At Last Analysis

849 Words2 Pages
bulb-icon

Recommended: Beyonce analysis

From the beginning of her performance until the song At Last starts (2:30) Beyoncé sings and talks about change that needs to happen in the world. Her performance consists of four of her most popular songs, one song of hers that I haven’t heard of, and two covers of famously known songs by other artists. All throughout the performance of the song At Last there were quotes from powerful women and also pictures of many other women who have made a change in society flashing in the background. The transition between At Last and If I Were a Boy (5:24-7:10) she shows a clip of one of her music videos with a message about being who you are and not letting anyone bring you down. Throughout the song If I Were a Boy (7:15-11:25) the violins use pizzicato in the background while Beyoncé’s …show more content…

She also encourages the fans to sing along and even stops singing some lyrics to hear the crowd singing. For example, after a dramatic pause before the last note of If I Were a Boy (10:48-10:53) she holds out the microphone to have the crowd finish the lyric. During the song Crazy in Love (11:35-14:45) she brings out backup dancers and all of them dance throughout the song. Since this is one of her most known song this causes the crowd to sing and dance along. The crowd goes wild when she brings out her husband Jay-Z to rap his part of the song (13:11-13:55). She uses multiple flashing lights, crazy backgrounds, and fog to amp up the crowd during the song. The transition (13:56-15:30) between the songs Crazy in Love and Single Ladies (Put a Ring on It) consisted of Beyoncé encouraging the crowd to cheer louder. The song Single Ladies (Put a Ring on It) is her most popular song to dance to and that was shown by the crowd dancing her popular dance routine all throughout the song. She once again brings out dancers and dances her famous routine to the song. In the middle of the song she incorporates another song that is unfamiliar to me

Show More
Related

  • Beyoncé: A Modern Feminist

    1904 Words  | 4 Pages

    On the night of December 13, 2013 Beyoncé, released her fifth self-titled album on ITunes. The album caught many people by surprise because Beyoncé did not set a date for the album, nor did she use any promotion; she did release a video on her Instagram asking her followers if they “were ready”. The buzz spread through social media like a wild fire. With no promotion or no warning, Beyoncé album took the world by storm and made it for her audience and critics to take in the album and it contents. Many people loved the album for not only its catchy songs, but also the growth and “looser” conservative Beyoncé. On the other hand many people did not feel that her album was growth, but a way to catch up to the overly sexual generation. Beyoncé has always been aware of her sexual side, pop side, and feminist side; this has been documented through her four previous albums. Yet, a lot of people have questioned if Beyoncé a feminist because of the content of her newest album. In order to answer that a person must ask him or her self; what is a feminist, why some people believe she is feminist, why others do not believe she feminist, and whether or not Beyoncé think she is a feminist.

    Read More

  • Civil Rights, Equality and the Music of Nina Simone

    2383 Words  | 5 Pages

    Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than had many other African American entertainers.”

    Read More

  • A Comparison of Two Film Versions of Romeo and Juliet by Zefferelli and Luhrmann

    2029 Words  | 5 Pages

    music changes to show that she is sad. We then get a close up of

    Read More

  • Lorde of Hip-Pop

    649 Words  | 2 Pages

    “Royals,” which is a song that breaks down “Pop-Culture,” features Lorde explaining the repetitive themes present in today’s popular music, by singing, “Every song’s like Gold teeth, Grey Goose, tripping in the bathroom, bloodstains, ball gowns, trashing the hotel room,” (Yelich-O'Connor, Royals) and how she has no interest in the lavish lifestyle that a number of famous people possess. A fun mockery of the sorts, apparent in her lyrics is backed by a catchy beat, made evident by the sound of fingers snapping in the background. Moreover, the beat is what completely lures me into the song. What I most enjoy is the vocal harmonization that is introduced in the chorus, giving it the chance to stand out from the rest of the song. Overall, I gathered a fun and happy vibe from this tune. From analyzing this song, it has given me a chance to get inside her mind and understand how she feels about “Pop-Culture,” and being a part of it, as well.

