Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Women's status in ancient china
Essays about Chinese women
Women's status in ancient china
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Women's status in ancient china
Despite criticism, bigotry and the precarious era in which she lived, Ding Ling’s literary works show her deeply felt concern for gender equality and political reform. Ling fought for women’s social and political equality. In addition to being a writer, Ling was also a political activist. Throughout her years as a writer, Ling faced adversity due to her status as a woman as well as her political affiliations.
Ding Ling was born in 1904 as Jiang Bingzhi. She was significantly influenced by her mother, who was continuously struggling to improve their living conditions. She was extremely supportive of her daughters’ decisions and even encouraged her to end an undesirable arranged marriage. At the age of thirteen, Ling became active within the political scene. She began writing in the late 1920’s and was a part of the May 4th generation. She was immersed in a culture of women that were struggling to find their own identity.
According to Jin Feng’s book entitled New Woman in Early Twentieth-Century Chinese Fiction, Ling’s works can be divided into three sections throughout her career. While all of her stories focus around the struggles of women during the modernization of China, Ling used different methods to address their reality. The first method portrayed the social lives of women without giving a direct method of addressing the difficulties that they faced. The second involves women who renounce their current life to pursue Marxism and the revolution. The third romanticizes the lives of women after joining the revolution.
Many of Ling’s stories focus on the new woman and her role in society. In contrast to her peers, Ling chose to go “beyond the gentleness of women’s literature” by portraying women who encompassed many de...
... middle of paper ...
...0’s. She was exiled and her literary works were banned. During this time her books, as well as her name, had been banned in China and she was sent be rehabilitate and all of the writings that she had attempted to produce during this time were destroyed. Almost twenty years later, the ban on her books was lifted and she was declared to be rehabilitated. She was allowed to write and set free until her death in 1986.
Despite the criticism and persecution she faced Ling held fast to her ideals and convictions. She fought for what she believed in, she refused to be silenced or to give up her ideals. Ling was a feminist and activist until her death and despite the atrocities that she suffered at the hands of her political party, she remained a communist until her death. Her ambition in life was to show those around her that women have a voice and can make a difference.
Chen, Jo-shui. "Empress Wu and Proto-feminist Sentiments in T'ang China." In Imperial Rulership and Cultural Change in Traditional China, edited by Frederick P. Brandauer and Chün-chieh Huang. 77-116. Seattle: University of Washington Press, 1994.
The hunger for power lies within every one of us, yet most can have the strength to resist it. However, occasionally the temptation is so strong that it corrupts the brain. All the person can think about is achieving that power, no matter the cost. Ji-Li Jiang’s memoir, Red Scarf Girl, tells the personal narrative of a young girl growing up during the Cultural Revolution in China. Despite being a black whelp, the child of a family belonging to any of the “Five Black Categories”, Ji-Li Jiang is able to overcome the countless tribulations brought upon her and her family. Although Ji-Li’s naivety enhances her involvement in the Cultural Revolution, her constant loyalty towards her family perseveres; nevertheless, without her earlier devotion
Despite the obstacles he faced, he was able to overcome them and become a much different person who had become the "master of his own opinions. " Liang was more upset that he spent "most of the time memorizing dogma." Liang began to research in search of himself, and through education, he was able to think outside of Maoist thought. We see that Liang grew to be happy; he found companionship and freedom. Liang and his wife were finally able to get married due to China being able to view the West more openly.
..., run by the old boys, with her own.” (Min 305) Another part is her involvement in the Cultural Revolution as she organized revolutionary plays, she persuaded young people to help her launch the revolution and push the cultural shift for communist propaganda. As watched in the documentary in class, she offered her support for the launch of the Red Guard by Mao, and also encouraged the attack on China`s high officials who were viewed to be moving away from communist ways.
