It was nearing “ten o’ the clock.” when the event occurred, I was parading myself around the celebration, looking for my darling master whom I love. Dearest Cassio, in all his glory, was beyond a group of soldiers from the cypresian fleet, discussing deeply with Iago. Cassio and Iago were enthralled in speech about Senator Brabantio’s only daughter, Desdemona, My love had deemed her as “a most fresh and delicate creature.” I sighed at this phrase; Cassio had never shown adoration to me, his loyalty Bianca. I know it is not my place to approach a group of men in power, so I stand only close enough to hear their voices and watch so I may wait for the perfect time to declare my longing for Cassio in privacy. I can smell the bittersweet Before I am able to speak even a syllable of his name, we are interrupted by none other than Roderigo. He seems menacing enought but with his sight on my drunk lord, he is bound to be much more harsh. It happened too quick before my very sights. Words had barely slipped past Roderigo’s chapped lips when Cassio had drawn his steel and is corralling him into a corner. Roderigo’s eyes widen and he goes as pale as a poltergeist before he slips away into the safety of the banquet. Cassio is on his heels and gallops full speed into the banquet hall, blade still unsheathed. I gasp and rush inside to alert someone of this altercation. I am too late when I arrive. In the middle of the crowd of lords and mistresses, are Roderigo and Cassio head to head. Roderigo struggles to keep Cassio at bay while he swipes at him YOu rascal!’’ Cassio exclaims. The first people to respond are Iago and Duke Montano. How embarassing a scene for my love to play a part in. Montano seems most unimpressed when Roderigo has to avoid the way he is being lunged at. Montano makes the mistake of grabbing hold of Cassio. I am holding my breath but choke on my gasp when I see blood welling up on the linens Montano is garbed in. My love, so foolish has taken a stab at the Duke! Everyone is silent for what seems like a lifetime until the booming voice of Othello cuts through the tension like the cold bloodthirsty blade he uses in battle. People begin to stir and cause inflation to the situation. The drama becomes too much and I flee once more with tears streaming down to my chin. I think of all the possible fates that be heading for my love at this moment. Death? Perhaps he be banished or shunned instead. If any be true he will never be able to make an honest woman out of me. It is my duty to help my lord however I can with whatever plan that I can muster up. I rush further away from the banquet as fast as I can. I must find Lady Desdemona and quickly, for she will know what to do with her wit and high power, her influence will surely be in Cassio’s
Iago tells Roderigo that he can make Desdemona fall in love with him for a ‘small fee.’ Iago used Roderigo to make money. Iago also told Roderigo that Cassio was talking to Desdemona. Roderigo did not approve and Iago persuaded him to fight Cassio. Cassio ended up losing his ‘good reputation” and his position as Lieutenant, in the fight with Roderigo. Iago became the Lieutenant, just as he had
Othello, despite deriving from slavery is a general, while Cassio has been promoted to lieutenant. In order to destroy their masculinity, manipulates both characters by undermining there weaknesses. He knows that Michael Cassio has a lust for wine and that makes Othello think that his prize possession had an affair with his lieutenant. . Desdemona has been having an affair with one of his staff. Iago’s inability to have traditional power translates to him attacking women. At the end of the day, even though he was able to accomplish his plan, he gains nothing from the mess he
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Emilia is excited that she finally is in possession of the handkerchief. It has been something that Iago has been urging her to steal, and the fact that she did not explicitly steal it makes her feel a bit relieved as well.
The scene initiates where Othello is interrogating Emilia on Desdemona’s presumed infidelity. Earlier in Act 3, the themes of anger and confusion are introduced by Iago, where Othello begins to question Desdemona of her alleged disloyal actions. Othello, whom was previously was enraged by Iago's deceptive language regarding Cassio and Desdemona’s ‘imagined’ affair, carried through his anger and unleashed it in a fit of a barrage of accusations such as "heaven doth truly thou art false as hell." (Act 4, Scene 2, Line 39), towards Desdemona and calling her ‘a subtle whore’ and ‘strumpet’, which implies the disbelief that Othello has for Desdemona. However, Othello is oblivious to the truth, therefore leaving desdemona stunned and confused as she hesitantly questions Othello of his demeanor, stated "to whom my lord, with whom, how am I false?" (Act 4, Scene 2, lines 40). Ot...
