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Music and its effects on society
Music and its effects on society
Music and its effects on society
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Transforming Positive Principles into a Society Fundamental
Music transforms societal viewpoints through its presence in various media forms and shifts in lyrical content. Often, artists integrate music and controversy, creating configurative culture. Blogger Henry Jenkins interviewed professor, author, and musician Aram Sinnreich about this concept; Sinnreich described configurative culture as “the distinguishing feature [in this] new communications landscape [enabling us] to combine and sequence these atoms of expression at our own will,” (Sinnreich 2010). Mashups, or combinations and rearrangements of two or more elements, specifically songs for musical mashups, are examples of configurable culture. I mixed the lyrics of “Dreaming Alone”
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The cover mashup begins with the negative principles presented in “Clarity,” including suffering, pain, and disappointment. The piece transitions into a state of wonder and curiosity. “Is the glass half empty or half full?” is a philosophical question that inspired me to focus on positive principles rather than negative ones. This question argues whether an individual is a pessimist or an optimist. I am an optimist, and I believe that regardless of faults or troubles, something positive always debuts. During the artist’s concession, I added piano music to demonstrate the transition from admitting faults to pursuing the future. These sounds encourage semantic listening which “refers to a code or a language to interpret a message,” according to composer Michel Chion (Chion, 50). In this case, music is the language encoding the message. The music is bound by repeated sounds in the background, supporting and accentuating the lyrics. Media historian and professor, David Hendy claims repetition “[infuses] a speech with a feeling of soaring poetry” (Hendy 65). Repetition, specific word choice, and pathos rhetorical strategies mold the poetry created within the piece. Fusing the lyrics of “Dreaming Alone” and “Clarity” with an array of sounds carefully chosen amplifies the overall message of the …show more content…
Some artists create a mashup by combining copywrited material from multiple songs and more or less cut and paste sections together. One example of a mashup is “Pop Songs World 2015- Best Mashup 2015” by Yabanci Muzikler consisting of the top pop songs created throughout the world in 2015 (Muzikler, “Pop Songs”). Other artists create a cover mashup by taking an original song and adding their own instrumentals and or vocals. This is the media form I chose to demonstrate configurative culture. Another media form is through the use of video ads. One artist, ParkRidge47, chose to create a mashup between Hillary Clinton’s Vote Different ad and the Apple 1984 Super Bowl ad titled “Vote Different” (ParkRidge47, “Vote Different”). Regardless of the media form chosen to demonstrate configurative culture, rhetorical strategies used in each composition amplify its overall
When listening to the song both reflectively and analytically did put a dapper on the initial meaning behind listening to the song, however, the song’s influence and history with my Child Hood prevented this assignment from completely taking my enjoyment and engagement of the song. Through this assignment I have found a new respect for the song and its simplicity and overall appeal with the vocaloid culture that I am involved in both as a listener and an artist. Through this assignment I have also been given a deeper insight into Deco*27 as an artist and how he effectively conveys his music as an art through both the vocaloid system and, in this case, through his own talents as a singer.
Music is regarded as a method of passing a message. Though some songs do not intend to do that, the message in them is still perceived. The song, “Get up, ...
What Gore and Choy have misunderstood is the way that music can create bonds between people, both between individual fans of a particular group and between the singer and an individual fan. People can learn how others think and can learn more about themselves through the sometimes-brutal reality of modern musical lyrics. Nirvana's song "Dumb" can show popular people how it feels to go through high school as a social outcast. The music of Garbage and L7 can give men a glimpse of the female mind. The music of Nine Inch Nails and the Gin Blossoms can take sane people on a trip through the mind of someone who is losing his (or her) sanity.
Song lyrics have set off a great generation of our leisure time than reading poetic devices, therefore song lyrics are better than poetic devices. Song lyrics have dropped numerous lines that attach to us now a days and make us listen to the line over and over unlike poetic devices. Song Lyrics have so much meaning by word choice and by relations.”Mr. Rager” by Kid Cudi, is about people fed up with society and plan on taking a journey. “Dreams” by Edgar Allen Poe, is about a man who dreams of a greater life. Mr. Rager, the song by Scott Cudi, has a better meaning than Dreaming, the poem by Edgar Allen Poe, by personification, allusion, and symbolism.
