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Reflection on freuds theory of human nature
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Dostoevsky and Freud: Exploring the Relationship Between Psyche and Civilization
Few novels delve as deeply into the twists and turns of the human psyche as Fyodor Dostoevsky?s Crime and Punishment. The novel explicitly describes the protagonist Rodion Romanovich Raskolnikov?s fluctuating mental state as he commits a brutal crime, becomes tortured by guilt, and finally turns himself in. This detailed description of Raskolnikov?s psyche gives readers a clear picture of his character within the context of the events that take place in the novel. Yet we know little of Raskolnikov outside of this context. How, for instance, does Raskolnikov come to develop those beliefs and characteristics that impel him to commit his crime? We know only that he embodies these beliefs and characteristics from the outset of the novel. In order to fully comprehend the whys and hows of Raskolnikov as a character, then, we must examine him outside the framework of this novel.
But how, we might ask, are we to move beyond the narrative context in which Raskolnikov exists? The answer is simple: we must place Raskolnikov within a different context and analyze him in light of this new context. How do we know which context to choose? It depends on what we hope to discover by such an analysis. In this case, we want to expand our knowledge of Raskolnikov?s characteristics and psyche. From Dostoevsky?s explicit narration, we already know Raskolnikov is a neurotic character who exhibits a number of neurotic tendencies throughout the novel. We must therefore locate a context that will help us discover the meaning behind these neurotic tendencies. The logical backdrop to choose is a Freudian context, since Freud deals extensively with human psychology and ne...
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...tween civilization and the human psyche?connections which are impossible to completely sever. The presence of these connections make it impossible for us to try to oppose the structure of civilization without ending up in the same plight as Raskolnikov. Thus, both Freud and Dostoevsky seem to suggest that it is necessary for us to adapt ourselves as best we can to the pre-existing constructs of civilization and learn to accept its less pleasant aspects.
Works Cited
Dostoevsky, Fyodor. Crime and Punishment. Trans. Constance Garnett. New York: Barnes & Noble Books, 1994.
Freud, Sigmund. "Civilizations and Its Discontents." The Freud Reader. Ed. Peter Gay. New York: W.W. Norton & Company, Inc., 1989.
Freud, Sigmund. "Some Character-Types Met with in Psycho-analytic Work." Writings On Art and Literature. Ed. James Strachey. Stanford: Stanford UP, 1997.
Theodore Dalrymple is an English writer and retired prison doctor and psychiatrist. Daniel in his writings has frequently argued that the liberal and progressive views prevalent within Western intellectual circles minimize the responsibility of individuals for their own actions and undermine mores which are traditional, contributing to the formation within rich countries of an underclass which is afflicted by violence, sexually transmitted diseases, criminality, welfare dependency and drug abuse. His writings are generally based on his experience of working with criminals and the mentally ill. Dalrymple has been at various occasions been accused of being a pessimist and a misanthrope, but his persistent conservative philosophy has which is describe as being anti-ideological, skeptical, rational and empiricist has been worthy of praise . In 2011, Dalrymple for his works has received the 2011 Freedom Prize from the Flemish think-tank Liberia. The Theodore Dalrymple’s, “What We Have to Lose”, is the vigorous defense of civilization from barbarism. His main argument which he puts forwards with detailed examples and evidences many of them form his own experiences, recognizes that often the greatest threats to this fragile human achievement come from within. In his essay he provides a chilling glimpse at the problem we face in the West. He recognizes the fact that we have grown so used to civilization that it is almost impossible to believe that it is a fragile thing, and it can disappear. It gives us an important lesson that civilization, despite its grandeur and its seemingly endless resources, is not invincible, and can disappear. I would say we are witnessing an accelerating decline. The situation in West comes down to a point wher...
ADLER, Mortimer J. Editor in Chief. Great Books of the Western World. The Major Works of Sigmund Freud. Chicago: Encyclopaedia Britannica, Inc., 1996.
