“Gabriel, they shouted, you have a fine son! He will make a fine Vaquero!” In this quote, who is the subject and why is that significant? The author connects Antonio’s anxieties about change in his life to the culture in which he lives. Ultima’s intrusion into Antonio’s life marks a crazy time of change for Antonio. Anaya reiterates Antonio’s position on the threshold of change by showing his nerves about beginning school, moving away from his mother, and facing his unusual future. The vaquero lifestyle preferred by his father renews the values of freedom, independence and mobility, all of which are rules in the vaqueros’ love of the llano. The Luna family lifestyle preferred by Antonio’s mother, but emphasizes family and productivity, …show more content…
Who is the child? Is this happening in real life? Ultima correctly predicts that he will be a learning man. This shows that her learning conception is larger than that of most other characters. The prediction she has does not confirm that he will become a priest. Her answer actually comes from a comment that she made before, when Antonio is tries to make real sense of Lupito’s death and Ultima tells him that the ways of people are really hard to learn. She clearly believes that every man is a “learning man” because acquiring life experiences is in itself a process of learning. (101) “He was excited and eager now that his sons had returned” Antonio’s dream in Chapter 7, in which his brothers are three giants who ask for his “saving hand,” is open to many metaphorical interpretations, all of which address Antonio’s gradual entrance into adolescence. The dream could mean that Antonio is reluctant to give up his innocent, childish idea that his brothers are infallible and unchanging. It could also mean that they are dying because they have changed too much to settle seamlessly into their old lives. When they do arrive, they are restless and aimless. Finally, León and Eugene decide to build independent lives elsewhere. The dream also reveals Antonio’s awareness that the people he loves can sin despite his attempts to save them.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
How do we make the leap from child to adult? What obstacles must we overcome to finally reach the summit of all that we can be? Who can reform and influence our decisions, the very decisions that will shape who we become? In Bless Me Ultima by Rudolfo Anaya, Antonio Márez must progress towards his own moral independence and choose his destiny. Tony is forced to endure difficult experiences too early in life, causing a premature loss of innocence. He is overwhelmed with a multitude of spiritual questions. To find the answers he seeks, Antonio must undertake a metamorphosis.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
Junot Diaz’s “Otravida, Otravez” depicts a perspective of life where one’s present and future always reflects their past in some way. Diaz’s representation of symbolic figures, convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
Many children and teenagers ponder about what they want to be when they grow up. In many regions of the world, many adolescents have to follow the dreams of their mother or father as they come of age. In the novel Bless Me, Ultima, Antonio is faced with the challenge of becoming a Luna or a Marez. Throughout the novel he endures events that shape him into the person that he is yet to come. An analysis of the book reveals that with some guidance from his curandera Ultima, Antonio will become a Luna as he ventures into adulthood.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
All in all Anzaldua's essay is very motivating and “colorful”, due to her utilization of metaphors she uses give the reader gains insight into her writing process, most of all into the process of connecting images and building ideas. However Anzaldua's use of language and style, the transition from English to Spanish and back again in particular, may create confusion for certain readers, who are not familiar with the different
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In the Novel, the presence of the river serves as the greater awakening to Antonio’s soul. “Through her I learned that my spirit shared in the spirit of all things” p15, “I knew that if she did not answer my question that that part of life was not yet ready to reveal itself to me”p42, Ultima is the catalyst that propels Antonio on the whirlwind of experiences that fosters his ambivalence. His exposure to Lupito’s death triggered his loss of innocence. Anaya vividly expresses the situation as he states “the second volley of shots from the bridge sounded, they sounded like pigeons swirling to roost on the church top”, he metaphorically uses the birds removal from danger to safety as Antonio’s cue that something terrible had occurred and he has to remove himself from danger immediately. “He fell forward then clawed and crawled out of the holy water of the river onto the bank in front of me. I wanted to reach out and help him, but I was frozen by my fear”p22, after this experience, Antonio repeats the Act of Contrition, which had been taught by his mother as “the last prayer before death”. He resides on his fear for helping Lupito that he questions God, “Did God Listen?” p23. Six year old Antonio is left flustered as his greater awakening is happening however, he is never truly alone. Ultima, the owl, was vigilant towards him throughout the night, its soft hooting served as peace from the chaos in Antonio’s mind.
As Antonio struggles with the confusion of his own persona, one of his overall struggle is choosing an identity of one of either of his parents, Marez or Luna. As the novel, Bless Me, Ultima, by Rudolfo Anaya, portrays this character going through many internal conflicts and stress, he fails to realize sooner that he is both and will always be a part of both identities. By the end Antonio decides to embrace both identities for they are both a contribution and aspect to his character. it is important because it depicts the sense that that one's identity may be difficult to decipher; however, in the end you cannot deny the fact the both sides run through your veins.
One of the primary conflicts in the novel, Bless Me, Ultima by Rudolfo Anaya, is the struggle Antonio,
Victor Martinez’s “Parrot in the Oven” is a novel that reflects the protagonist’s school days, his athletic activities, and family life. Victor Martinez experiences as a Mexican-American are the influences that induce him to produce such a literary work with figurative language that he receives naturally from his family. In his life, Martinez’s high school days and his teachers take important role as they motivate his to find opportunities that he can get as a son of a migrant worker. He presents his feeling and emotion for finding his identity and belongingness in his novel. As “Parrot in the Oven” is a coming-of-age story of a boy, the high school days and family life of the protagonist is explicitly presented. Everyone has unforgettable school days that made a great impact on the mind of the person. I can never forget about my school days and the sports activities I have participated, got victory, and met failures. I have learnt not only education, but also life, as does the protagonist of the novel. I would like to describe the high school days, athletic contests, and family matters of the protagonist, Manny Hernandez that is concentrated mostly on the chapters 7 and 8 of the “Parrot in the Oven.”
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
Many of Antonio’s dreams foretell future incidents. In the first dream, the night before the arrival of Ultima, Antonio is born and both sides of his family gather together for the arrival of the baby boy. The two families express their hopes and desires for the newborn’s future, but the calm Lunas and the savage Márez fight over the destiny of Antonio. As “curses and threats filled the air, pistols were drawn, and the opposing sides made ready for battle” (Anaya 6), Ultima steps into his dream, her voice full of authority. “Cease she cried…only I will know his destiny” (6). Everyone falls silent when Ultima speaks. Antonio didn’t meet Ultima but this dream foreshadows that Ultima is a powerful and a well respected figure. The fight not only shows the difference between the two families but also hints that there may be problems between them in the future. Right before Antonio’s brothers come back from the war, he has dream about his brothers. They tell Antonio to “stay and sleep while we cross the River of the Carp to build our father’s castle in the hills” (26). The brothers are telling him to stay behind and let them build their father’s castle, which refers to their father’s longing to be restless and build a family else where. This gives a hint that his ...
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.