...ic chorus) that was used as a theme song in Ronald Reagan’s 1984 Presidential election campaign. While Springsteen was heard to be appalled by this nationalising of his protest song (so much so that he has the Reagan campaign stop playing it ), it is interesting in this case to note that ‘once composed, a piece of music takes on its own life, independently of the intention its creator bestowed upon it’. It does not belong to anyone, much like any form of aesthetic, but it belongs instead to the people, the audience. Theorist Stuart Hall talks about how media texts are ‘encoded’ by the producer with values and messages, but then ‘decoded’ by spectators. And this is probably the most important thing to remember in aesthetic studies, and something we will look at in the next chapter – once a piece of art becomes public, it can be twisted to mean whatever the audience
In cultures all over the world, music can be seen encompassing many aspects of life for many individuals. It is a form of mass communication that"speaks directly to society as a cultural form", and often reflects a collection and pattern of personal experiences (King 19). Music is so influential because it communicates on three different levels: the physical, emotional, and cognitive. Not only does it operate in a nondiscursive way, by affecting the physiological mode of the body, causing one to move and dance, but it also encourages one to think. This paper will explore music as a form of protest; showing how a political message, in general form, is presented through music. Protest music addresses the social, political, and economic conditions of the times and often speaks directly to the listener's experience (King 20). In the following pages, a general comparison will be made between the evolution and effects of the blues, jazz, reggae music, and hip-hop, with a focus on reggae and hip-hop.
In contrast, today’s popular music is of a secular origin. Some types of contemporary music mirror the decline in our value system. The “pop” or “hip-hop” culture is characterized by explicit sexuality, habitual use of profanity, and depiction of extreme violence in music and all other forms of entertainme...
The aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid afore Music is widely used to express ourselves thoroughly. Bruno Mars’ “Unorthodox Jukebox” album does just that. It expresses the. It allows us to express how we feel about something going on in our life. When music is heard, our brain is overloaded with dopamine, which produces immense amounts of love for whatever we are thinking about.
These travails point to an underlying critical malaise, namely the comprehensive prejudice that reason and cognition are inherently discursive: to understand is plainly the ability to describe what one has understood. Therefore his failure to nail down musical profundity amounts to a tacit acknowledgement of the ‘ineffability’ of instrumental masterpieces — resulting in musical ‘truths’ being consigned to its sensory modality or else to a demand for marshalling verbal paraphrase for explicit decoding.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
Music defines our culture. As Americans, we listen to music while we drive our cars, are at work, doing housework, studying, etc. We have songs for special occasions: Christmas, Hanukah, birthdays, weddings, parties, etc. We have taken songs from the various cultures that make us diverse: Arabic, German, Mexican, Native American, etc. We have many genres: country, hip-hop, rap, pop, blues, jazz, rock, heavy metal, etc. And although we may think of music as simple and easy, looking at all this makes one realize how diverse and complex our music truly is. Two things that contribute to this diversity are theme and symbolism.
Some may say music is just music; a song is just a song. However, music plays an enormous role in our psychology, because a single song has the ability to bring about many kinds of thoughts and emotions in the listener. Music is subtly one of the main factors in which people identify with certain groups and establish their belonging in society. It shapes people’s perspectives on how the world functions and the roles they play within it. Music can function the same way in a culture; it can reflect many of the culture’s values and ideologies. Music can have many effects on culture and the people’s idea of who they think they are within that culture. Music can serve in a way that promotes cultural identity and pride, yet it could also play a role in the separation of social and economical identities in within cultures.
For many of us, one of the most accurate and effective ways to express the feelings that really matter to us is through music. We don’t only grow to attached to songs that are catchy, but also those with lyrics that we can relate to. It is not uncommon to feel like sometimes, artists can convey the way we feel better than we could ourselves. The storybook-like lines you read at the start of this page are a collection of lyrics
These examples show the ways on which music can combine cultures, and grow with the influence of those who write and perform it. The pieces which are used consistently to represent Canada have gone through much editing, and usually combine cultures. This combination of cultures in music reiterates the myth of multiculturalism in Canada. As music is a unifying tool people are more susceptible to absorbing a message if it is set to music. Patriotic songs have been used to indoctrinate ideas of unity within multiculturalism. It does this by borrowing from multiple culture’s language, style, ideology, and motifs. Music transforms these fragments into a single collection. This is the sound of Canada: a patchwork of cultures.
Popular music is readily available everywhere, such as on the radio, the media, and online. Artists often make use of their creativity by adding in some unique and creative lyrics that contain words that we haven’t heard often or even before. As a result, popular music affects our everyday speech; certain words and phrases from its lyrics integrating themselves into our language. Bryson says that some of the ways we adopt and make up new words is by “adding to them, by subtracting from them, by making them up, and by doing nothing to them” (811) as well as by “borrowing them from other languages and creating them by mistake” (811). Popular music follows the same pathway that Bryson presented into our ears and out of our mouths. Popular music