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The godfather character analysis
The analysis of character in godfather death
The godfather character analysis
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Both films were huge contributors in the film industry in a way or another. Breathless was one of the earliest, most influential examples of French New Wave cinema, while The Godfather is a film that arguably defined a genre. The film generated numerous rave reviews as well as audiences that became fans instantly. What separates the film from others is the fact that it was the first movie in Hollywood to innovate and incorporate plot twists into the gangster genre. Apart from the thematic additions, the characters in the movie also were by far one of the more complex ones in the modernist era. Take Don Vito Corleone. He is the protagonist of the film. He is old and wise. And he sure is a most complicated gangster. In his own words, he is not
My essay is going to be about the similarities and differences between ‘Casino Royale’ and ‘The Spy Who Loved Me’. I Will explore all aspects of each film including, Bond, the Bond girls, the villain and enemy, special effects and the mise-en-scene.
Watching both versions of Scarface was very interesting because it’s always cool to compare and contrast an original movie to a remake. A difference between the two films was the time period, Depalmer’s version focused more on the prohibition era using the classical gangster look while Hawk’s used a more up to date look using the materialistic look of the 80’s. A similarity between the two versions is the attitudes of Tony Camonte and Tony Montana, both wanted the world. In conclusion, I liked how both films included the phrase “The World is Yours” through symbolism, and how both films show how Tony Camonte and Tony Montana work their way up the ladder to reach the top.
Elementary school taught everyone that to compare and contrast two things, the best way to go about doing that is with a Venn diagram. Truthfully, this is an effective method, but it is quite rudimentary under the circumstances. "The Great Santini" by Pat Conroy and "Death of a Salesman" by Arthur Miller are two books that can become victims of the dreaded Venn diagram. The two stories are accounts of the lives of two families, each living out its version of the American Dream. The focus of both stories is on the father and how he interacts with everyone and everything around him. Bull Meechum of "The Great Santini" is a marine, raising his children as "hogs" and expecting only the best, if not better, from his brood. Willy Loman of "Death of a Salesman" also expects great things from his children, to the point that he refuses to believe that either of his sons is a failure, even when it is clear that they are. Although the two men themselves have many similarities, there are also other similarities between the two stories. One similarity is the role of the first son in the two anecdotes. Also, there is the role of the second child. Finally, both stories involve characters that are realizing what it means to be a man and what responsibilities come with the title.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
To understand the entirety of a concept one must see it from all angles and visions to learn to appreciate the beauty it portrays. I believe this entirely especially when it comes to arts specifically theater. Not only was theater introduced to me very early on in my younger years I had a burning desire to pursue it and understand its complicities. The Phantom of the Opera both in the Broadway musical of 2011 and the movie filmed in 2004 are in my opinion the most profound performances theater has ever scene. The Phantom of the Opera in both performances are of similar stories but they have differences when referring to delivery of scenes and transitions, also throughout both performances different tones or moods are
There are other subtle differences between the two movies, including the scenes. The original movie is set in a very traditional setting. The party takes place in a castle and everything is very fitting for the time frame. Not very original, but still effective. The new version is a bit more imaginative. It's not only more modern, but it's an amplified version of our world today; something that appeals to the viewing public. There are guns, security guards, cars, a pool, and a modern ballroom with a working elevator. These differences in the settings all have an effect on the overall movie. Other things that change the mood are the drugs, the wild party, and the drag queen. All things that add a lot of character to a movie.
Even though The Secret Life of Walter Mitty was written in two different mediums, there are many similarities and variations between the two. The movie and short story both tell the reader his daydreams he experiences. The movie is more suitable because it's easier to comprehend what's happening. The movie is written in a modern time period rather when the short story was taking place in the 1930s. For this reason , the movie is stronger than the written version. For example, in the movie, it shows how he works at Life and is under pressure of finding negative number twenty-five from his boss. (Stiller). On the other hand, they're alike because Walter is also under constant pressure from his wife to stop daydreaming. His wife is always telling
... educated the average person. The Mafia, as depicted by the Corleone family, is very close knit; those that are not even actual family members are still considered part of the “family.” This movie can be watched repeatedly and each time is as enjoyable as the first. It is a cultural eye opener and lead to two sequels and several other media items, such as today’s television drama The Soprano’s. Though the world does not condone what this lifestyle is about it will always be interested, and somewhat glorify the traditions and lifestyle of something so secretive and just plain bad.
The Maze Runner may not have been a particularly good movie, especially once it decided to move away from being a Lord of the Flies knockoff in favor of a "escape from the giant mechanical spiders" movie - even though that sounds reversed from how it should be. It made a lot of money, though, so it now has a sequel: The Scorch Trials. Set directly after the events of the first film, the second follows Thomas (Dylan O'Brien) and co. as they continue on the run from WICKED, an evil organization that wants children in order to produce a cure for a virus that essentially wiped out civilization as we currently know it.
Scarface and Public Enemies are both brilliantly written gangster films. Both are based off the lives of real people; Public Enemies tells the final years of infamous gangster John Dillinger while Scarface is loosely based off of the Italian gangster, Al Capone. Since both movies are gangster genre films, they have a lot in common. While both contain guns, violence, and action they also differ in many ways as well. In Scarface, the violence is not shown as much. Viewers won’t see bullets hit a person, any blood or guts, or anyone with cuts or bruises. In Public Enemies, the amount of violence is much more gory and viewers always see people being shot with blood pouring out of them. Death is also more exaggerated in Public Enemies for example,
Having a narrator can affect stories in a lot of different ways as we saw in Shawshank Redemption, Memento, and Stranger Than Fiction. In the next few paragraphs, I will tell you how they affected me and some of the things that when through my mind at the time.
Humans naturally crave what we cannot have. Even when our lives are everything we’ve always imagined, there is still, and always will be, that desire for something more. The unobtainable things in life have driven humans from their very beginnings to acquire great amounts of determination to compete and seek for additional illicit goods in life. The drive to obtain more or become more in life is rooted by boredom in one’s life. In the short stories, “The Necklace” by Guy de Maupassant, and “The Secret Life of Walter Mitty” by James Thurber, both of the main characters live an ordinary and average life. They are similar in that they both crave excitement in their lives, and live in illusory worlds in which their actual lives do not emulate the
Film Noir and neo-noir are two famous movie categories that come stem from the early 1900s. While film noir was created in the 1900s, neo-noir is a more modern version of film noir. Each type of film can be seen in popular movies from the last century. An example of film noir is The Big Sleep, directed by Howard Hawks in 1946. The Dark Knight is an example of neo-noir. It was directed by Christopher Nolan in 2008. Both film noir and neo-noir are very similar, but do have some very large differences.
Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave.