Comparison Of Spartacus: Lolita And The Killing

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For many years I have considered myself a Stanley Kubrick fan. I have watched Clockwork Orange, Dr. Strangelove, 2001: Space Odyssey, and Full Metal Jacket countless times. However, I never took the time to go through his complete filmography. Spartacus, along with Lolita and The Killing, were the ones that I had missed out on. I have known about these films for almost 15 years when I first learned about them. The only familiarity I had with Spartacus, and the place where I learned about its existence, was through a silly parody in the cult animated sitcom The Critic. I finally understand the jokes in that episode.

The film starts off with some really cheesy and cringe-worthy narration: In the last century before the birth of the new faith …show more content…

Spartacus is sold to Batiatus (Peter Ustinov) and is trained to be a gladiator and soon revolts against his masters. His adventures takes him all around the Roman Republic sacking and pillaging estates belonging to wealthy landowners and Roman nobles. Along the way, Spartacus amasses a loyal army, finds a lovely girlfriend/wife (Jean Simmons), and strikes fear into the Roman army. However, it does not end well for Spartacus and his followers. Led by the psychotic Marcus Licinius Crassus (Laurence Olivier), the Roman army eventually crushes the slave revolt in a climactic battle. Most of the combatants, including women and children, are slaughtered and the survivors, including Spartacus, are …show more content…

I realized after watching this film that it had so many of the tropes found in later historical epics such as Braveheart and Gladiator. It actually left me somewhat disillusioned with Gladiator. Both films share a similar plot and many similar scenes. In spite of the advanced technology, slick editing, and computer wizardry of Ridley Scott's Best Picture-winning hit, this ended up being the superior film. During the final battle there are panoramic shots with thousands of extras. Those were all real people. Today you could recreate the battle scenes entirely with computer-generated extras.

What really stood out to me was how little there was of Stanley Kubrick's signature style. It is certainly there, but it is only apparent in a few key scenes. Apparently, there were many disputes between star and producer Kirk Douglas and Stanley Kubrick. Kubrick tried to take as much control as he could but his power was limited since he was only a "hired gun" on this project. Whatever the reason, this film lacks that signature combination of editing, pacing, symmetrical composition and overall attention to craft that made all of Kubrick's other films so memorable. When the scenes do contain these elements, they are mesmerizing and hauntingly beautiful. The scenes that most stood out were: the "snails and oysters" scene between Crassus and Antoninus, the scenes in the Roman senate, the climactic final battle,

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