Compare And Differences And Characteristics Of Urbanization In Benin City

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On the other hand, some municipalities like numerous walled Yoruba cities, compared, if not rivaled, growth in Europe and Asia. When Dutch traders arrived in Africa at the end of the 13th century, they confirmed that urbanization in Benin City (Nigeria) in West Africa was truly no different than other European cities:

These African cities were well-planned and laid out on structured grids. Some cities contained intricate sewage systems and defined streets…some streets in a Nigerian town were paved. A Portuguese trader and interpreter, Duarte Barboosa, said of the east African city Kilwa:

Royal leaders in many African kingdoms lived in the lap of luxury and their opulent municipalities reflected their lifestyle. An earlier century book …show more content…

Some groups even wove coded messages into their cloths that conveyed political and philosophical thoughts. Ghanaians produced silk and intricately woven Kente cotton cloth; Mandingas and Malians wore mud cloths comprised of characteristic brown and beige patterns; and the Congolese, or Bantu people, commonly wore tufted Kuba cloths. Kongolese textiles were also distinguished for their the delicately crafted damasks, sarcenets, satins, taffeta, cloth of tissue and velvet. Professor DeGraft-Johnson observed that:

Royal leaders commonly adorned delicate weaving materials and elaborate accessories. A visitor to the central African kingdom of Kanem-Borno commented that ruler’s dogs had chains of gold; and his cavalry wore golden “stirrups, spurs, bits and buckles.” Royal Ashanti leaders wore elaborate weaving styles that included silken Kente fabrics woven with golden threads as described, by Duarte Barboosa, an early 16th century Portuguese trader: Fabric colors represented cultural meanings for various ethnic groups. While some ethnic groups considered red as a sign of wealth, other groups perceived red as a sign of …show more content…

in West Africa. These statues and figures that consisted of distorted human statues and masks are widely speculated to have inspired Picasso 's experiments with Cubism. The Yoruba people of Ife also influenced lost-wax cast metal art, also known as Benin Art, after the people of Benin City that perfected the art of cast metals to the highest quality. Village craft workers in Benin had extensive knowledge of pottery and metalworking temperature changes that prevented the materials from cracking during the casting process. The guild workers forged, then cast clay and metal in wax casts that were shaped into pots, masks, and statues. After the metal was set, artisans hammered and embellished them with one-of-a-kind designs. In the late 1800s, a curator at the Berlin Museum für Völkerkunde

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