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Agatha Christie and Conan Doyle
Agatha christie 1920
Agatha christie 1920
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The Enduring Appeal of Agatha Christie is a very well written essay with a very clear essay structure. This is effective essay because it follows the writing of this well written essay such as the Introduction, the 3 body paragraph and the conclusion. When reading the essay what really pulled my attention was the introduction because it started with the question “Who does not enjoy a good mystery?”. That was great way to catch reader’s attention. Also, the introduction is very detailed and lists the different authors which also can grab reader’s attention. The thesis is very written. But, some parts of the introduction had uncoordinated sentences such as; “On the beach, on the subway, people tend into the worlds of these authors”. I felt like
The second closed reading was an analysis of a relationship between characters from The Piano Lesson by August Wilson. In the first draft of this paper, my biggest problem was the thesis. I failed to truly argue a thesis. I stated one but did not elaborate on what I meant. This caused my analysis to be vague and not arguable. It also made it difficult for me to connect my each paragraph to my thesis. The thesis is a very important part of an analysis paper and without it, it is difficult to form a well written
In Brother Grimm’s “Brother Lustig”, the main character, Brother Lustig, is initially portrayed as an honest, inexperienced and stupid young man, who shares all his possessions with others. For this reason, when analyzing Brother Grimm’s tale form a Jungian psychoanalytic perspective, will become a prime example of a character experiencing individuation, for he eventually becomes a more selfish, cunning and independent person. Through meeting his archetypes, Brother Lustig goes from an honest, stupid and generous person, who shares his wealth and possessions with the less fortunate ones to a cunning, selfish and self-sufficient trickster. Brother Lustig’s burgeoning conscious is demonstrated through an analysis of his Jungian archetypes, with the shapeshifting beggar, acting as his positive shadow, and St. Peter personifying as his symbolic Self.
Upon reading “The Judge’s Wife,” a short story by Isabel Allende, attention comes to the reader that this is not a story to be predictable or unpredictable. Allende captures the readers’ interest by beginning her story with “Nicholas Vidal always knew he would lose his head over a woman” (Allende 370). Allende uses this blunt writing technique that, in the first paragraph, foretells the happening to which the story ends, yet somehow magically makes the reader question the ending as if the reader never knew. It is believable that this is a distraction method. Allende wants the reader to have the whole picture of the story in mind while focusing solely on the words the reader’s eyes follow. It is a commendable technique to which Allende executes quite flawlessly. Then again what is this technique that is so complex and simple at the same time? Well it will take a bit of explaining, but in the smallest description, this technique can be summarized and identified as imagery. From the author’s brain to the audience’s lap, Allende sculpts an incredible visualization to which this story belongs, and not for one second does someone read this and not imaginably see anything but what Allende intended for them. Throughout the story, Allende’s use of colorful words and expressive language to depict the setting and the characters is where she best presents her imagery and distinctive style of writing to the readers. Isabel Allende captivates the readers in her storytelling using creative details to paint a visual representation of her characters along with an unpredictable plot.
When General Rochambeau met General Washington in 1781 to determine their next move against the British, Washington wanted to attack New York City. Rochambeau convinced him that the wiser move was to move South. Word had come from General Lafayette in Virginia that Cornwallis had taken up a defensive position at Yorktown. Cornwallis was situated next to the York River. If they could surround the city by land and cut off Cornwallis' escape route on the river, Washington and Rochambeau would strike an enormous blow to the British forces. Planning for the elaborate campaign began immediately.
Imagine knowing how you would die. Paranoia? Schizophrenia? Insomnia? All of these feelings would set in as you sat waiting to be the next victim. Ten Little Indians, published as And Then There Were None when it débuted in America, brought a wonderful sense of mystery into the life of the American. Written by Agatha Christie, it was published in 1939 as a fiction murder mystery. The story is set on an island off the coast of Devon, England during the thirties. Ten Little Indians is a classic murder mystery, which involves ten unsuspecting average people. While it seems that one of these people would be the main character, everyone is equally important in shaping the story.
Her first play, A Raisin In the Sun, is based on her childhood experiences of desegregating a white neighborhood. It won the New York Drama Critic's Circle Award as Best Play of the Year. She was the youngest American, the fifth woman and the first black to win the award. Her success opened the floodgates for a generation of modern black actors and writers who were influenced and encouraged by her writing.
Within the primary essay, convoluted sentences are used on numerous of occasions. Convoluted sentences allow the passage to possess importance located at the beginning and end. Convoluted syntax also provides detail towards the scene but particularly the middle portion of the sentence. An example of convoluted syntax which exercises pauses can be seen periodically, “A twisted tree trunk protrudes out of the silt like earth, covered in crude knots and lanky dead branches, hover over the small stretch of land it’s rotting roots are positioned in.” The separation causes the beginning and end to hold more importance and to be emphasised by the interruption. The repeated use of convoluted syntax gives the sentences a rhythmical and somewhat choppy feeling. The separation of clauses, combined with details, also provide a break that adds to the anticipation and obscurity of the painting, in turn portraying the dominant impression. Another use of convoluted syntax incorporating a sense of obscurity can be seen within the following phrase, “The ridge on the top of the towering stones, a vast forest of wild grass and hovering trees stretch as far as the colossal mountain range in the distance, cast a shadow over the land.” The clause is broken apart by the detailed description of the forest, therefore it provides an extensive break from the main clause. The effect this creates
Vera felt as though it was only right to follow the poem. Every time somebody died or disappeared a little china figure would break or disappear but at the end Vera toke the last one standing with her as a token saying that they made it to the end. While she was hanging herself the little figure broke, “The little china figure fell from her hand. It rolled unneeded and broke against the fender” (Christie 268). She also thought that’s what Hugo wanted her to because she was responsible for his nephew death.