The story of Othello begins in Venice when Roderigo and Iago having a discussion. Before the discussion with Iago, Roderigo finds that Desdemona has already been married off, to a Othello, a moor, none the less. Iago is enraged by this news, he decides that he now has more than one reason to hate Othello. Othello has not only taken the woman that Iago so desperately longs for, but he had just recently surpassed him over for the position of lieutenant for Michael Cassio, who is not as experienced as Iago. Iago and Roderigo go to the house of Brabantio, the father of Desdemona, to tell him that his dearly beloved daughter has been kidnapped and has married a moor. They tell him to go and check on his daughter to see if she is in the house, when Brabantio goes to check his daughter's room he indeed realizes that she is missing and he quickly sends out some of his officers to find Othello. These events show that Iago will take any chance that he can to take a stab at Othello, no matter what the risks may be, if the king...
On the one hand, Cassio describes Desdemona with highly polished and refined imagery. A well-to-do Florentine lieutenant, Cassio is a member of the upper class, and his highbrow language demonstrates that very well. When Desdemona arrives at Cyprus, Cassio claims that “the riches of the ship is come on shore.” (II, i, 92) Here, he states variously that Desdemona is “a most exquisite lady,” “a most fresh and delicate creature,” and that “she is indeed perfection.” His lush language emphasizes Desdemona’s purity and innocence and thereby makes him seem both noble and gentlemanly. Earlier, Iago stated his suspicions that Cassio has romantic feelings for Desdemona; that may or may not be true, since Iago’s perspective is not objective. Regardless of any existent or nonexistent feelings, however,...
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
All of the violence in this story revolves around the deception of Iago. Iago has a built up rage because he feels that he did not get the recognition that he deserved from Othello when he was not named lieutenant and Cassio was. The first obvious form of physical violence that occurred was when recently named lieutenant, Cassio fought Roderigo in Act two Scene three. Iago persuaded Cassio to drink even though he didn't want to. Cassio's drunkenness caused him to act differently and start a fight with Roderigo. Cassio says, "A knave teach me my duty! I'll beat the knave into a twiggen bottle (p. 48)." At this point he strikes Roderigo much to the dismay of Governor Montano. Montano tries to stop Cassio from inflicting any more pain on Roderigo, but Cassio says, "Let me go, sir; or I'll knock you o'er the mazzard (p. 48)." Montano lets Cassio go and at this point he and Roderigo fight. This fight ultimately leads to the dismissal of Cassio as Othello's lieutenant. This instance specifically shows how Iago's manipulation leads Cassio to mental insanity, and causes him to become physically violent.
... sake of his reputation, Iago persuades Roderigo to kill Cassio. In doing so, Roderigo only injures the lieutenant. Iago sees his plan collapsing and rushes in to kill Roderigo. Betrayed by his friend, Roderigo died in pursuit of Desdemona’s love.
Iago's plan is to get Cassio drunk and he manages to do so, ' He'll be as full of quarrel and offence, As my young mistress' dog'. As a result a fight broke out between Roderigo and Cassio. Due to all the commotion, Othello tries to eliminate the chaos by asking for the truth. When Othello asks what is happening, Iago answers,' I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio' so to appear loyal to the latter character. Iago's indirect insinuations about Cassio get him fired. Nonetheless he still makes Cassio think that he feels sorry for him and that he wants to help hi...
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Due to her father’s nobility, Desdemona’s high social standings translate to her angelic character which the Venetian culture pressures her to fulfill. Because of high expectations placed on Desdemona, Brabantio disbelieves Desdemona’s elopement with Othello, where he concludes “is there not charms/By which the property of youth and maidhood/May be abused?” (I.i.193-95). Utilizing the magic motif, William Shakespeare conveys Brabantio 's skepticism in his daughter’s deliberate abandonment, by logically reasoning supernatural forces must be at fault. By disregarding Desdemona’s desires for leaving, Brabantio assumes his daughter possesses virtuous qualities, making her incapable of defying him. Brabantio considers only one possibility for Desdemona’s elopement with the Moor: Magic. Compared to Desdemona’s father, Othello’s lieutenant, Michael Cassio also views her as possessing cherubic qualities. When Desdemona enters a room Cassio demands “hail to thee, lady, and the