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Analysis on Tim Burton's cinematic style
Tim burton cinematic techniques essay
Cinematic techniques tim burtons movies
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From Charlie and the Chocolate Factory, Edward Scissorhands, to Big Fish, master storyteller Tim Burton accomplished the act of significantly connecting with the modern day audience. Burton obtains fantastical elements of magic to cast his audience under a spell from the ongoing theme of contrasting reality and fantasy. Tim Burton uses camera angles, non- diegetic sound, and lighting, as gates for the audience to enter the eyes of his view on life.
To inaugurate, Tim Burton creates a sense of dominance within his characters presented to the audience through the use of camera angles. Burton approaches this act through low and high angles in his film Big Fish. For example, during a conversation between characters Edward Bloom and Karl the
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For example, the town that Edward is introduced to, is completely flooded in high key lighting to signify that it is the life that he never had. Edward pursues to be accepted and loved as he once was with his inventor, and this is the utopian like society “appears” to be the perfect place for him. The audience receives the knowledge that his fantasy is unrealistic and there is no way he can live normally, to try to fit in and reject his differences. Unfortunately, for Edward, the outcome of the film results in continuing life inside the empty mansion consumed of low key lighting signifying the lonely reality of his home. By making use of low and high key lighting, Burton provides the audience to comprehend the idea of what is real and what is only a fantasy. Though the notion of reality and fantasy can be identified by the audience through lighting, but low key lighting patterns in his films where the outcast character such as Edward and Willy Wonka ( for a temporary period of time ) is imprisoned to his or her own life unable to join the rest of the world.
Tim Burton does this to show that life is actually quite boring and monotonous, and that the people who we think of as being human and unique, are actually more dull and robotic than those that are actually robots; we think of ourselves as unique and creative individuals , but we are actually just stuck in the same
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For example, Tim Burton uses a non-diegetic flute solo in Charlie and the Chocolate Factory to emphasize the small light of hope in the face of adversity. In the scene where Charlie walks through the town after his disappointing experience of not receiving the golden ticket, a flute solo is performed through the dark mourning melody of the violins. The flute solo represents a small hope for Charlie and the audience, that there is still an opportunity to receive the golden ticket. Once again Burton accomplishes the effect of the audience feeling with Charlie as if they were there with him. The audience also can foreshadow from the hopeful solo in the middle of a dark, sad tune that a positive event is about to take place.
Additionally, Burton uses an ominous choir throughout his films, creating a sense of mystery and fear for the audience. An example is presented in Edward Scissorhands when Peg approaches the dark corner the rising and falling crescendos of the choir build up,emphasizing each of her steps. Through non-diegetic music Burton drowns the audience into the particular mood established within scenes, in this case mystery and fear, due to the fact that by the chorus rising it’s volume the audience may worry regarding Peg’s
Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, they are done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas.
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
Edward Scissorhands is a film written and directed by Tim Burton and Caroline Thompson. It tells the story of an outsider with scissors for hands trying to fit in to an unknown society that judges based on appearance. The film explains how in most societies if you do not act the norm as everyone else you will be rejected and frond upon. I believe that like in the film people nowadays people are less likely to express individuality and would rather conform to a group than feel like an outcast. Through the films elements that the director uses I will focus on the colors, costumes and sound of the film that show the differences of an outsider.
People are constantly being judged and pressured to change to fit society’s standards. In Tim Burton films, there is always one character that does not fit the mold. These outcast characters in the movies Charlie and The Chocolate Factory and Edward Scissorhands are strange and isolated from the world. Despite the outcast’s difficulties, misfit characters like Edward and Wonka go on to be the hero of the story. Therefore, Burton uses many different cinematic techniques to illustrate that one does not need to conform to society in order to have a happy and successful life.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
...ton never fails to enthrall his vieweres with effective cinematic techniques, such as high key and low key, and flashbacks. By incorporating these cinematic techniques he is defining his style. He uses high and low key relationships to create imagery and symbolism through the effects of irony. The films entertains the viewer while simultaneously illuminating a subtle, yet distinguishable message. Also flashbacks, allow the viewers to comprehend the plot and intensifies the desire in continuing to view the film in order to obtain answers. There are may more cinematic techniques used within the films, and each technique plays a significant role in the film’s infrastructure, however, high key and low key relationships and flashbacks contribute most in defining Tim Burton’s style.
Lighting is one of the most essential techniques to indicate the mood of a movie. In Edward Scissor Hands, Burton blends up the lighting with high and low key lighting to add more emotions to his characters and brighten their personalities. Burton uses the high key lighting technique in the town that Peg lives in. Revealing it as bright and cheerful presenting I to be flawless, but that is only an illusion. In reality the town is hateful and does not accept others, the women create packs t...
As, the scene fades back from black, non-diegetic sound takes place as the background sound source. Sound that hasn't been implied to be present in the action: added for the dramatic effect. The suspense in the scene is constructed from this sound. Furthermore, props throughout this movie are essential, the audience are
What do you imagine when you hear the word “weirdo”? Most people would picture someone awkward or even a misfit, but what about a film director, artist, producer, animator or writer? Timothy Walter Burton, commonly known as Tim Burton, is all of those things and more. While growing up in the suburbs of Burbank, California, Tim Burton went from being an outcast to a very famous and equally talented director. Some of his masterpieces include Batman, Beetlejuice, Charlie and the Chocolate Factory, Edward Scissorhands, and numerous others.
Lighting and color are used to prove the distinction between individuals. In Edward Scissorhands, low key lighting was used to show the illusion of Edward being in isolation. Through this isolation, Edward did not know his place in society. Isolation created Edward to be displayed as a misfit compared to the rest of society. Burton conveys the fact Edward is a misfit by creating a sense of eeriness which shows he is darker coloring while the rest of society seems brighter. To try to fit into society, Edward tried to satisfy everyone’s desires. However through this trial, he could not help but being himself even if that caused society to frown upon him. Even though society frowned
The film Edward Scissorhands shows how society rejects people who are different. This film directed by Tim Burton is about a boy named Edward who lives in an empty mansion. The film shows a community that is quick to judge but slow to distinguish the qualities of Edward. The people in the community are selfish and expect to receive from Edward without giving but regardless of this there are still some who love and care for him. By viewing this film the audience recognises how important it is to give someone a chance to prove themselves before judging them.
Most people go their whole lives without ever discovering who they truly are. However, that is not the case for many of the main characters in Tim Burton’s unique films. Burton establishes a theme in his films that young people truly find themselves when they deviate from the path society has carved for them through his uses of misfit protagonists and magical settings in his movies.
“If you've ever had that feeling of loneliness, of being an outsider, it never quite leaves you. You can be happy or successful or whatever, but that thing still stays within you.” As a child, Tim Burton was an introvert who was shy, quirky, creative, and didn’t blend well within the social crowds of his hometown. Just like his years of youth, his style and his memorable characters are misfits that don’t fit into any category. Having a child-like horror sense, the movies Edward Scissorhands, Charlie and the Chocolate Factory, and Big Fish all exhibit Burton’s unique style. In order to portray his style Tim Burton uses the cinematic techniques of shot-reverse-shot, flashback, and low angle.
...As we are examining the people on the screen, we are viewing ourselves. Burton produces a “perfect” figure of Edward who is kind, caring, and signifies the most striking feelings of individuals. In addition, his evil appearance exists only because humanity says that he is unusual. Burton wants us, as the audience, to be conscious of ourselves as a part of the social order, and to cautiously consider the realism we decide to accept as true and exist in.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.