“You are charged with the following indictments… Prisoners at the bar, have you anything to say in your defence?” (Christie 47). Agatha Christie is known as the Queen of Mystery and one of the Best-Selling Novelists of all time. One of her publications, And Then There Were None, was the world’s best-selling mystery novel after it’s release. This book was published in 1939 and takes place on Soldier Island off the coast of Devon, England. Ten strangers were deceived into staying on this island for a week by an unknown killer. The ten guests were murdered one by one, until there is no one left. During their stay, each guest was accused of murder, trapped on the island, and faced with the guilt from their past. The setting Agatha Christie created
“Jane Austen is one of the few novelists in world literature who is regarded as a ‘classic’ and yet is widely read” (Kelly 1). Austen is the only novelist, prior to Charles Dickens, whose novels maintain a significantly popular readership, and generations of students regard her fictional world as literature with a capital ‘L.’ The British author, Jane Austen, gave the novel its distinctly modern character in the 19th century by describing ordinary people in everyday life, portraying strong female protagonists, and depicting the perils of misconstrued romance.
English author to Sense and Sensibility and Pride and Prejudice, Mansfield Park, Emma and Persuasion, was Jane Austen who was born on December 6th, 1775 in Steventon, Hampshire, England. Jane was the seventh child out of eight children of the Rev George Austen, a clergyman of the England Church, and Cassandra Austen. Austen was educated at home, but obtained a broader education then many women at her time, and never dwelled apart from her family. Jane lived quite a remarkably quiet and domestic childhood amid her brothers and other boys whom her father tutored. Her writing took effect early in her childhood when the children would perform plays and charades or even write. Jane’s’ interest in reading started right in her fathers library, which provided textile to the sketches she would write as a little girl. It is said the she even authored her first novel, Love and Friendship, at age 14. Austen also educated herself by doing a lot of reading both deep and well-known writings.
Throughout the Agatha Christie essay, every single sentence and paragraph that makes up this essay is in its correct position which strengthens its solid architecture that is known as basic essay structure. It is most recognizable in the introduction where it starts off generally with, “Popular literature abounds with examples [mystery
Charlotte Bronte’s Jane Eyre, is the story of Jane, an orphan girl with a harsh upbringing. During a time when women were condemned for learning more than custom pronounced necessary, Jane becomes educated intellectually, socially, and spiritually. In the course of growing up she travels to many places as she battles to learn more about herself and about the world. In the following paragraphs you’ll see how Bronte establishes that money and power do not make a person. Mrs. Reed, Mr. Rochester, and Mr. Brocklehurst all reflect this, they are not nice or perfectly content people. She demonstrates that general education is more important than wealth.
The point of view in The Murder on the Orient Express is third-person omniscient, which is crucial to the book. The reader can see an example when Christie first introduces Mrs. Debenham. Christie tells all about Mrs. Debenham’s adventure up until that point and also gives a brief description of her thoughts and feelings about Hercule (Christie 6). Christie does not, however, reveal any of Mrs. Debenhams involvement in the murder. Knowing the thoughts of the characters is very important in keeping the reader interested and trying to figure out the murder without giving away. Critics supports this idea by saying, although the thoughts and feelings of all characters are given, the restricted information Christie leaves out, gives the readers a dramatic effect ("Murder on the Orient" 152). Christie’s style in The Murder on the Orient Express also included some stereotyping of individuals on the train. This stereotyping was shown when it was decided that the stab wounds seemed to be inflicted by a woman based on the lack of intensity (Christie 56). Another place stereotyping was concerned was when Antonio was suspected solely based on his Italian nationality (Christie 122). The stereotyping Christie includes in her book shows importance to the plot by distracting the readers from more valid evidence. This distraction is another tactic used to keep the reader intrigued in the story. Greg Wilson comments about Christie’s insensitive remarks and says she might use these shallow, stereotypical comments about the characters as a crucial part of the murder plot ("Murder on the Orient" 155). The author’s style draws the reader in by utilizing distracting elements to elude them from the
The Murder of Roger Ackroyd was first published in 1926, and is one of many of Christie’s Hercule Poirot Mystery novels. In this novel, we obtain a deeper understanding of the impact social standings has and the influence it has on how people perceive you. The mystery takes place in an era where social class was extremely divided, and it is shown throughout the novel how a character’s social class can hinder or help. Even when the characters are faced with a crime, and the person who did it is unknown, social class still plays a magnificent role in unraveling the explanation of who would have committed something as dreadful as murdering a man. The Murder of Roger