    Read More

  • Weney Houston: The Best Pop Song Of Whitney Houston

    2173 Words  | 5 Pages

    It is believed to be one of her best pop songs. This song is considered a pop song because it is written in the form of verses, bridges and choruses and it ends with an outro. The first verse of the song starts with “Share my life, take me for what I am”, which is shown specifically at the time 0:23. It ends with “Just all that you are and everything that you do”, which is shown at 0:53-0:58. The verse is followed with a bridge, which begins with “I don’t really need to look, very much further”, specifically at 1:00, and then follows it and it ends with “I can’t run from myself, there’s nowhere to hide” which is from 1:15 to 1:20. The song’s structure continues with a chorus, which starts off with “Don’t make me close one more door” which is at 1:21, and then it follows and ends with “If I don’t have you, you, you, you, you” which is at 1:51 to 1:56. It carries on with one more verse and one more bridge, and it ends with an outro, which begins with “Don’t you dare walk away from me” which is at 4:12 and ends with “If I don’t have you, oh you” which is at 4:27. The exact times for each verse, chorus, bridge or outro is all shown in the table below. In addition, the song is considered a pop song because it’s time duration is within the average time for a pop song, which is 3 to 5 minutes, and the song is about 4:50 minutes. Moreover, it is appropriate for different people from different places and it

    Read More

  • analysis 1

    802 Words  | 2 Pages

    Edward Joseph Snowden is a former CIA technician, Booz Allen Hamilton's former employee, and a former NSA defense contractor. Edward Snowden had leaked a secret of NSA through an interview with Glenn Greenwald from The Guardian which startled the world. In his disclosure, Snowden revealed about NSA that they are mining data works all along and secretly monitoring U.S. citizens' personal information by accessing through different servers.

    Read More

  • Stuart Hall's What Is This Black In Black Popular Culture?

    1124 Words  | 3 Pages

    As it opens with imagery reminiscent of the aftermath of Hurricane Katrina in New Orleans, an event that devastated the black communities in the areas affected. The delayed assistance in New Orleans by the U.S. government stirred some controversy that led many to question how much America really cares about its black communities. Nonetheless, Beyoncé’s video is full of imagery that is associated with black culture, including historical references to black communities in the south. But what is really important about “Formation” are the lyrics. With lyrics like “My daddy Alabama, Momma Louisiana, You mix that negro with that Creole make a Texas Bama” and “I like my baby hair with baby hair and afros, I like my negro nose with Jackson Five nostrils,” Beyoncé is undoubtedly declaring her pride for her blackness as well as defending her child Blue Ivy who has always been scrutinized for the way her hair looked. Thus, this song is obviously geared toward the Black community which is obvious due to the lyrics and the imagery in the music video. To put it plainly, this song is a proclamation of Black pride and shouldn’t be thought of in any other way. However, after performing it at the Super Bowl people of other ethnicities became aware of the song and became offended by her performance as well as the lyrics. Controversy arose as people pointed out her backup dancers were dressed similarly to the Black Panther

    Read More

  • A Long Way Gone Analysis

    808 Words  | 2 Pages

    In “A Long Way Gone”, we follow a twelve-year-old African boy, Ishmael Beah, who was in the midst, let alone survived a civil war in Sierra Leone, that turned his world upside down. Ishmael was a kind and innocent boy, who lived in a village where everybody knew each other and happiness was clearly vibrant amongst all the villagers. Throughout the novel, he describes the horrific scenes he encounters that would seem unreal and traumatizing to any reader. The main key to his survival is family, who swap out from being related to becoming non-blood related people who he journeys with and meets along his journey by chance.

    Read More

  • Where Are You Going, Where Have You Been Analysis

    988 Words  | 2 Pages

    Have you ever been so focused on achieving your dreams that you become unaware of your current situation? When we focus on the goals ahead of us, we fail to see the obstacles and dangers that are in front of us. In order to achieve our goals we involuntarily put ourselves in an unwanted situation. Connie, herself, struggles to achieve her goal of being a desirable girl that turns heads when she walks into the room. She becomes so set on being this girl that she doesn’t realize the danger of the situation. In “Where Are You Going, Where Have You Been?” Oates utilizes metaphors, diction, and imagery to show how Connie is in a constant tug between her reality and her dreams, and how this confines her freedoms in a world that is surrounded with malevolence.

