Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public …show more content…
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in …show more content…
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
In the first scene, he expresses his anger toward Othello for not choosing him to the position of lieutenant and instead choosing the much younger and unexperienced Cassio. Jealous and resentful Iago wants everyone else to feel how he does so he plans to manipulate the other characters. He manipulates Othello by using his own fears against him and he also takes advantage of his insecurities. Iago makes groundless accusations toward Othello, for example by saying “It is thought abroad that ’twixt my sheets / He has done my office” (I.iii.369–370). Claiming that Othello slept with his wife, Emilia. Later on in the play Iago mentions that he wants to go after Desdemona because Othello went after his wife, he wants to get even he expresses this by saying “wife for wife”
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
In the play Othello, the very evil and conniving character Iago deceives the main characters. He prays mostly on the main character Othello. Othello is a black general who is married to a white woman named Desdemona. In the beginning of the play Othello promotes a man named Cassio to be his right hand man in his army. Iago, thinking that he was going to get the promotion, is furious by this and swears revenge on Othello. In his revenge he uses many people. One of these people is Rodrigo. He is in love with Othello’s wife Desdemona. Iago prays on Rodrigo and causes him to have a battle with Cassio. Iago prays very heavily on Othello towards the middle of the play. He begins to tell him that his wife Desdemona is cheating on him with Cassio. Iago plans this perfectly. Iago tells Othello to keep close watch on his wife Desdemona. At the same time he told Cassio to be very good to Desdemona. Iago tells Cassio that the only way to be back on Othello’s good side was to get close to his love, and that is Desdemona. So while Othello’s suspicious are up, Cassio is being especially nice to Desdemona. Iago chose a very good time to attack Othello’s emotions. At a time when Cassio has wronged Othello, he tells Cassio to get close to Othello’s wife, the love of his life. For a lot of Othello’s rule, Iago has been like Othello’s advise giver. He has been like a best friend to Othello. Iago was not only Othello’s advise giver but to many persons of power. This puts him in a great position already to do his evil bidding. Othello plays right along with Iago’s plan. Othello believes everything that Iago says. In a way, he falls into Iago’s plan a little to well. For Iago, everything happens at exactly the right time. Othello listens to what Iago says because Iago has gained much trust from Othello. He has no reason not to believe what Iago was saying. He played a part in his own downfall because he falls for every lie that Iago throws at him. He needed to have a stronger mind for things like that. Othello needed to think harder about what was being said to him by Iago. At the time that Iago was telling him these lies, it all seemed to make sense.
Iago manipulates Othello by telling him false lies about his wife and Cassio having an affair which ruins the relationship between Othello and his spouse. To Othello, Iago is a loyal, trustworthy, and honest friend. Othello is always asking Iago for advice because he is closer to him and puts his full trust on his faithful friend. However, Iago abhors Othello through jealousy because Othello appointed Cassio as his lieutenant. “I’ a...
Iago’s disturbing diction, animalistic imagery, and appreciation of rhetorical appeals all contribute to his diabolical, yet brilliant, stratagem to satisfy his despicable desire for revenge towards Othello. All this resulted in Desdemona’s unjust murder, the stripping of Iago’s epithet that resembled the power and trustworthiness he was assumed to have, and Othello’s tragic suicide. The extreme confidence towards one person from another leads to unintentional blindness and deafness that covers true and possibly deceptive deeds or words that tragically ruins the friendship.
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
By first identifying a weakness in another character, Iago is able to then talk the other person into self doubt. After Cassio loses his position of lieutenant due to a drunken brawl, he seeks Desdemona’s help to get him back in good graces with her husband, Othello. As he is talking to Desdemona, Cassio sees Othello approaching and is too ashamed to even face him, so he quickly leaves. Othello sees Cassio flee as he and Iago enter, and Iago begins to play with Othello’s suspicious: “Ha! I like not that”. (3.3.33). Iago then denies that he had any suspicion of Cassio and gives false assurance to Othello, “Cassio, my lord? No, sure, I cannot think it, That he would steal away so guilty-like, seeing you coming”. (3.3.37-39). It was Iago who advised Cassio to go to Desdemona for assistance, and he knew that Cassio’s conversation with Desdemona was harmless, but Othello knew nothing. Iago was able to manipulate Othello’s curiosity and suspicion to plant a seed of doubt in his trust of Desdemona By manipulating all of those around him, Iago’s enemies grow closer to him and reject those who should be
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
Act Two, scene one of Othello provides insight into Iago’s motives, character, and reasons for success through character interactions. Many spectators view the scene between Iago, Desdemona, and Emilia as a simple exchange of wit-combat that was common in Shakespeare’s day, or as another scene in which Iago express...
Juxtaposing an elevation of Emilia with a punch line diminishing females, Shakespeare explores Iago’s ability to appease those around him to accept his sexism without quarrel. Iago references Emilia’s tongue twice, once negatively, once positively, suggesting Iago changes his public personality with fluidity, but returns to his unconscious belief in female inferiority. Directing the negative mention toward a man and the positive toward Emilia, Iago succeeds at maintaining his masculinity among his peers by reinforcing traditional gender roles, but pacifies Emelia by complimenting her. Shakespeare builds Iago’s joke with phrases such as “She that could think” and “She that in wisdom,” representing a break from traditional thought of women as purely domestic workers without a male’s mental capacity.
Othello has had Iago as his ensign for many years. They have gone to battle many times over. In war, every little thing can affect the outcome, everything is vital information. During this time, Othello, when he was upset or unsure of what to do, has learned to trust and listen to Iago’s insights about strategy and war. Othello shows that his trust in Iago extends beyond the battlefield when he asks Iago to take care of his wife during the voyage to Cyprus. It’s this trust that backfires on him. When Othello hears Iago’s off hand remark about Cassio, he trusts that Iago would not have said anything if it wasn’t something to worry about. Then, Iago, knowing how Othello thinks of his character, makes Othello think there is more to his thoughts than he is willing to speak of. Iago knows just what to say and how to articulate it to make Othello think the worst. He even manages to look like a friend who wants to keep...