However, in Civilization and its Discontents, Sigmund Freud wholeheartedly takes an abstract and philosophical approach to explaining the misery of humans. To Freud, misery has always been a part of the human experience. Indeed, he makes the conclusion that suffering has been caused by three forces since the dawn of humanity: the decay of the mortal body, nature, and relationships with others (Freud 44). Freud states that human interaction is often disregarded as a cause of human suffering, yet to him it seems to cause the most pain out of the three. In the novel, Freud goes on to explain that civilization was created to reduce and mitigate the suffering caused by nature and the mortal body, while ignoring the suffering caused by human interaction. Seeing as humans still suffer as they always have, Freud comes to the “astonishing conclusion that civilization itself is the primary cause of human suffering (58). He and others have come to this conclusion through observing the victory of Christianity over pagan religions (as Christianity places low value on earthly life), the conquering of content native peoples by Europeans, and the development of
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
Dostoevsky does not like all of Raskolnokv though. He hates his aloofness. Dostoevsky cannot stand anti-socialism and believes that people should be together and not dislike “meeting at any time'; with anyone. Constantly Raskolnokov alienates himself from all his friends and family to go alone about his way, which ends up getting him into trouble because of his radical thinking, like his theory that some people can transcend the law because of some extraordinary powers. The trouble that Raskolnokov gets into is Fyodor’s way of showing that continually parting yourself from society is unhealthy for a person and that they need other human contact to be complete.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
In conclusion, “Civilization and Its Discontents” by Sigmund Freud was a book that sought to explain both organized religion and civilization in general. The book was largely influenced by the hostile environment of post World War I Germany and was a widely read and widely influential book.
Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...
Sigmund Freud is known for his theories and works in the field of psychology, mainly, the subject of psychoanalysis. Nonetheless, some of his works became important in other social science fields such as his work entitled “Civilization and its Discontents,” which had a significant contribution in other fields like political theory, sociology, and anthropology. This contribution is mainly because of the ideas invoked by the book with regard to the permanent conflict between the individual and the social institutions that surround him. Through his psychoanalytic perspective, Freud presents another view of understanding human and social institutions by looking at the nature of humans through the structural theory
Dostoevsky, Feodor. Crime and Punishment. Trans. Jessie Coulson. Ed. George Gibian. New York: Norton, 1989.
One of the most profound and obvious changes in Raskolnikov’s character can be seen in the newfound appreciation for other people and human relationships he discovers at the end of the novel. When the reader is first introduced to Raskolnikov, Dostoevsky quickly makes it apparent that he has little to no regard for others, writing on the very first page that Raskolnikov was “so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but anyone at all” (1). Indeed, in Raskolnikov’s mind, “to be forced to listen to [the landlady’s] trivial, irrelevant gossip […] and to rack his brains for excuses, to prevaricate, to lie” is the most loathsome thing imaginable (1). His disdain toward other people is so great that the mere thought of interacting with anyone for any length of time repulses him. On some occasions...
(1) S. Freud, Civilisation and its Discontents, (trans.) J. Strachey, W.W. Norton Company, Inc. 1961, pp. 71-72.
Raskolinkov’s beliefs transform from the beginning of the novel to the ending. His theory was never complete and to test his theory he commits the murder of an evil soul. The irony of this novel is Raskolinkov who though he was an extraordinary men, have the will to commit murder but not the power to live with the crime on his hands.
Raskolnikov's article, "On Crime," is vital to the understanding of his beliefs. This article also has a profound effect on Crime and Punishment as a whole, the subject matter being one of the main themes of the novel. The idea of the "extraordinary man" is referred to literally throughout the book, but also notable is the subconscious effect the idea has on Raskolnikov. Sometimes Raskolnikov is not even aware of this influence. It is important to note originality, or the ability to "utter a new word," as a defining characteristic of the extraordinary man. Therefore, we must take into account the presence of similar ideas, those of Pisarev, Nietzsche, and nihilism, as these might bring to light the possibility that Raskolnikov is not original, a possibility that haunts him throughout the novel.
Joseph Conrad’s short narrative “An Outpost of Progress” follows the lives of two civilized men, Kayerts and Carlier, stationed at a trading post in Africa. Between the departure and return of the Company steamer, Kayerts and Carlier are free from civilization’s rules, morals, and beliefs that facilitate a chain of command, trade, and comfortable living. When they are forced to live without society, the men slowly descend into madness. I will argue that “An Outpost of Progress” illustrates humanities propensity to fall to fall from civilization when free of a conventional society.