    Read More

  • Claude Debussy And Beyoncé's Music

    535 Words  | 2 Pages

    Beyoncé first started singing when she was 7 years old on “Star” a famous show for finding people with talent like “American idol”. In 1990 she started a group called “Gyrls Tyme” with Kelly Rowland, LeToya Luckett, and LaTavia Roberson. Beyoncé’s father quit his job in 1996 to make her most famous group “Destiny’s Child” and a record deal for “Columbia Records”. The group’s second album “The writing on the Wall” hit No.6 on the “Billboard” After hit singles “Say my name” and “Jumpin, Jumpin”. Apart from music, the singing sensation also launched her acting career with her 2001 debut film Carmen: A Hip Hopera. Beyoncé’s musical career along with other major and minor assignments has made her one of the wealthiest celebrities in the world. Be...

    Read More

  • Concert Review: Lana Del Rey In Concert

    702 Words  | 2 Pages

    For this assignment I have chosen to write a concert review on one of my favorite artist Lana Del Rey. I went to see her in late June in Charlotte at the PNC Music Pavilion. She was on her first headlining American tour called The Endless Summer Tour promoting her album Ultraviolence. I have followed Lana Del Rey for several years now and having the opportunity to see her live was an exhilarating experience. Classified as an alternative artist she offers many sides of her music with a sound that varies from and contemporary, pop, to folk. Listening to her music you can tell she was heavily influenced by the 1960s and 1970s as she embraces it continuously throughout her music and her style even referencing artists like Lou Reed in her song “Brooklyn Baby”.

    Read More

  • Music Video Analysis: If I Were A Boy

    1150 Words  | 3 Pages

    It has been played in many other countries and is listed in many major hit charts in those countries. It became one of her best-selling singles. Beyoncé has been singing about women’s independence since she was in the hit group “Destiny’s Child”. Many of her songs support women’s lifestyle and keep cheering up girls with her powerful and expressive vocals (Armstrong). In addition to her songs and lyrics, her beautiful appearance fascinates many female audiences and influences from teenagers to grown-ups as if she was a role model. A negative side of the video is that the video gives the impression that men are always to be blamed and women are always “victims” of the relationships, which is not

    Read More

  • Salute- Little Mix

    637 Words  | 2 Pages

    Track two is the massive hit Move. This is about a girl liking a new guy and her wanting to be impressed, in the song the easiest way for a guy to grab her attention is to dance. The sound is up lifting which makes the audience want to get up and dance. Like most dancers say to get lost in the beat of the music, this song easily allows that for the audience. In the music video the Little Mix girls are dancing and gaining attention from male dancers. The setting is very basic so that the audience focuses just on the dancing and not what is going on in the background. The girls released a single album cover for Move.

    Read More

  • Dark Horse Katy Perry Analysis

    734 Words  | 2 Pages

    This music video is told from the perspective of the queen. She has no king and is searching for an equal. A group of men come to her bearing gifts to show they are worthy of such an honor. If the gift is not sufficient Perry uses her dark magic upon the man and transforms the man into an object. Katy Perry is the center of attention and is always in the front of the camera. The

    Read More

  • The Legend Of Lady Gaga

    922 Words  | 2 Pages

    As a whole, she’s a singer who would often have a band behind her. The instrumentation of the band can change depending on the song, but typically will consist of a drum set, several guitars, a piano, background dancers and background singers. On many occasions, however, her band would just consist of her and her piano, such as the song “Marry the Night,” where she often plays it with her voice and her own accompaniment. Lady Gaga is a lyricist where all her songs have vocals and music backing and she tends to make her music fit her lyrics. In the song, “LoveGame,” for example, the lyrics are very provocative and sexual, and the music has a very upbeat, rhythmic vibe to match. With lyrics such as, “do you want love, or you want fame, are you in the game,” she uses equivalent fast tempos, hard beats, and loud dynamics to express the party song. In another song, “Million Reasons,” she uses a more relaxed tone to let the listeners focus more on the lyrics. With only a piano in the background and the dynamics being played softly, her feelings show more through the song to convey her emotions. The complimentary words, “I’ve got a hundred million reasons to walk away,” allow the sadness and emotions that she wants the listeners to hear shine in the song. An interesting take on Gaga’s style, not just musically, but physically, is that she’ll always dress as the music she’s making. In her era of wild and provocative music with electronic instrumentation and fast beats and tempos, she could be seen wearing a meat dress and horned facial prosthetics, singing with auto-tune about themes of sex, as in “Bad Romance.” In her more recent style, however, she has a more simplistic style, in which, she wears a t-shirt and jeans and her music reflects that. Her music has very little alteration with her voice and shows her singing as she does;

    Read More

More about At Last Analysis

Open Document