Are Black and hip-hop culture two separate entities, or two cultures that go hand-in-hand and rely on each other? The line of distinction between the two cultures is often blurred and ignored when making accusatory statements, particularly in the debate that hip-hop music is a violent and negative influence upon its audience. Although hip-hop music is thought to be violent and filled with negative content by the general audience, particularly that of non-listeners, people will place the blame for
In his book Hip Hop America, Nelson George states, “Hip hop culture is just another name for black ghetto culture.” Is this statement really true? If one examines the origins and subject matter of early hip hop, one will find that George’s words are, in fact, true. Hip hop of the 1980s and 1990s highlights issues faced in Black ghettos, such as drug problems, violence, and poverty. With this music, hip hop artists of the eighties and nineties bring Black issues to the forefront by incorporating important
In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body
Through the progression of the last several decades, Hip Hop has transformed into a culture and artistic phenomenon that has impacted youth culture throughout society. Hip Hop and the academia surrounding the culture reflects the social, cultural, political, and historic truths of the hip hop generation, speaking to these young individuals in a dialect that they understand. The studies of the hip hop culture influence society to understand the perspectives that are not necessarily considered to be
Hip hop has become one of the most commercially promoted and financially successful forms of media in recent years. But as its profits have risen it has become a scapegoat for the many of the public criticisms of young black people. These topic have been discussed in Tricia Rose’s novel “The Hip Hop Wars What We Talk About - And Why It Matters”. The state of hip hop has fallen because the trinity of commercial hip hop has become main topic and caused a lot of controversy. This book is appealing to
Boyd, Todd. 2004. "Intergenerational Culture Wars: Civil Rights Vs. Hip Hop." Socialism and Democracy 18(2):51-69 This article is about an interview between Yusuf Nuruddin with Todd Boyd discussing his book “The H.N.I.C: The Death of Civil Rights and the Reign of Hip Hop”. Boyd argues that the hip-hop replaced the African-Americans in the civil right area. He explains that society has evolved to the point where the issues related to African-Americans in the civil rights area have changed
interest. The birth of hip hop ignited a whole new world of music, which lead to vast amount of controversy in the music industry. Hip hop has always been recognized as the platform for the black American culture. Hip hop become a moment that changed the entire music industry, and as the culture progressed it become more mainstream. In today’s music society, it is evident that the white race has become greatly involved with hip hop and the lifestyle that entails this culture. Notorious artists such
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in
Gail Hilson Woldu, author of “The Kaleidoscope of Writing on Hip Hop Studies,” emphasizes the importance of cultural theory, urban history, and black feminism in the study of Hip Hop and its influence over the last several decades. The cultural theory aspect throughout the studies of hip hop, specifically in Houston Baker’s Black Studies, Rap, and the Academy, focuses on the importance of the “classic black sound” and the ability for the rap industry to be a profitable resource for an alternative
at racial identity through hip hop and its culture. The film explores the tensions that surround white identification with the hip hop culture. Typical white people identify hip hop with responses that are uncharacteristic. They are termed as a “wigger” or “wannabe” who think they can become part of a strong culture. The film clearly identifies these people as those trying to connect with others who usually won’t accept them. I have watched this film before for my Hip Hop class in high class and was