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Cinematography eassay
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Tim Burton uses cinematic techniques such as close up and bottom and side lighting in order to create a feeling of danger and fear. This is important because when someone is in danger or afraid they can eventually overcome it. In most of Tim Burton’s films he portrays those feelings which came from his childhood. In the three films viewed Tim Burton used the close up cinematic technique to help show the different emotions from the characters. In Edward Scissorhands the scene where Peg tells Edward to come out of hiding, Edward comes out and enters the light. A close up happens to show that Edward is just as scared of Peg as she is of him. Another example of a close up is in Corpse’s Bride. Victor, the main character, has just entered the world
People are constantly being judged and pressured to change to fit society’s standards. In Tim Burton films, there is always one character that does not fit the mold. These outcast characters in the movies Charlie and The Chocolate Factory and Edward Scissorhands are strange and isolated from the world. Despite the outcast’s difficulties, misfit characters like Edward and Wonka go on to be the hero of the story. Therefore, Burton uses many different cinematic techniques to illustrate that one does not need to conform to society in order to have a happy and successful life.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
Everyone has that one friend who is a complete goofball: the one who is just different from the rest and can be a little abstract. The misfit may be easy to spot in a crowd and be judged; however, Tim Burton accepts the oddball and takes the concept of character dramatization one step further. Through his movies, Edward Scissorhands and Charlie and the Chocolate Factory, the outcast tries to break through the social barrier by reaching out to the community and trying to fit in. With Burton’s imaginative characters, Burton shows how being an outcast gives a person the potential for success.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Tim Burton uses Camera Angles in a very unique way. He uses them to reveal all of the other characters thoughts about
For we assume women don't trust their male partners associating with other females. And, to be fair, it added a touch of humor to the otherwise murderous tone. She jokes that Tucker shouldn't, "crawl into bed with her." But with the awkwardness of a stranger being in the house, Tucker states that he's only doing the right thing. And the two welcome her with Southern-style hospitality. But the girl is still battling the trauma. And the film uses flashbacks and hallucinations to show her struggle. These triggered responses led to my growing concern for her sanity. It also elevates her state of distress. Thus, you can see how she juxtaposes with Tucker's nurturance. So later on, Tucker assumes a "father figure" like role. In fact, this dynamic leads to him giving her the
Burton uses the cinematic technique flashback in his films Edward Scissorhands, Big Fish, and Charlie and the Chocolate Factory in which Burton uses to help the audience reach an understanding
Mysterious, dark, creepy- these traits may seem like an average halloween story; however, they really are elements from Tim Burton’s unique film styles. Tim Burton, a film director, was born in Burbank, California. He spent most of his childhood drawing and watching horror films. As Burton puts it, “I did grow up watching monster movies and I did enjoy playing in the cemetery, but I thought most kids did. It didn’t seem strange to me.” In Charlie and The Chocolate Factory, Edward Scissorhands, and Corpse Bride, Burton employs camera movements and editing techniques to display that anti-heros are relatable and no different from society.
For example, the town that Edward is introduced to, is completely flooded in high key lighting to signify that it is the life that he never had. Edward pursues to be accepted and loved as he once was with his inventor, and this is the utopian like society “appears” to be the perfect place for him. The audience receives the knowledge that his fantasy is unrealistic and there is no way he can live normally, to try to fit in and reject his differences. Unfortunately, for Edward, the outcome of the film results in continuing life inside the empty mansion consumed of low key lighting signifying the lonely reality of his home. By making use of low and high key lighting, Burton provides the audience to comprehend the idea of what is real and what is only a fantasy. Though the notion of reality and fantasy can be identified by the audience through lighting, but low key lighting patterns in his films where the outcast character such as Edward and Willy Wonka ( for a temporary period of time ) is imprisoned to his or her own life unable to join the rest of the world.
Our most primal emotion is that of fear. And the eeriest kind of fear is the fear of the unknown. Is that not what horror cinema is all about? All sub-genre of horror, have one thing in common, the power to effectively communicate the apprehension of the something. It could be a ghost, a demon, an aberration of the supernatural or even the monstrosity of human nature. This list comprises of horror movies which were considered landmarks in this celebrated genre. They have been chosen and ranked on the basis of originality of ideas, the accompanying visual and sound effects and the work of actors and directors.
“ I never really got nightmares from movies. In fact, I recall my father saying when I was three years old that I would be scared, but I never was” (Tim Burton Quotes). This was by Tim Burton. He was never scared or frightened by the supernatural and unexplained. Tim Burton created many ghoulish and frightening characters. He is fascinated by his character like Beetlejuice, mad hatter, and the jabbawockee. The fascination started when he was very young and turned him into the man he is today. Tim Burton’s wife and children love and help him in his career path. Tim Burton created captivating and intriguing movies such as the thriller of Sweeney Todd , the fantasy of Beetlejuice, and the drama of the Corpse Bride.
Tim Burton once said, “Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.” He values various cinematic techniques such as lighting, sound, and camera angles conceive mood, tone, and fantasy in his movies. If he wanted a happy scene, he would make the lighting and music more upbeat, on the other hand, for a dark, gloomy scene, he would have dreary and obscure music. I will further explain how he creates his own world.
The Exorcist is a wonderfully crafted horror film that has withstood the test of time, as some even now cannot listen to "Tubular Bells" (my fiancé's father) without having flashbacks. Even though it was made almost half a century ago, people will still cower and groan with the movie; this is how it is still a household name to this day. I enjoy this movie tremendously and believe it to be a monumental achievement of the horror genre. My opinions of this movie are vast as this is another one of my favorite movies.
Imagine being stuck up in an old rundown castle that nobody has been in for years, secluded from society your whole life. Unfortunately, the only person you’ve ever know has recently passed away. The worst part of the whole ordeal is that your hands aren’t even hands but just scissors. Furthermore soon a women you’ve never seen, of course she’s the only women you’ve ever seen intrudes into your home and in the same fashion she takes you out with her to meet her family and neighbors. This whole experience is so new and you’re seeing things you’ve never seen before like bright colors, shapes, and people of all sizes in such as small period of time. You, Edward from Tim Burton’s Edward Scissorhands start to become weary of the life of seclusion
In the movies he directs, Burton creates great and vast settings that are what the viewers expect to be perfect. Yet these perfect settings have cruel people and circumstances accompanying it. As an example, the neighborhood in Edward Scissorhands is vibrant and vivid in details and coloring.