Imagery is a plays a major role in this poem. The images used appeal to almost all the reader’s senses with the exception of tastes. Beginning in the first stanza, the reader’s senses of touch and sight are appealed to. For instance, when the speaker described the cracked hands that ached,” the reader sees an older man with dry, cracked hands. This can lead the reader to a number of assumptions again of the man being worn out from his job, or possibly having arthritis which would lead to the dry and sore hands. It also appeals to the sense of touch and sight when it describes the father’s hands and also when he “puts his clothes on in the blueb...
At the beginning of the poem, the speaker starts by telling the reader the place, time and activity he is doing, stating that he saw something that he will always remember. His description of his view is explained through simile for example “Ripe apples were caught like red fish in the nets of their branches” (Updike), captivating the reader’s attention
The poem is composed of four stanzas containing five lines each, these are known as quintains. The rhyme structure is ABAAB which means in each quintain there is only two end rhymes. The rhyme pattern is a bit different from the norm, which is quite similar to the speaker in this poem, who decides his own pathway. Several rhetorical devices can be found in the poem. One of the rhetorical figures used is methaphor. In the beginning of the poem, the narrator states that the color of the woods is yellow, so we can assume that it 's autumn (Verse 1: Two roads diverged in a yellow wood) but the metaphorical meaning behind the poem occurring in the autumn could be that the speaker is embracing this decision in the fall of his life, when he 's starting to grow old. Throughout the whole poem, personification can only be found in 2 verses (Verse 7: And having perhaps the better claim / Verse 8: because it was grassy and wanted wear.) In this case, it seems like the narrator is describing the road as having an opinion and a desire as if the claim was made by the road, and therefore he is giving human characteristics to the roadway. The autumn imagery continues until the end of the poem, when it’s morning (Verse 11: And both that morning equally lay Verse12: In leaves no step had trodden black.) the narrator says that the leaves have recently
...he seaside’, the senses are used ‘smell’ to help us relate to the poem. We also see another use of alliteration in line 12/13, ‘Someone stumbles…scuffle’ creating a more playful messy tone. The language that is used is also colloquial, making the poem feel a bit more relaxed, and to help emphasis the fact that the author is talking to his younger self. Simple sentences are repetitively used in the poem, ‘You’ve never heard them so hushed before.’ ‘The darkening garden watches’ to help create a feeling of suspense, thus injecting drama and tension in the poem. Personification is used in line 19, ‘cold bites’ emphasizing how cold and miserable the boy is. Another example of personification is near the end when a series of them are used: ‘The darkening garden watches.’ ‘The bushes hold their breath’, to help us picture a quiet and calm atmosphere of where the boy lays.
Poetry is a language of understanding. The reader must be able to comprehend the various known connotations for words as well as be able to pick up on the uncommon and unknown meanings of words. Poets are masters of language. They constantly manipulate words to make a specific connotation fit the ideas and scenarios that they choose to describe. Therefore, poetry is a language that requires a reader to closely read and pay attention to certain aspects in order for he or she to understand the poet’s message. The poet, Robert Frost, takes the idea of a harvest and uses it as a metaphor to expound upon different aspects of life. In the poem, “After Apple-Picking,” Frost uses imagery, figurative language, and a reminiscent tone to demonstrate to the reader the various emotions and complications of life.
The narrator in “Blackberry Eating” has an intense love for two things: blackberries and words. In the poem, Galway Kinnell attempts to convey the similarities between words and blackberry eating through the use of sound devices such as alliteration, onomatopoeia, and rhythm.
Blackberry Eating, as a whole, is an extended metaphor. The speaker is literally describing their love for fresh blackberries, but they are really trying to convey their love of words. In the poem, Galway Kinnell uses musical devices such as alliteration, rhythm, and enjambment to convey this hidden meaning.
The poem "Blackberry eating" expresses the writer’s love of blackberries quite literally. To captures the reader’s attention, Kinnell uses imagery to describe the action of eating the blackberries for breakfast. Through this, he successful create the mental image in the readers mind about his pleasure of eating blackberries. In the entire poem, Galway Kinnell gives a detailed description of how much he loves everything about blackberries. However, it is evidence that he does not only love blackberries, but he does love words too. His deep attraction for blackberries, symbolizes how he feels words are so unique and full of taste. He writes, “…the ripest berries fall almost unbidden to my tongue, as words sometimes do, certain peculiar words
Black is a word that shows up frequently in Galway Kinnell’s poem “Blackberry Eating”. The word ‘black’ is from Anglo-Saxon and Dutch, meaning to burn or burnt. Black’s meaning in the Oxford English Dictionary is “Of the darkest colour possible, that of soot, coal, the sky on a moonless night in open country, or a small hole in a hollow object; designating this colour; (also) so near this as to have no recognizable colour, very dark.” (oed.com). The origin of the word brings a sort of age and archaism to the narrator’s actions in the poem. The word ‘blackberry’ also contributes to the theme of antiquity due to the word’s origins in Old High German. Black’s meaning brings a sort of colorlessness to the poem, and makes the reader envision the
Figurative language is extensively used throughout the poem in order to illustrate the speakers zest for life. Personification can be identified throughout the poem as he was describing one road that “bent in the undergrowth” (I.5) and the other that” was grassy and
The process is a struggle and pain. He uses word choices such as: “scratched,” “trekked,” and “hands were peppered with thorn pricks” to create an image of the strenuous action of preserving these berries. At the end of the first stanza he alludes to Charles Perrault's Bluebeard. A man who murders his wives when they refuse to adhere to his simple command which is to leave the locked door shut. This door held the bodies of his previous wives who disobeys his command. This allusion strengthens the imagery and create a more dramatic effect of the difficulty of trying to preserve the blackberries since he has been pricked multiple times from the berry bush and his bloody hands are similar to the murderous hands of
In the poem, “Those Winter Sundays,” Imagery is a tool used. It is created by visually descriptive of figurative language. This poem is constructed into three stanzas consisting of five lines, then four, and five again. In the first stanza we are made to think of winter. This affect is created by the words, “Blueblack Cold,” (2) “Cracked ...
In this poem there are certain words and phrases which you can relate to your sense of sight, hearing, smell, touch and taste. For example when he describes the snowman as “A mate with a mind as cold as the slice of ice,” which you can use your sense of hearing and hear someone cutting through the ice. Also where he says “I was standing alone amongst lumps of snow,” where you can picture this person standing there alone with a snowman crushed at his feet. I think this add enjoyment to the poem as it is getting you to see, hear, feel exactly what is happening in the poem which makes it more real. He uses a lot of metaphors. For an example he talks about the snowman being as “cold as the slice of ice within my own brain” and “a fierce chill pierced my gut,” where he is talking about the snowman on the outside but also talking about how he feels on the inside, cold and lonely.
On the simplest narrative level, the poem describes how, after a strenuous day of apple-picking, the speaker has dreams in which his previous activities return to him 'magnified', blurred and distorted by memory and sleep. On a deeper level, however, it presents us with an experience in which the world of normal consciousness and the world that lies beyond it meet and mingle. 'I cannot rub the strangeness from my sight', says the narrator, and this strangeness, the 'essence of winter sleep', is something he shares with the reader. The dreamy confusion of the rhythm, the curiously 'echoing' effect of the irregular, unpredictable rhyme scheme, the mixing of tenses, tones, and senses, the hypnotic repetition of sensory detail: all these things promote a transformation of reality that comes, paradoxically, from a close observation of the real, its shape, weight, and fragrance, rather than any attempt to soar above it: