Analysis Of Six Dimensions Of Pavement

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6 Metres of Pavement: The Lurking Past
Does telling someone about your problems make you feel better? It is hard to talk about your problems with others, as it shows your vulnerable side towards them. When you tell them about your problems, you are sharing your life, and doing so will create a connection between you and them. This is evident in the novel, Six Metres of Pavement, where the main character, Ismail Boxwala, is closed off from other people, as well as other characters, such as Fatima GURAB and Celia Sousa facing a similar feat of being closed off. With Ismail, he had a dreadful past, as his little daughter, Zubi died, due to Ismail, leaving her in the car on a hot day at work. From this it triggered a series of unfortunate events …show more content…

Alongside these characters, minor characters such as Fatima’s parents or Celia’s daughter tend to not come to terms with the past either. All of these characters experience the same problems, however, they do resolve it in the end. This brings into the idea that one’s ability to come to terms with the past will allow them to move forward, which was evident through Ismail’s change in mindset of his life, Celia’s ability to handle the traumatic experience and the interactions and arguments with minor characters. To start, through the positive development of the mindset of the main character of Ismail Boxwala, it was evident that only coming to terms with the past will allow one to move onward with their life freely. In the beginning, Ismail had trouble coming to terms with the past of his daughter’s death, Zubi. Ismail, always had nightmares at night and had flashbacks to the time that he still had Zubi. The thought of her haunts him, but through his progression, he was able to slowly to resolve himself. He had always kept track of every infant death due to being left in the car, which was a bad habit he had, however, …show more content…

When Fatima’s parents found out about her past, they used that to hold a grudge on her and kick her out of the house. They found out about her sexual life, of being lesbian and used it against her, they did not come to terms with the past in the beginning. They said, “She must change herself, live with our conditions, if she is going to live under our roof, eat our food, and receive our money, Hassan said, his index finger pointing at Ismail, emphasizing each point. It’s not possible to change, Dad. This is who I am. She held her head and stared at the floor”(213). They do not accept who she is and thus, kick her out of their house, giving her no financial and emotional support. Not coming to terms resulted in losing their daughter and having emotional problems within the family. As seen in the end, they slowly try to accept their daughter which resulted in the decrease of tensions between family members. Furthermore, Celia’s daughter, Lydia, shows her inability to accept the past, and thus could not move forward at the start. When Celia started dating Ismail, after Celia’s husband or Lydia’s father died, Lydia found and could not believe what Celia was doing. Lydia was in disbelief saying, “Mae! You’ve done all this, she said, gesturing at her mother’s clothing, for him? You came

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