In the outstanding book Mao’s Last Dancer, it tells a life story about a peasant boy named Li Cunxin who’s fate is laid out for him being a labourer in the fields just like his whole family but his determination helps him to escape his destiny. Li was chosen to go to the Beijing Dance Academy to study ballet. He moved away from his home and family to pursue ballet and make his family proud. Li got the chance to go over to America to discover the Western World of ballet. Through hard work, perseverance and dedication, Li was able to escape from his so-called destiny. When Li first started school, he had started the path of being a labourer and following Chairman Mao’s rules, but one day that all changed. When he was 11 the headmaster brought …show more content…
He knew that he was going to have to leave his home and village, Qingdao to go to Beijing and study ballet. Li knew that he was going to be leaving family and friends behind, but he knows that going to Beijing is a good thing for him, “My dear son, this is your chance to escape the cruel world”. By going there, Li knows he will make his family and him proud and be something more than just a labourer. “Go and do something special with your life! Become someone other than a peasant boy”. Therefore, by Li leaving home, he is becoming stronger and independent and ready to face the real …show more content…
After a while at being at the academy, Li got to know his teachers and they saw a lot of potential in Li’s ballet skills. They told him a lot of legends and stories that made Li want to practice and work hard at ballet and become better at it. “Sit down, I want to tell you a story”. Li trained hard, day and night, getting advice from teachers and students on how to improve, “I worked hard and listened to what they said”. Li pushed through injuries just so he could get better at ballet in hopes to get his name out there but most importantly making his family proud. “My rapid improvement surprised my teachers and classmates”. Therefore, by improving on his ballet it shows that Li has a lot of determination in getting better at ballet every day and he is getting more independent in this whole process of training and
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Show MoreThere might be an emotional response at the tragedy of thousands of people plucked from their homes to live in a foreign place, but it is far more effective to show these struggles through the eyes of one person, rather than from an economic or or national viewpoint. Anyi does exactly this in “The Destination”. Anyi never forgets the individual hardships of each character, she demonstrates what “It was not easy to live in Shanghai” (Anyi 137) means to each person. Characterizing their hardships with compassion and understanding that, young or old, changes in China had an effect on all, and all have the right to acknowledge
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
The typical idea of a dancer is that they are tall, slender, full of energy, and lucky because they dance with all of the “stars”. Much of this is true, however, what many people do not think of are the many hardships that a dancer goes through in order to achieve their high status in the dance world. It takes much hard work and determination along with good direction to become a dancer. However, nothing good comes without a price. Dancers often times have many pressures put on them which can lead to physical and emotional damages. These damages occur through the pressures from the media, parents, teammates, and the stereotype that society has placed on dancers.
Mao’s Cultural Revolution was an attempt to create a new culture for China. Through education reforms and readjustments, Mao hoped to create a new generation of Chinese people - a generation of mindless Communists. By eliminating intellectuals via the Down to the Countryside movement, Mao hoped to eliminate elements of traditional Chinese culture and create a new form Chinese culture. He knew that dumbing down the masses would give him more power so his regime would be more stable. This dramatic reform affected youth especially as they were targeted by Mao’s propaganda and influence. Drawing from his experiences as an Educated Youth who was sent down to the countryside Down to the Countryside movement, Ah Cheng wrote The King of Children to show the effects of the Cultural Revolution on education, and how they affected the meaning people found in education. In The King of Children, it is shown that the Cultural Revolution destroyed the traditional incentives for pursuing an education, and instead people found moral and ethical meaning in pursuing an education.
Jonas, Gerald. Dancing: The Pleasure, Power, and Art of Movement. New York: Abrams, 1992. Print.
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
“All day she play chess. All day I have no time do nothing but dust off her winnings” (Tan 324). After hearing Auntie Lindo go on about her child, Jing-Mei’s mother wanted to brag about her daughter as well “Our problem worser than yours. If we ask Jing-Mei wash dish. She hear nothing but music. You can’t stop this natural talent” (Tan 324). When Jing-Mei hurt her mother’s comment she knew she “had to put a stop to her foolish pride” (Tan 324). A few weeks after the incident the mother decided to put Jing-Mei in the church’s talent show to prove to Aunt Lindo how talented she was at playing the piano. But talented was not the word to describe Jing-Mei with her piano playing ability. The talent show did not go how her mother expected it to. Once again something inside of Jing-Mei died inside as she could feel yet again the disappointment in her parents faces. “But my mother’s expression was what devastated me: a quiet, blank look that said she had lost everything” (Tan 326).
“Mao’s Last Dancer” is a book about the life of Li Cunxin. Li Cunxin was born into poverty in China under the rule of Mao Ze dung. The book was first published in 2003 and since then has won several awards including the book of the year award. Throughout the novel the composer chronologically cites the life of Li Cunxin and how he felt and where he belonged at certain points in his life.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Communism came to power in China in the year 1949 and was dictated by Mao Zedong, who later ordered for all educated men and women of China to be reeducated in the countryside. Lou and the narrator were just two of many thousands to be sent off to be reeducated. Lou and the narrator then meet the Little Chinese Seamstress, and Lou, as well as the narrator to an extend fall in love with her.
Her lasting career was not given to her easily, therefore, creating an inspiring story full of hardships and success. Ever since she was a little girl, her dream was to become a successful and famous dancer. In New York City, when she was trying to fulfill her dream, she was unable to find a job in the theatre department. Instead of being discouraged, she decided to make something good come from it. She choreographed her own routines, created her own costumes, and organized solo recitals for audiences to enjoy. This event led her to the biggest adventure in her life that would later impact the world. She was invited to return back to London to pursue her education in the performing arts, so that she could further improve her talents that would make up her entire career.
Li’s search for identity begins after the opportunity of becoming a ballet dancer is given to Li instead of his dream to serve the revolution and be a red guard to Chairman Mao. This is shown through the guidance Teacher Chan gives Li- that if he kept pushing forward and practised ballet, opportunities to help his family
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
training, and admitted that “Ballet was the hardest thing he did”. (Katzowitz 1) Certainly if a
Ballet is beautiful, touching and tells an enchanting story or expresses deep emotion. There will always be people who love dancing and dedicate their lives to it, losing their problems in the magic of performing. There will always be people to continue choreographing ballets, those with expansive creative genius. There will always be people to compose music for ballets, whose fount of ideas never runs dry. Of course, there will always be people to attend a ballet performance; the seats will be filled with ballet lovers anticipating the spellbinding charm of the dancing. Ballet is always changing its costumes, portrayal, music, and dancing, but its purpose and goal still remain the same. Ballet’s rich history and background are always expanding and adding new dancers, choreographers, and composers to