs for a great future, and his academics seem to be convalescing.
Locked in a perpetual struggle for dominance, both struggle to gain internal peace. Victor Frankenstein feels obligated to destroy his creation for the good of society, and the Monster wishes to come to terms with his abandonment – both are unable to find happiness. Here there is a contrast of power: Frankenstein’s intellectual power contrary to the Monster’s physical power (this is however, not to say the Monster lacked intellectual power, only that Frankenstein possesses greater fear of the physical aspects of the Monster). The first instance of this battle for power can be seen when the Monster demands of Frankenstein to “create a female…with whom [he] can live in the interchange of those sympathies necessary for [his] being.” (p174) – here Frankenstein is in control. He is the only one that has the knowledge to create another being like the Monster, and thus, when the Monster asks this favour of Frankenstein he places his happiness in the hands of another. The Monster is dependent on the actions of another. However, there is a power reversal when Frankenstein denies the monster his ‘female’ (p174). Frankenstein dashes the Monster’s last hope at happiness, so the Monster threatens the life of his loved ones. Here, Frankenstein is at the mercy of his creation. For though “[Frankenstein is the] creator… [the Monster is his master” (p205) – here the Monster establishes his dominance over Frankenstein by outwardly stating his power over his creator. This power struggle is most effectively culminated in the chase around the globe. Yet it must be seen that neither Frankenstein and his Monster are in control. The Monster leaves clues for Frankenstein, demonstrating his need for Frankenstein to follow him, for without Frankenstein the Monster has no purpose in life. On the other hand, Frankenstein is following his creation all over the world, through desert, sea, and cold. Thus, it is clear that as a
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
Mary shelley depicts the ambition of man as the source of fallibility in the novel Frankenstein. She uses the characters Victor Frankenstein and Robert Walton as two of the major examples of this . Both of these men desired to be glorified by men through scientific achievements, but their unchecked ambition eventually leads to their non-fulfillment. Blinded by dreams of glory, they fail to consider the consequences of their actions.
In the novel Frankenstein, Mary Shelley is sending a clear message that personal choice is extremely important in shaping the lives of her characters. Any bad choice made by Shelley’s characters result in terrible consequences that haunt them for the rest of their lives. Before any choice is made one should think one the consequences that can result from that decision. Personal choice can help one succeed, but it can also cause them to suffer. Victor made the terrible choice of abandoning his creation after it’s birth which results in the deaths of all of his loved ones and eventually himself. Another exemplary example is the trial and execution of Justine Moritz, servant and friend to Elizabeth, who died because of Victor’s mistakes. Throughout
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Fate vs free will is an overwhelming topic, and is a subject that is covered by numerous texts throughout history. It is often hard to determine where fate ends and free will is allowed to begin. Paradise Lost tries to tackle this area between fate and free will between creation and the creator. Mary Shelley’s Frankenstein also deals with similar issues by delving into the relationship between Victor Frankenstein the creator and his monster. I believe these texts setup interesting scenarios to make the reader question whether or not creations have free will especially when it comes to their relationships with their creator.