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The Romance of the Forest by Ann Radcliffe, a Gothic novel first published in 1791, details the adventures of Adeline, a young woman who is abandoned by her father and left to the mercy of strangers. Adeline is rescued from this apparent abandonment by the La Mottes, who are retreating from Paris due to the financial wrongdoings of the family's figurehead, Monsieur Pierre de la Motte. In Volume II, Adeline is promised to the Marquis de Montalt, a powerful man who demands to receive the girl's affections in exchange for the family's continued protection and residence at the ruined abbey where they have found refuge. In a short passage in Volume II, Adeline has been apprehended after a failed escape attempt, and terror overtakes her as she gradually …show more content…
For example, towards the beginning of the passage, Adeline becomes suspicious "that this [is] the forest of Fontangville." The alliteration apparent in the repetition of an "f" sound in forest and Fontangville appears to make the phrase more noticeable and more memorable. It also, perhaps, imbues this forest with a greater significance and presence. Rather than simply being regarded as a forest, it is the "forest of Fontangville," a location that is foreboding for Adeline. For her, the forest is both a place of refuge and a means of escape. Adeline's mental faculties are personified in this passage, as seen in the following: "Her mind revolted at the picture her fancy drew." Adeline's "mind" can be understand as reason, while her "fancy" is, perhaps, her imagination. The horrors of Adeline's imagination give way to conjecture, which reason attempts to subdue. She fears "the idea of going to the villa," where she was previously held captive by the Marquis. As her suspicions increase in power, she imagines returning the "the abbey," where "she would be equally in the power of the Marquis, and also in that of her cruel enemy, La Motte"
This can be seen in the fourth line, “very prickly, a penalty” as if words were a “black art” of mystery. In setting a secretive tone, the speaker makes it sound as if one needs to be careful with what they say. Another example of alliteration can be seen in the tenth line, where the speaker states, “strengths or squinched,” identifying those words as “peculiar.” Not only that, but the speaker would “squeeze, squinch open, and splurge well” in the “silent, startled” September. In the love for blackberries, the speaker also is displaying their love for learning and life with the use of the
Analysis: This setting shows in detail a location which is directly tied to the author. He remembers the tree in such detail because this was the place were the main conflict in his life took place.
As the passage continues Madame Ratigonelle asks Edna “of whom- of what are you thinking?” It is of interest to point out that she initially inquires “of whom” as if to impose her knowledge on Edna that she believes Edna may be thinking of a particular person such as Robert. Edna answers “Nothing,” but then catches herself in an answer that comes from simple habit and decides to retrace her thoughts. She rememb...
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
Adeline’s determination and resilience are two of her most important qualities. It’s her determination to prove herself, and her resilience, her ability to bounce back, that helps her cope with the struggles thrown upon her, such as abuse, neglect and separation from loved ones. After her beloved pet PLT
Adeline had been treated like trash all of her life by her parents. “Nothing will ever come to you.”(Yen Mah 103) Niang is a very strict, distasteful, and hated person in the book. This is important because it shows that Niang is cruel. “Girls like you should be sent away.”(Yen Mah 103) This is important because it shows that Niang hates Adeline. All in all, this shows that when Adeline was a child, she was treated like trash by Niang.
In the 21st century, Society has put a label on what is considered normal, and what is considered shameful. If you compare our current time period to the 1950’s you’ll see major differences, the biggest being the culture. Have you ever wondered how the year 1955 was like? Or how people survived without technology? UW School of Drama’s production of Maple and Vine Directed by Sean Ryan, shows the effects that society in our time period has put on the main character, Catha portrayed by Tatiana Pavela. The 21st century has created expectations from men, and women that everyone strives to achieve, but it leaves a detrimental affect on people’s sanity.
Another evidence of the protagonist's fascination is what he "saw" while he believed that he was in the forest. Farquhar found the road "was as wild and straight as a city street", "the black bodies of the trees formed a straig...
