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Antigone “Others” and Responsibility
As we experience others we have an ethical responsibility attached to us. In this paper I will discuss John Russon’s main arguments about responsibility and experiences with others that are presented in his works Human Experience and Bearing Witness to Epiphany. After analyzing his arguments I will argue how Russon’s ideas are presented in Sophocles play Antigone, particular Antigone’s responsibility between her brothers and her city, and Creon’s failure to find the other. I will first talk about the main argument Russon presents in Chapter 4 titled “Others” in Human Experience. Within the work Russon claims, “The real substance of our lives is to be found in our dealings with other people.” (Russon 51) This claim is the central argument presented in the chapter “Others”. Russon states other people as the formation of our own identities. Our real substance in our lives comes from the people surrounding
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He writes, “Our own humanity involves having a sense of ourselves, and what this sense of ourselves amounts to is a recognition that “I matter in the world.””(67) If life is a quest of purpose we must realize we actually matter in the world. If someone lives life thinking they do not matter, then they will never find their purpose. By first coming to a realization and saying the words “I matter in the world,” allows us to come to terms with ourselves. The world we live in is a filled with endless possibilities and outcomes, no one should think they are insignificance. Our place on this world is not perfectly defined because we define it ourselves. Antigone realizes that she matters in the world. She is able to find her humanity. Creon on the other hand realizes his own humanity to late. He does realize he matters in the world, but he is unable to find his own humanity. He blinded by power and it ends up killing everyone in his family he
In Sophocles' Antigone, the question of whom the real tragic hero comes into play. Antigone possesses all the aspects of a tragic hero. Creon possesses many qualities of a tragic hero, but doesn’t totally fit in the role. These traits include: not being overly “wholesome or corrupt”, being persistent in their actions, developing pity in the audience or reader- especially in the beginning of the story, and having a major flaw that is their ultimate downfall. Antigone possesses all of these traits therefore qualifying as the tragic hero.
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
sense of loyalty leads to her simultaneous violation and observance to the duty of women
The origin of the Sophocles’ Greek tragedy “Antigone” has created much controversy about the definition of a tragic hero, as defined by Aristotle. A literary character that makes a judgment error that leads to his/her own downfall. Both Creon and Antigone challenge each other’s conception of the divine and civic law while each has lawfulness in their argument. It is evidently noted that Antigone is the hero of the tragedy; she was a romantic idealist whose beliefs on family loyalty and religious values could not be condemned by civil laws.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
In Antigone by Sophocles, Antigone and Ismene’s straining relationship is held together by a thin thread. Antigone’s father exiles himself then dies. Her brothers’ become the kings; Polyneices deceives them and joins the offenders. Etocles and Polynieces fight and they both die. Creon becomes king and gives Etocles a warrior burial while Polynieces was left for the buzzards. Antigone asks Ismene to help her, Ismene says no, so Antigone does it herself. Creon sentences Antigone to death, she kills herself and Haemon (Creon’s son/Antigone’s fiancé) kills himself. Creon’s wife kills herself receiving the news from the messenger, leaving Creon and Ismene alone. Antigone loves her sister but what type of relationship is there between Antigone and Ismene?
Being a good citizen often involves doing something out of the ordinary to help others. Sometimes, that involves going against the will of others to do what the good citizen might think is best. Although this is traditionally the case, the biggest factor in being a good citizen is great respect for the nation in which one lives. If one wants to be a good citizen, he or she might go out of his or her way to help others, however, must do so within the rules of the nation. In the Greek Drama by Sophocles, entitled Antigone, the hero, Antigone, shows, what I would call, bad citizenship. How is this? Why is she being a bad citizen?
Throughout history rulers have used force in the pursuit of the acquiring more power and wealth, regardless of the consequences. The use of force may lead to the fulfillment of ones current interests or goals, but continued abuse of this power in pursuit of ones own interests has historically lead to the downfall of those in power. In the text The Prince Machiavelli says, “It is much safer to be feared than loved, if you cannot have both”. This quote suggests that when given the choice it is better for a ruler to use his power, through force if necessary, and be feared than to do what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
Political power results from the fear of force. The individual acts out of a fear of consequences of disobedience and in accordance with the desdire for self-preservation. Political Authority results from a belief in the moral correctness of the organization in question. The individual acts of a sense of obligation and acknowledges the right of the ruler, morally, to rule and the moral correctness of the laws are accepted. The laws are obeyed for their own sake.
He chooses to lock up Antigone for her crimes against the state. His prophet Teiresias then tries to warn him that he’s made a mistake, “Then take this, and take it to heart... corpse for corpse, flesh of your own flesh... you have thrust the child of this world into living night” he chooses to disregard him. (Antigone, 5. 75-76, 79-82). However, when the Choragos tells him that Teiresias has correctly prophesied what will happen and he's made a mistake in locking away Antigone and leaving her fate up to the Gods, Creon gets his epiphany and states “My mind misgives- The laws of the gods are mighty, and a man must serve them to the last day of his life” (Antigone, 5.
Throughout the Greek play, “Antigone”, we see one of the main character’s, Creon, who recently was named King of Thebes due to his Nephews battling to the death for the throne. Creon by the end of the play would eventually develop a theme known as a “Tragic Hero.” His character's emotion and motivations conflict with another main character, his Niece who the play is named after, Antigone. The characteristics of Creon have conflicting motives such as his hierarchy, greed, and vengefulness are highlighted by Antigone’s opposing ethics. Ultimately these conflicting motivations develop Creon as a tragic hero by making him regret his Decree and rash decisions once he has learned of his fate.
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.