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Concert review examples wind ensemble
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Recommended: Concert review examples wind ensemble
Elana Sanguigni
April 18, 2016
Honors Music Term Paper
The Wind Ensemble and Concert Band reflect a rich history. The formation of the Concert and Wind Ensemble bands date back to the Middle Ages and Medieval Times. The Concert Band and Wind Ensemble have evolved over the years, due in part to significant historical events, music combinations, individuals, and progress. The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians,
Though the formation of our modern-day Concert Band does not date back quite as far as our modern-day Wind Ensemble, the extent of events, groups, composers, and advancements is quite similar. The evolution of the Concert Band dates back to the French Revolution. Large bands, full of unique instruments and amateur musicians, were required to play at festivals and ceremonies. Similar to the evolution of the Wind Ensemble, the Concert Band is derived from military purposes. Instruments, such as the trumpets, horns, and drums, were often used for signaling. In contrast to Wind Ensemble musicians, these Concert Band musicians never played their instruments for military enjoyment. The Concert Band musicians primarily played instruments to signal to the guards and villages. There were a few unique instruments, however, that were desired to play a military tune. These instruments include instruments such as a flute or bagpipe. Throughout the Middle Ages, this difference in military preference led to different job opportunities. For example, a cavalry company required trumpets, horns, and trumpets. On the other hand, foot soldiers would hire flute and bagpipe
The Rise and Development of Military Music. Freeport, New York: Books for Libraries Press, 1912. Print.
Goldman, Richard Franko. The Concert Band. New York: Rinehart and Company, Inc., 1946. Print.
Rhodes, Stephen. 20th-Century Repertoire. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. Instrumentation. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. The 19th-Century American Wind Band. Lipscomb University, 2007. Web. 10 Apr. 2016.
Rhodes, Stephen. The Baroque Wind Band. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. The Medieval Wind Band. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. The Renaissance Wind Band. Lipscomb University, 2007. Web. 10 Apr. 2016.
Schmidt, Catherine Jones. A Short History of Wind Bands. OpenStax CNX. Web. 13 Apr. 2016.
White, William Carter. A History of Military Music in America. New York: The Exposition Press, 1944.
Drums became crucial during the Civil War. Adult soldiers were not the ones that were playing drums in battle, but more
Ft. Lauderdale, FL: Meredith Music Publications. Goldman, E. F. (1961) The Wind Band. Boston, MA: Allyn and Bacon, Inc. Miles, R. (1997) Teaching Music through Performance in Band.
Zorn, J (1989, Nov.). The changing role of instrumental music. Music Educators Journal. 76(3), 21-24.
The piano is the most commonly known and most used. The saxophone has the ability to produce a unique sound. The clarinet has a reed connected to the mouthpiece, which the player blows through to create music. The trumpet is another a popular instrument. The trombone is descended from the trumpet that’s with played in bass clef or treble clef. With the larger size the double bass, the player usually has to stand up. The drums include the bass drum, snare drum, and cymbals. Last but not least, it’s good to have a vocalist because songs will sound
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
When working with early music, modern performers face challenges regarding stylistic and historical accuracy, given limited information on past performances, as well as notable differences in instruments available, technique, and performance practice. Furthermore, they must decide between different approaches that may better reflect the historical sound or intention of past performers, or choose to blend such extremes, creating varied interpretations.
High school gives you the opportunity to explore and engage with different sports or/and extracurricular activities. Many of which are arguably classified as a sport. Show Choir is one that many single out and classify it as an extracurricular activity. Show Choir is a group of people who combine choral singing with dancing, sometimes within the context of a specific idea or storyline. Traveling across the United States gaining trophies and competing for the best spots to calm a champion reputation within their show choir group. So, what intentionally makes up a sport? If you sweat, work out, compete, or maybe condition can be possibly the considerations on what makes up a sport. Show choir has different forms of memorizing moves, motions put
McGee, Timothy J. Medieval and Renaissance Music: A Performer’s Guide. Toronto: University of Toronto Press, 1985.
The New Horizons Band captures the essence of numerous generations ranging from young adulthood to senior citizens, who delight in the creation of music. In 1991, Dr. Ernst, a professor at the Eastman School of Music, began the first New Horizons Band (Cole). This musical community consist of senior citizens who currently play instruments or desire to learn the art of a new instrument. Various divisions of this musical community exist throughout the United States, and participation extends over ten-thousand members (“Concept and Philosophy”).
The Winter Orchestra Concert on March 10 was amazing. The first band was Concert Orchestra. The first piece they played was Allegro by J.H. Fiocco, arranged by E.D. Borgo. This song had an equal tone quality. The violins were great with keeping up with the tempo. It sounded like one instrument the blending was amazing. The violins had awesome sixteenth note runs. It was also a constant dynamic it was forte. The intonation of the performers was good. The balance between the instruments was also equal. The audience seemed to enjoy this song by this band. The next piece this band played was A Tribute to Elvis arranged by T. Ricketts. This song was a rock style. They had a student conductor who was very good a conducting. The instruments blended
Musician in the Middle Ages." In Women Making Music: The Western Art Tradition, 1150-1950. Jane Bowers and Judith Tick, eds. Urbana and Chicago: University of Illinois Press, 1986, pp. 15-38.
On December 7, I had the honor of attending a very popular Dallas Symphony Orchestra Concert. It was the first formal concert I have been to since I was in middle school (excluding the school concerts). Despite playing a woodwind instrument myself, I decided to see the DSO’s Organ and Brass Concert, curious to hear how instruments traditionally assigned bass or harmony parts would step up to play treble and melody parts. When I sat down close to the front stage, where all the brass players and percussionists sat (or stood), I expected mostly trumpet sounds and lots of sound from melody percussion instruments. But as the concert progressed, I observed that the melody was shared jointly by the trumpets, French horns, and tenor trombones. Overall,
The book America’s Musical Landscape starts by looking back to early North American Music from the American Indians, to the religious and non religious music of the European and African settlers. According to the book “Native American music was and is song, sometimes supported by instruments.”1 The Native American used different types of instruments to accompany their songs or chants such as the drums, flute and rattles. Like music for us today the Native Americans used music in all different aspects of their lives. The early European settlers br...
With the help of the Music Director, Vocalise was recently able to form an 11-musician-strong String Ensemble for a performance at the Esplanade Concourse. These musicians are young and exclusive to the company. Hence, Vocalise would be able to offer various String Ensemble set-ups that are not offered by any other entertainment agencies. Through the first Open Call, Vocalise was also able to secure an exclusive electric-violin duo, a concept that is unique to the company. Vocalise’s ability to engage and work with upcoming musicians and new concepts allows it to have an edge over its