Dramatic Irony In Shakespeare's Twelfth Night

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Marisa Mickler Act 5 Analysis—Shakespeare Twelfth Night Act 5 displays a lot of literary devices, as the play comes to a close. Dramatic irony in this scene is used to add tension to Olivia's exposure about her marriage, and of the introduction of the twins as well. The audience is aware that Olivia has married Sebastian, and that both twins are alive and well; yet, there is lots of suspense with the audience, while the people wait for the characters to find out the truth and resolve these issues. Shakespeare uses the dramatic irony of this scene to provide some humor for the audience, while simultaneously grabbing some deep emotion out of the characters. It’s hilarious—the fact that the audience always knows exactly what’s going on, all the time, while the cast members are overtly out of the loop. There is this resting angst in the audience, just waiting for the cast members to realize what’s going on, with Viola and Olivia, and Cesario and Olivia. While reading, it was so funny, as if I didn’t want to spoil it for the cast members. The reunion of the twins is the inevitable climax of the play; before this time, Sebastian has had no idea that Viola could still be alive, so the disbelief at seeing her again, and dressed to look like him, is insane. At last, The relationship between Sir Toby and Sir Andrew is also unresolved at the end of the play; their last appearance has Sir Toby swearing at Sir Andrew, and apparently refusing to see Sir Andrew's any longer. I loved the ending, the inevitable reconciliation between Viola, Olivia, Sebastian and Orsino is perfectly done, in my opinion. Viola got to show affection for Orsino she always had, and Sebastian got to properly and unmistakably show love towards Olivia—a long time

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