Analysis Of Look Back In Anger

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Anger can be partly physiological, cognitive, and psychological, and it is also pointedly ideological. Factors such as race, class, gender, sexuality, ethnicity, nation, and religion arouse anger (Kim1). Goldhor-lerner stated that: Anger is a signal …. It may be a message that we are being hurt, that our rights are being violated; that our needs or wants are not being adequately met or simply that something is not right ( 1). According to Seneca, anger is a bad thing that can destroy the universe, and he argued that one had to be reasonable and get rid of anger in order to achieve a state of mind not subject to emotions (Kim 2). To Rene Descartes anger is the most dangerous emotion, and it is more violent than other emotions(55). Anger …show more content…

It described working-class life, with an emphasis on domestic realism. The writers in that time tended to use real words, real behaviors and real thoughts. The settings that were depicted in the plays were also real. Osborne's Look Back in Anger,(1956) reflect his criticism of his society. Osborne's anger was represented by the major character, Jimmy Porter, who articulates the disillusionment of the post-war youth in Britain at that time. The struggle between classes was tackled through Porter's marriage to the upper class Alison. The title of look back in anger defines the underlying themes of all Osborne's plays. Each is motivated by outrage because of the discovery that the idealized Britain, for which many had sacrificed their life during the war years, was inauthentic (Innes …show more content…

Wesker also criticized the society, and he tackled social and political themes in his plays. Wesker focused on the life of the labors and the working class and this reflected through his works such as, the Kitchen(1959) ,which reflected the stresses and conflicts of life behind the scenes in a restaurant. He introduced the life of the working class and how they suffer in their society (Drabble 1089 Like Osborne, Wesker shared the tone of rejection. Wesker and Osborne are almost exact contemporaries, and they share the conviction that politics is aquestion of emotional commitment. Wesker's Roots,(1959) introduced also the working class issues. Wesker represented a girl that is forced to find her own voice and the roots of her personal being. Roots underlines the effectiveness of feeling versus political activism. The elements of kitchen sink drama were clearly evident in the Roots (Innes

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