A morality play is a medieval play designed to teach the audience right from wrong. JB Priestley uses An Inspector call to convey a moral message, which is that you should not judge people on their class i.e. lower working class/higher class. He also expands the views of socialism within the message; this is all made very clear by the use of dramatic devices. Although it is a morality play it is not in the traditional format. Priestley makes it very clear in what he wants the audience to think is moral and immoral. The play also conveys a strong political message. The play encourages the idea of socialism, a society in which responsibility and community are essential, also a place where the community all work together and are responsible for their actions. This is in contrast with capitalism. JB priestly wrote the play in 1945, but it was set in 1912 just before the war, it was later performed in 1946. The play was written after World War I and World War II, Priestley used this to his advantage, it makes the audience feel awful after what has just happened, the majority of the audience would have either lived through one or both of the wars. This helped Priestley promote socialism against capitalism.
JB Priestley uses dramatic devices to make An inspector calls a modern day morality play, to do this he uses dramatic devices, such as dramatic irony and tension in order to convey the message through the entire play. They are used accurately considering the time in which the play is set. Priestley also uses the characters as dramatic devices, they symbolise the dramatic devices, an example of this is Priestley makes us hate Mr. Birling because he symbolises capitalism, and in Priestley’s eyes capitalism is wrong. Throughout the pl...
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...there is also a sense of formality and distance between the family members as he writes that ‘men are in tails and white ties’ and that it is ‘not cosy and homelike’. He also highlights the distance between Mr and Mrs Birling by positioning them at opposite ends of the table.
A very important stage direction is the colour and brightness of the lighting, Priestley used this dramatic device very well. At first the lighting is described as ‘pink and intimate’ this shows a ‘warm’ and ‘joyful’ atmosphere. Although the audience get the idea that there is just a screen covering up their secrets, so they are actually looking through ‘rose tinted glasses’ and that there’s more to it than what meets the eye. This is shown when the inspector arrives at the Birling household and the lighting changes to a ‘bright and harder light’ this gives feeling of exposure to the truth.
He doesn't want to make the guest feel comfortable in his home he wants to make them feel small and insignificant in comparison to himself. Mrs. Birling is, herself, a person that is obsessed by social class, she may have selected the furniture herself as a way of showing off their status and again making their guests feel as if they aren't as "good" as the Birling family. Birling as you will see later is the stereotypical capitalist of the time. He will do anything to make himself look and feel as if he is better than his guest.
This caused workers to become better organised and strikes were becoming more frequent as they demanded better conditions and higher pay. J.B. Priestley was writing the play for a middle class audience and was trying to speak up for the working class by showing how the Birlings and Gerald Croft were all involved in making a young working class girl's life a misery. Priestley wants to show us that we have a responsibility to others to act fairly and without prejudice and that we do not live in isolation. Our actions affect others.
This is a lesson that is still relevant today. Though the acting and dialogue seem to appeal to an older audience, young viewers can still enjoy and learn from this play. Prejudice, suspicion, and thoughtlessness are as prevalent as ever. For any problem, humans will look for a scapegoat. The War on Terror seems to bring similar feelings as those around during the Cold War.
The use of lights throughout the play did not vary often. Throughout most of the play, bright overhead lights portrayed the play’s main set room: a small town beauty salon. The lights created an atmosphere that was not only cheerful, but also warm and inviting. On each side of the stage, warm, more natural lighting was used to make the small outdoor areas more realistic. Lights were also used to convey
As the play was meant to be produced on stage, rather than to be written as a book format, 'An Inspector Calls' is very dramatic; to capture the audiences' attention, and to keep them thinking as the play develops. Each of the three acts are very dramatic, but I am choosing to analyse the first half of Act One of 'An Inspector Calls', because in my opinion, this is where J.B. Priestley's use of dramatic devices is most evident. This part of the play is very important, because it is the opening scene. Not only must the opening scene of the play grab the audiences' attention, it must also give impressions and introductions to the main characters. J.B. Priestley has used the scene to capture the audiences' attention and imagination, and gives a good introduction to the characters and their personality.
In order to encourage the audience to apply their critical faculties, Priestley makes them feel superior to Birling.He thoroughly discredits and degrades Birling, and through him, the right wing philosophy. This tells us very early on that Priestley uses Birling as a diametric mouthpiece to voice his left-wing opinions and that the play is completely biased to the socialist perspective. The theatricality of the dramatic irony Priestley uses makes the audience think outside the proscenium arch, about the world and their relationships to it. This is all part of the non-illusory experience.
Priestley mainly uses the characters in the play to present his views, especially Mr and Mrs Birling, to present his ideas about class and society. In the Birling family, Mrs Birling is the most upper class, and is always referring to the lower class female factory workers such as Eva Smith as ‘girls of that class’. She seems to think that working class people are not humans at all.
I think the playwright hopes to teach people that money isn?t everything and that people who are arrogant and selfish will get their comeuppances eventually. The moral of the play still, applies to today?s society because it makes us think about the things we do that involve ignoring people less fortunate than us when we realise that there are Eva Smiths all around us just waiting for a chance to make it through the cruel world we live in.
But to people like Eva Smith, times were hard. There were no laws to help them get higher wages, and no help when they were out of work. To girls like Eva Smith it was a taste of hell. This creates a sense of unease and an ironic contrast as at the end of the play, it is the Birlings that are in hell, maybe not money wise, but in their conscience. Priestley is trying to make a social comment on the war, as families like the Birlings, war doesn't seem possible.
Wells, both of whom references are made to in the opening pages of the play. A lot of the tension in the play is between Birling and the Inspector, both of who are powerful figures in the household and are both vying for dominance, creating a lot of tension. This is symbolic of the global struggle between capitalism and socialism, the Inspector represents Priestley's socialist views, and Birling, the antithesis of the Inspector represents capitalist views, which is made clear through his speech "the interests of Capital steadily increasing prosperity." When the Inspector is there, Birling is very fast to drop the blame on someone else, insisting "I can't accept any responsibility" which is a complete contrast of what the Inspector says, telling the family to "share the blame among yourselves when I have left" This constant conflict, which is often at the heart of the dramatic genre itself, makes sure there is tension whenever the two characters are talking to each other. This conflict is not the only one within the play.
Socialism is one of the greatest messages that Priestley conveys. This message is spoken through the inspector. The Inspector represents Priestley’s strong moral views. Through the play, the Inspector’s character is shown as if he is Priestley’s image, and also shows that he is no ordinary Inspector. His character is shown as if he is more concerned with morality than legality, other than that of an ordinary Policeman/Inspector.
He uses the downfall of Eva Smith and a chain of events to demonstrate this. This leads to a very convincing and well-devised play, which puts across JB Priestley’s views clearly and precisely. In Edwardian Britain there was a great difference in the roles of men and women in society and the outlook of what and was not accepted differed substantially. A prime example of this in the play is when Mr Birling says ‘Nothing to do with you, Sheila.
The play is set two years before World War I, in 1912, and in the year
The history of the time the play was written helps us to understand the views and the feelings expressed by Priestley in the play. The inspector transfers Priestley’s views and he shows the difference in social classes at the time. A gap which he wants to diminish. He illustrates the reason for this in the play, via the inspector, where he outlines the ways each of the Birlings have influenced someone from a completely different background and social class. This is the way Priestley viewed pre-war England.
Criticism in An Inspector Calls by J.B. Priestley "An Inspector Calls" has been called a play of social criticism. What is being criticised. Explain some of the dramatic techniques which Priestley uses to achieve the play's effects. "An Inspector Calls" has been called a play of social criticism as Priestley condemned the many different injustices that existed in the society between the first and second world wars.