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Watch your classmates criticize your teacher; Watch your father being taken away, because of long dead relatives; watch you classmates humiliate you in front of the class; Watch yourself needing to choose between family and future; Watch yourself only watching unable to help. Unfortunate, that was the reality for Ji-Li Jiang. Red Scarf Girl is a memoir written by Ji-Li Jiang, regarding the China cultural revolution between 1966-1976. Throughout the book,Family is important in defining who people are in Red Scarf Girl.
Family is important in red scarf girl because people judge each other based on their family. People are constantly judged by their ancestors' deeds. For example, if someone in the family is a landlord, the future generations will
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Teenager, an age of rebellions is offered the perfect opportunity: to falsely testify against their parents, and became the educable children of Chairman Mao. But for many, the choice is not easy. Specially for the kid from "black" family, similar to main character Jiang; they have to choose between siding with their family, consider a disgrace, going against Chairman Mao's idea, or to be an honorable red guard,and side with the communist party."' Why don't you stay home with him? In case...' 'I've thought about that.' She looked away from my face to the litter on the table. 'But we can't allow personal matters to interfere with revolutionary duties. Especially for an important political assignment like the exhibition.'"(205). That's the idea chairman Mao encouraged, and it clearly separate family from politics. From this other girl point of view, she valued her policies and belief overtook her love for her brother. The action of this girl makes a strong contract to Ji-Li, bother third action define who they are.
Because of the cultural revolution, family shaped and defined the character in Red Scarf Girl. Throughout the book, it's proven that family bond is important when going through troubled time. Family's support can get people through the most difficult time, and this makes us the people we are
The novel 'Mao's Last Dancer', is a gripping story about the author, Li Cunxin and his story to success as a professional ballet dancer in communist China. The story shows how hard work, determination and hardships lead to the achievement of goals. Throughout the book, Li suffers from a number of physically and mentally challenging struggles that test him and push him to become stronger and more determined. Both mental and physical struggles are equally as difficult to overcome and both play a big part in different stages of Li's life.
There are different types of parent and child relationships. There are relationships based on structure, rules, and family hierarchy. While others are based on understanding, communication, trust, and support. Both may be full of love and good intentions but, it is unmistakable to see the impact each distinct relationship plays in the transformation of a person. In Chang’s story, “The Unforgetting”, and Lagerkvist’s story, “Father and I”, two different father and son relationships are portrayed. “The Unforgetting” interprets Ming and Charles Hwangs’ exchange as very apathetic, detached, and a disinterested. In contrast, the relationship illustrated in the “Father and I” is one of trust, guidance, and security. In comparing and contrasting the two stories, there are distinct differences as well as similarities of their portrayal of a father and son relationship in addition to a tie that influences a child’s rebellion or path in life.
Revolution is Not a Dinner Party is about a nine year old Chinese girl named, Ling, and her parents live in China of 1972, while Mao Zedong is chairman. When a political officer named, comrade Li, moved inside of her apartment in her father’s study Ling starts to notice a lot of things happening around. All of her happy moments to fade because, Mao Zedong has a negative impacts on people except her neighbors the Wong family, they’re like family to them and agree on many things such as Mao Zedong not being chairman and moving to America is a good idea. Ling’s family wants to move to America for a better life, her and her father look in books to learn English and to learn more about America. Comrade Li is always telling Ling “Chairman Mao
In Ji-Li Jiang’s Red Scarf Girl, the story is set in Shanghai, China. In 1966, Ji-Li Jiang is a happy little girl of twelve years. She looks forward to a future working for Chairman Mao's New China and his Communist Party. However, her happy life is suddenly interrupted by the horrors of the Cultural Revolution, a movement led by Chairman Mao, to remove all parts of capitalism in Chinese society. Her family becomes the target of government persecution, since her parents and grandparents are labeled as ''Black'', which means that they are opposed to the (Red) Communist Party. Ji-Li and her family become outcasts of society as they live in fear of arrest. Ji-Li realizes that the Communist Party and Chairman Mao prevented China from improving
In the book Red Scarf Girl Ji-Li's Grandmother Cao, is a role model for Ji-Li despite her family status. Ji-Li admires her grandmother’s intelligence for graduating from high school at a time where few girls went to school, and for becoming a respected vice principal and teacher. To Ji-Li her grandmother is a lovely, benevolent, clever, and well appreciated person who is valued by her community and family. Throughout the book, Grandma Cao exhibits her dependability by always being loyal to her family and being trustworthy to her friends. Although Grandma puts up a brave front in front of Ji-li, it is clear that her family status concerns her. To avoid the Red Guards Grandma Cao took her grandchildren with her to the park during the day,
A young socialist group was created by the name “Red Guards” are hunting down “capitalist-roaders” who are guilty of the “Four Olds” which is old customs, old habits, old thoughts, or old culture. This is shown when the village chef comes for Fugui to get rid of the puppets because everyone knows that they are part of the old culture and though the puppets remind Jiazhen of her son Yongqing, the family burns the puppets. The audience is shown that the Communist party has infiltrated people’s houses and propaganda is even in the marriage song between Fengxia and Erxi. It is known that by this time the Revolution is at it’s strongest. Education is depicted to not matter and that proves to cause a disaster as later in the film during Fengxia’s childbirth the doctors are all gone and only the students are left. It is noticed that these students are all young woman and the Communist party is trying to make gender roles equal for these young woman, however it is clear that since the doctors were the only ones educated to help this puts the death of Fengxia who dies of blood loss after giving birth to her son Mantou. Fengxia who is mute and considered back in China as a disability in Chinese culture as a “dishonor” since disabilities was considered that no doctor or nurse would that treat them, manly because they did not know how. This part in the film is symbolic to this part of China during that time as it shows both children, Youqing and Fengxia victims of the Communist Party polices. At the end, when Erxi buys a box full of young chicks for his son, which they decide to keep in the chest formerly used for the shadow puppet props. Implies the history of Puppetry in Chinese culture such as it was made for an emperor who had lost a loved one and so an Official made a shadow puppet of her and when presenting it to the emperor he was overjoyed that he could see his loved one again.
