ramifications of their decisions are an integral aspect of illustrating a true Greek tragedy within Antigone. FIX Antigone’s stubborn will is not the only force the drives her to make a political statement. King Creon’s harsh edict forces Antigone to reconcile her allegiance to her family and her familial duty with her alliance to the city-state and her place within society. Through this intrapersonal struggle Antigone decides that she will not go against the traditions of the gods, because she would rather
typical to discuss women in the Oedipal trilogy mostly through the lense of Antigone. Admittedly, Antigone deals with women and their treatment more explicitly than the other books in the trilogy, and it is focused on an empowered female protagonist who does what she believes is right. However, when contrasted with Oedipus Rex and Oedipus at Colonus, Antigone features a very different depiction of women. In the first play, Antigone and Ismene never speak, and Jocasta, the only other female main character
woman. Antigone. Sophocles’ Antigone has as its backdrop a very rigid and conservative Greek society and Greek culture when it was certainly against the norm of a typical ancient Greek woman to rebel against a male authority. And therein lies the reason to believe that Sophocles’ protagonist in Antigone showed signs of early feminism. Antigone dared to raise her voice against a patriarchal order at a time when women in ancient Greece were generally fearful that rebellion against male authority would
Both Sophocles and Jean Anouilh use the simple story-line of a girl defying her uncle and king in the face of death to reflect upon the events and attitudes of their days. Sophocles' Antigone models the classical pattern of tragedy by incorporating key elements such as a tragic hero with a fatal flaw and the Man-God-Society triangle. Creon is the tragic hero who disturbs the natural harmony of Thebes by denying Polyneices a funeral. Antigone is the catalyst who forces him to reckon with the consequences
Hero of Antigone The dilemma of identifying the true hero, or heroine, of Sophocles’ Antigone has tortured students for years. It is indeed a difficult decision to make. The basis for this decision is what the reader perceives to be Sophocles’ dramatic issue in this play. The dramatic issue of the play is twofold: Antigone is a fanatic who is driven by her religious fever to bury the body of her criminal brother, Polyneices, against the edict of Creon. In the second part, Sophocles shows
Antigone, a tragedy written by Sophocles portrays female roles in society in distinctive matters from a king’s perspective to the overall play. In ancient Greece woman were viewed as submissive , whereas men were dominant and woman were looked upon as inept given fewer rights almost the same ones as a slave. When Creon speaks to his son exemplifying “it would be bad enough to yield to a man, but he would never yield to a woman” he is not only justifying a woman’s place in society as irrational
The death of Antigone is truly a tragic episode in the Theban Plays, where she hung herself with a woven linen of her dress. By convention, her death would be characterized with feminine quality. However, Antigone, one of the few female characters in the book, possessed distinguishable female characteristics that are as remarkable as a male hero. Antigone was determined when she made up her mind to bury her brother. She was an agent of her words and took up the risks that accompanied to her deeds
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’
matter their origin. In Antigone, Sophocles does this by creating a fictionalized Thebes in which he reflects upon the politics, religion, and societal norms of his own world. He creates a ruler, Creon, whose tyrannical actions serve to promote the merits of democracy and criticize the contemporary government. He also creates a protagonist, Antigone, who challenges the validity of the social structure while upholding ancient traditions. This social commentary allows Sophocles to connect with his both
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’