Peter Taylor's The Old Forest. Critics have continuously characterized Peter Taylor’s work, as a social critique of the South and how it shows “the effects of cultural inheritance on its people” (Bryant 66). In his story, “The Old Forest,” Taylor examines the regional history and social structures that shaped his own past and how breaking the architecture that has existed for generations is not easily accomplished. Although it takes place in 1937, with progressive girls and college students filling the city of Memphis with intellectualism and open sexuality, the social constructions of the past, most specifically the descendants of plantation owners and rich socialites, are not easily forgotten. Lines have been drawn between those residing in the progressive city and Nat Ramsey’s community of debutantes and patriarchal dominance.
While the Fool disrupts Lear’s mental state, Cordelia steadies him with compassion, understanding, and truth. When Cordelia has rescued the King, she says that “Mine enemy’s dog, / though he had bit me, should have stood that night / Against my fire” (4.7.42-44). Cordelia is amazed at her sisters’ treatment of Lear because she cannot comprehend the actions of such uncaring people. Cordelia’s considerate nature soothes the King’s overwrought mind. Because the King seems rash and even irrational at times, those who understand him are few. His youngest daughter knows what Lear goes through with her sisters, and wishes that she could “Repair those violent harms that my two sisters / Have in thy reverence made.
Details about the modest apartment of the Loisels on the Street of Martyrs indicate Mathilde’s peevish lack of adjustment to life. Though everything is serviceable, she is unhappy with the “drab” walls, “threadbare” furniture, and “ugly” curtains (5). She has domestic help, but she wants more servants than the simple country girl who does the household chores in the apartment. Her embarrassment and dissatisfaction are shown by details of her irregularly cleaned tablecloth and the plain and inelegant beef stew that her husband adores. Even her best theater dress, which is appropriate for apartment life but which is inappropriate for more wealthy surroundings, makes her unhappy. All these details of the apartment establish that Mathilde’s major trait at the story’s beginning is maladjustment. She therefore seems unpleasant and unsympathetic.
In Act 3, Scene 4, Edgar takes on the roles of a madman, and a spirit. In counterfeiting madness, he not only hides from an unjust death, but also serves as a character that resembles King Lear: (1) Both are deceived by family; (2) Both are outcasts of Gloucester's castle; (3) Both are threatened with death; and (4) Both enter into a form of madness. But, whereas King Lear actually becomes mad, Edgar only feigns madness. As Edgar takes the role of a "spirit" (3.4.39), he reveals: (1) Edmund's moral condition, by prescribing moral laws that he will break (3.4.80-83); and (2) that Gloucester will be blinded by Edmund (3.4.117). This essay will begin by examining how Edgar's role, as an outcast feigning madness, resembles the life and fate of King Lear, and then will show how his role as a spirit, reveals future events that will come to pass.
This is a figure of speech which takes on animals, ideas, abstractions and inanimate objects with human form, character or sensibilities. It is representing imaginary creatures or things as having human personalities, intelligence and emotions. In the poem ‘ALL THAT TIME’, in stanza one the poet has given the trees the human character of embracing each other and leaning on each other. The poet also describes one of the trees upright one which is also a human characteristic.
Adeline Yen Mah’s literary skills explain comprehensively how Niang’s flawed personality cause great agony for Adeline. However, it is being mistreated by Niang that ultimately fuels her to undertake the seemingly impossible task of trying to succeed in life. Adeline’s great accomplishments in life were the result of her unfaltering determination in the face of injustice. Niang inadvertently helped her achieve that.
There have always been many different trees are found in the forest. Tall ones, round of leaf and with broad branches spread open in welcome. Short ones are found here as well, with thin trunks and wiry limbs they sway in the breeze. A wide variety of foliage in the emerald grove dancing merrily to the whispers of the wind. In this quiet thicket, a different type of tree grows, too. They stand resolute, patient, and ever growing.