To understand the story as a whole, it is necessary for us to know the meanings of their names. The mother and daughters' names each bears its individual meaning, but all these names are indeed "intertwined" into a deeper relationship among each other. It is through a deeper understanding of these Chinese characters' names that opens our eyes (readers from different cultural background) to see how mother and daughters are strongly attached emotionally.
A thrilling action-packed novel the “Red Queen” by Victoria Aveyard displays the theme coming of age. Which often involving a personal, spiritual, moral, or emotional growth and maturation of an individual often based on real world experiences, events, or mistakes. Aveyard displays this theme through Mare the main character and her new discoveries and growth help develop a solid plot. For example, after discovering that one of her three brothers was executed due to the fact he was a scarlet guard resulted in Mare joining. After joining the rebellion Mare realizes just how many connections the scarlet guard has when she receives the message “Rise, Red as the dawn.”(Aveyard 169) in the enemy's territory.
Showcasing a strong tie between plot and character background strengthened the foundation of each character and made them more relatable to the reader. The portrayal of the families and their dysfunction shows that not every family is a picture-perfect example of what a typical family is but its unrealistic to believe that every family doesn’t have their own troubles and rocky patches but it’s the family’s dysfunction that in all builds the characters to who they are and what moved the plot forward in many ways and can be related to ones own
...ear and listen. That’s why most of the Chinese youth were inspired to join the army due to the books that were sold and the song that was written just for the Red Guards army. The book’s name is “Little Red Book.” The song’s name is “Red Guard Song.” For the members, the “Red Guard Song” reminds them of their purpose of why they joined the Red Guards. To add on, two young women had wrote their own memoirs to explain what their life was when the Cultural Revolution was happening and how their life was changed when they joined the Red Guards and started to rebel against their parents and their own teachers. As they grew older, they soon realized that everything that they’ve been doing the whole entire time was wrong and regret joining the Red Guards. They realize that all these time, they were killing innocent people that clearly was doing nothing to harm the country.
On an everyday basis teens all around the world fight and disagree with their parents. In the passages Confetti Girl and Tortilla Sun this very thing is clearly demonstrated. Both stories feature two teenage girls that have lost one of their parents. They both now face the daily struggle of agreeing and relating to their remaining parent. In Confetti Girl, the narrator is constantly overlooked and out shadowed by her father’s favorite thing, books and literacy.
As a teen, Rayona is in a confusing period of life. The gradual breakdown of her family life places an addition burden on her conscience. Without others for support, Rayona must find a way to handle her hardships. At first, she attempts to avoid these obstacles in her life, by lying, and by not voicing her opinions. Though when confronting them, she learns to feel better about herself and to understand others.
The Red Scarf Girl take place during the Cultural Revolution, Ji-li and her family got caught in the savage change in china of the year 1966. Ji-li went through many hard struggles, as in losing and gaining friends, tough times with family, and because of her family, Ji-li was not allowed to do a lot of actives she wanted to do for examples; being a Red Successor and then a Red Guard. The reason there was a Cultural Revolution was because of Chairman Mao Ze-dong. The citizens trusted Mao with all of their hearts. China’s communities were brainwashed, so what’s good and what’s bad got all twisted around and if anyone contradicted what Mao said, that person would be jailed, tortured, or even killed; so he can keep a tight regain on the unfortunate
Mitgang tells us that the novel is about the life of two children who live in a small town, where they deal with racism in society. Prejudice surrounds their childhood, and it lurks with them while they are playing, and even while they are in the classroom. Mitgang tells us that on top of all this, racism is conveyed in the children?s language.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.