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Tragedy of antigone
Elements of tragedy in antigone
An essay on sophocles- antigone
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The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing. Being in power yields the assumption that everything is possible. In Creon’s case, he states that “never, if I can help it, shall evil triumph over good.” Creon’s pride in his position as King skewed his perception of what is just. He opens his Kingship commenting on this very feature of kingship, that “no other touchstone can test the heart of a man” like that of utmost power. Ironically, Creon reaches this touchstone, only to fail, causing many tragic deaths....
Ironic and corrosive behavior is noted in Creon when he gives the quote, “You dazzle me” (Scene 2, Line 182). This is verbal irony because as an audience we know that Creon does not, in fact, feel that the Choragus’ outburst about Antigone’s death is ‘dazzling.’ but because of this we must wonder, what does he mean? We can find out from the writing of Sophocles. This small line gives a foreshadowing of Creon’s true nature. Creon does not act kingly, he is rude and arrogant. Why would a king need to be
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
Antigone Sophocles When a dictator dies, his image and fame dies with him, but when a self-sacrificing individual dies, their legacy begins. This statement is true because oppressed citizens do not fondly mention a mean ruler, such as Creon from Antigone, after he passes away. Yet a martyr, such as Antigone, also from the story Antigone, is remembered for her self-sacrificing deeds. Creon will not be remembered because he did not allow Antigone to bury her dead brother Polynices, and decides to execute Antigone for trying while Antigone’s legacy will live on because she has the courage to defy Creon, and chooses to sacrifice herself for Polynices' honor.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
In his "Funeral Oration" Pericles, Athens's leader in their war with other city-states, rallies the patriotism of his people by reminding them of the things they value. He encourages a sense of duty to Athens even to the point of self-sacrifice. He glorifies the free and democratic Athenian way of life and extravagantly praises those willing to die for it. In Antigone, Creon, Thebes's leader in their recent civil war, also must rally the patriotism of his people. While he, too, praises the loyalty of his people, he does two other things to rally the citizens: he emphasizes his own qualifications for leadership, and he reminds them what happens to traitors.
To begin with, an in depth analysis and understanding of Creon's intents and actions must be established in order to evaluate the reactions of Antigone and Ismene. The central conflict of Antigone derives from Polyneices' betrayal to the city of Thebes. As the ruler, Creon naturally feels compelled to exert his authority by refusing Polyneices a proper burial "for the birds that see him, for their feast's delight" (162). The grotesque imagery evoked not only illustrates Creon's endeavor to discourage further rebellion, but also portrays a personal defense to protect his pride; this need to reassert his pride significantly heightens with Antigone's involvement. From Creon's perspective, leniency represents vulnerability within a leader "if he does not reach for the best counsel for [Thebes], but through some fear, keeps his tongue under lock and key"(167). Throughout the play, the symbol of "tongue" frequently recurs, illustrating how society cond...
Antigone, although it concerns the last events in the mythic history of the family, was the first of three plays to be written. In it certain elements of plot seem to indicate that Sophocles, was still imitating the works of the previous Aeschylus. For instance, both Antigone and Creon find themselves caught in a "double bind," a situation in which they are doomed no matter which course of action they choose. Although Antigone suffers because she violates the law of Creon by burying her brother Polyneices, she would have neglected her religious duty had she left him unburied. Creon suffers because he regards his will as more important than the demands of the gods, although political pressures drives him to punish the traitor of his city.
In the play called Antigone by Sophocles there is king name Creon. King Creon is an old man that was throne only king because his nephews that were to be throne king died due to fighting each other till death because of the throne and the power of king over whelm them. Now that the nephews died their uncle which is Creon is now the king. As he turn as the new king of Thebes he made a new law that if anyone buries Polyneices body they will be sentence to death. This was one of the ideas that Creon selfishness and benevolent came into effect. Creon allows his pride to mark his decisions and influence his destiny, refusing to have mercy on his own nephew.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
Because of the sheer power of death and the impact it has on the lives of loved ones, people’s actions can potentially change, and suddenly be filled with passion for their late loved one. This is most definitely the case with Antigone after one of her brother’s deaths in Thebes. The idea of Polyneices not getting a proper burial was unfathomable to Antigone, as he was her brother, and she felt as if he should be treated in the same manner as other deceased individuals. Thus, since Antigone abides by principal, her primary motivation to bury Polyneices is to provide him with a traditional commemoration of life, like Antigone believes everyone deserves and like religious obligation dictates. Likewise, the fact that one of her brothers, Eteocles,
...e to help Antigone. This play shows how passionately Creon tried to help Antigone overcome her problems. His wise self-controlling behavior lets him deal with this matter reasonably avoiding death and executions. Anouilh's version shows compassionate king who "loved other things in life more than power" (pg. 712) but considered it cowardness to deny the throne. Those qualities make Creon a positive character of the play and Anouilh succeeds in presenting a model king not changing the historical events of the myth.