There is much left to be desired by a piece I had anticipated so.
Daniel Sempere, our protagonist, visits The Cemetery of Forgotten Books, a clandestine labyrinth of dormant tomes, waiting to be found. It is tradition for first-timers to choose a book for themselves. Drawn in by the cover, Daniel rescues The Shadow of the Wind by obscure author Julian Carax.
He becomes driven to seek out Carax’s history because the day he finds his novel is the same day he forgets what his late mother’s face looked like. Because of this, he associates his ability to recall the image of his mother with rediscovering– and therein resolving – Carax’s life story, the life of an author whose work he becomes enraptured with in one magical night of fervid reading.
…show more content…
The great mystery this book promises becomes less so after the first fifty pages. Other reveals have little build-up, making them feel surprising but also halfheartedly unwanted, like a dish you didn’t order but are too hungry for to send it back to the kitchen.
Indeed, one does become hungry.
Each character has their own sad story to tell, but make each new lead feels tedious, like repeatedly hearing a single musical motif; even if they introduce themselves as separate people, they are all little more than a means for the book to end with acceptable stitching.
The stories are told in large chunks, and with this plus the lengthy prose, the book drags on. The verbiage I was warned about prior to picking it up exists to create an atmosphere saturated with Gothic intrigue and film noir cigarette smoke. The words themselves are wonderful, but also unnecessary, and would have been better spent on spreading out parts where Zafón tells more than he shows, such as the deus ex machina missive appearing at the end of the book.
All things considered, the book, in theory, is interesting. But without a readable vessel to carry the day, most of the novel, for all its beautiful language, doesn’t really
Reverend Jeremiah Brown - Hillsboro's minister. He is a hard- hearted man who feels no qualms about convincing the town to condemn Bert Cates and his daughter as incorrigible sinners.
The diverse alternation of point of views also provides the story an effective way to reach out to readers and be felt. The characterisation is effectively done and applied as Sam, Grace, and the other supporting characters play individual, crucial roles in the course of the story. All the elements of a typical young adult novel, consisting of a gap-filled relationship between children and parents, emotion-driven teenagers, and a unique conflict that makes the book distinct from fellow novels, combined with the dangerous consequences of the challenges the couple encounter, make the book different from all other of the same genre. The plot unfolds slowly giving readers enough time to adjust and anticipate the heavy conflict when it arises. It has gotten us so hooked but the only thing we could possibly dislike about it was the slow pace of plot. The anticipation was too much to handle and we were practically buzzing and bouncing to know how the story turns out as we read. It builds the anticipation, excitement, thrill, sadness, grief, loss, and longing in such an effective way to entice and hook readers further into the world of Sam and
Gloria Skurzynski’s “Nethergrave” is a superior work of science fiction compared to Ray Bradbury's "A Sound of Thunder" because it has a more important theme, has better characterization, and is much more original. To elaborate in other words, Nethergrave artistically conveys a meaningful message through a distinct story while A Sound of Thunder bluntly restates a generic idea.
The parts that I found boring were when there was a lot of description going on from the author. I do realize that it is necessary to set up the scenes and locations so that us as readers can have a better understanding of what is happening in the book, however I felt like at times he went too far into detail and had me nearly sleeping at times, literally.
The book, “The Light in the Forest” is a book written by Conrad Richter. This book is about a young man named True Son. He was a young white boy that was captured by Indians. True Son was only four years old when he was captured, and eventually adopted as one of their own. True Son, at the time was way too young to fully understand what was going on. All’s True Son knew was that he had a family, an Indian family that loved him very much. To True Son, he was pure indian.
Lines and Shadows, by Joseph Wambaugh, tells the story of a group of regular San Diego street cops assigned to a task force designated to stop the victimization of illegal aliens by bandits in a hellish no-man's land near the Mexico-United States border. The officers soon realize the issue may be too big for regular street cops such as themselves, and many must deal with the psychological, emotional, and social conflicts caused and manifested by the events that occur during their mission.
This is my personal reflection about this book. First and foremost, I would like to say that this book is very thick and long to read. There are about nineteen chapters and 278 pages altogether. As a slow reader, it is a quite hard for me to finish reading it within time. It took me weeks to finish reading it as a whole. Furthermore, it is written in English version. My English is just in average so sometimes I need to refer to dictionary for certain words. Sometimes I use google translate and ask my friends to explain the meaning of certain terms.
Now if I may go off the subject for a moment I would like to say how beautifully and descriptively the book is written. There is one passage in particular that I truly enjoyed reading :
There is a constant stream of action in this story, which makes it rather difficult to process what's going on as it happens. The story rarely drags and it is written so that it feels very real and alive. Slang terms are used often too, which are also hard to understand. But after the first few chapters it seems that most readers are able to get around this and start enjoying the fast paced style in which the book is written. This style also adds to the mood of panic and paranoia that encompass the entire book as Marge, Hicks, and Converse try to flee with their dope.
The effectiveness of this compacted novel is greater than those of a thousand paged. The story within this book is not entirely unfamiliar,
A persona is a mask shown to the outside world developed in relation to consciousness, to hide the darkest aspects of a psyche, known as a shadow, behind it. Shadows contrast personas by holding undesirable and unwanted memories and behaviors, but the dark side of an individual must be accepted for the individual to fully understand oneself. In the coming of age novel, A Separate Peace, by John Knowles, narrator Gene Forrester returns to New Hampshire to visit Devon School, where he studied fifteen years ago just as World War II had begun to unfold. The narrative shifts back fifteen years ago to Gene’s days at Devon School with his best friend, Phineas, also known as Finny, as he recalls memorable events from his past. Gene’s persona and shadow
Shadow and bone” without a single doubt is probably one of the best book as myself have read for in a long while, back than as a teenage, myself was not use to reading suck big book as often as I should as a teenager , but once you get into the book, there is no going back. The book was made by Leigh Bardugo who was born on Jerusalem, and she was pretty must raise in Los Angeles, believe or not it was actually her first novel she wrote after finishing college at Yale university. It all starts with our main protagonist Alina Starkov, who later discover the only thing she never know about herself, so choosing her own power Alina was giving a choice to save the world and save her love one from and the dark.
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
Truth is constantly sought out in Fountain and Tomb. Our young narrator is often like a detective, listening attentively to conversations, making keen observations of situations, and seeking out answers to questions he doesn’t know. “The day is lovely but redolent with mystery,” our narrator says, identifying all the unknowns in the world around him (Mahfouz, 15).
In summary, while the script presents with an original voice, the stories are not compelling enough and the protagonist is not relatable enough to care about.