In terms of Qiuju, which is a typical female representative in initial China, whereas varying most of the women at that time, she has the courage to against with the traditional system to explore fairness and justice, although because of similar traditional ideas: priority of carrying on the family line in common
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
In the film, Wu Yonggang tried to describe the life of an unnamed prostitute : Every night she walks the streets, forcing herself to smile for clients, returning exhausted at dawn. The money she earns, she uses to support herself and raise her son. She endures not only humiliation, but also must avoid the police. The unnamed prostitute, also known as Ruan Lingyu reaches the epitome of her virtuosity as an actor in bringing together both the unyielding love of a mother and the tragic fate of a prostitute in one character. This effectively conveys the leftist message of the time, while also gripping viewers’ emotions. The director’s skillful use of prostitution as a way of highlighting China’s social problems of oppression, along with his simultaneous focus on the consequential victimization of the helpless, ultimately causes viewers to heavily ponder the dramatic issues presented in the film and gain a deeper insight as to the injustice of the time. Furthermore, the director delivers a message to the leftist sentiments of social inequality and of the need for change within China through focusing on female suffering in 1930s society. One way in which this message is effectively conveyed in the film is through Lingyu’s beautiful mastery of the role. Her facial expressions and subtle gestures reveal the inner turmoil the character feels, and ultimately, it is her performance that brings true meaning to the film’s underlying argument. In one scene where Lingyu’s character comes home after having worked the streets, we see her quickly tend to her crying baby and, while she warmly cradles him in her arms, look up and stare off to the right in deep contemplation of the unfortunate reality she is being forced to live. She skillfully takes on a deep look of sadness and hopelessness, which tells viewers that, despite her loving heart
Virginia Woolf, an original, thought-provoking feminist author, influenced women to fight for equality and to question the opportunities for women in literature. With her diaries, novels and poems, she stunned her readers with something they have not seen much before: women rebelling. Woolf was frustrated with women and the untouched and suppressed skills they harbor. She once said, “Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their created force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics” (Feminist 595). Woolf sought to eliminate the perceived ideas of women and enlighten readers of the skills that women possess.
In the novel Wild Swans author Jung Chang gives the reader a glimpse of China’s history through the eyes of her family throughout the span of three generations. She guides the reader by giving insight to the history of China through her grandmother, continuing with the mother and ending with hers experiences . Although these three women lived through different generations in China, they all felt and experienced pain and it is captured in their stories. These three women sought to move ahead in life and to follow their hearts. Jung Chang guides us through the difficult times that took place before the leadership of Mao and throughout his regime a time when China left behind its traditional values and was forced to take on a new way of life.
...Also an important quote is when she says, "But today I realize I've never really known what it means to be Chinese. I am thirty-six years old" (857). Even though she was in her 30's and still had that identity crisis, it was uplifting knowing that all it took for her to resolve that conflict was one meeting with her sisters.
...ime. Majority of the women in the novel overcame the tough traditions of women treatment in ancient Chinese culture. The ancient Chinese culture believed that women should fall under patriarchy and strict ethics. This gave women no opportunity to move up the social class ladder. Being treated poorly effected would often affect women. Women like Lindo represent the power of escaping the oppressive atmosphere. Lindo decided to leave when she saw the Huang couldn’t control her anymore. Women had to be able to find their own independent identity. Ying-Ying is an example of this since she always wished to be found by someone, but inevitably she realized that she was her solution to finding her wholeness. Today modern women can express their thoughts, independence, and creativity. Aid should be continually provided for liberating women from oppression and discrimination.
Sandra Gilbert and Susan Gubar pursue a definition for what it means to be an authoress in a male dominated culture of writers. The central question for Feminists, according to Gilbert and Gubar, is: “Does the Queen try to sound like the King, imitating his tone, is inflections, his phrasing, his point of view? Or does she ‘talk back’ to him in her own vocabulary, her own timbre, insisting on her own viewpoint?” However, I cannot overlook the prospect of a man feeling just as mad and cooped up writing a text that others would view as out of his league. Chinua Achebe is the epitome of this Madman in the Attic. Born and raised in London, and brought up Christian he was as far away from being Okonkwo as I am as a white middle class American female. If Gilbert and Gubar are accusing women of feeling out of place writing in what then was a man’s field of expertise then Achebe masterfully channels the feminine madness into Things Fall Apart by writing a culture of strong independent women masked by silent passive girls.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
“The Woman Warrior” is a story of a Chinese girl’s childhood life and experiences in California and shares family stories and Chinese legends. “The Woman Warrior” is a magnificently written memoir of the author, Maxine Hong Kingston, but is a pungent, truth about the slavish life of Chinese women. From her mother’s talk-stories, she understands that only a brave, wily woman can withstand in the patriarchal Chinese society. Kingston presents the two worlds, one about life in China, and another about life in America. America is the place where her parents emigr...