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Hip hop's effect on popular culture
Hip hop's effect on popular culture
Effects of hip hop in todays culture
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Hip hop has so many subgenres that preach different messages to the listeners. Artists are inspired to sing according to what they experienced when growing up, or what they thought should be done to address a particular issue. Hip hop is a genre marked by the fusion of beats and rhythms; it began as the product of insignificant, inner city blacks. Hip hop music is also known as hip hop, rap music, is a music consisting stylized rhythmic music that usually comes with rapping, rhyming speech that is chanted. Hip hop music is formed as part of hip hop culture, which is subdivided into four aspects: rapping, scratching, break dancing, and graffiti writing, other element includes sampling and beat boxing. In 1970, this popular music …show more content…
Gangster rap is a subgenre of hip hop that often centered on the troubled lifestyles and poor condition of inner-city youths, ghetto boys are artists most regularly known with the founding of gangster rap. It also exposes the illegal activities of street gangs and thug lifestyle. Gangster was criticized left and right from commentators, as well as religious leaders, saying it encourages crime, murder, serial killing, violence, drug dealing etc. the music became one of the best commercial lucrative subgenre of hip hop. The government that is white house administration of George H.W Bush and Bill Clinton was against gangster, gangster artist was not happy that are singled out and that is not fair to them because they are using their song as a means of getting public to know the changes that the community needs and is not been addressed in the public forum. Journalist chuck Philips make it known in a review of the battle between the establishment and defender of a rap music, that white politicians never budge to know anything happening in the devastated community where gangster was given birth to. Gangster that started in a rural area became a means of exposing critical issues that are not solved or discussed in American politics. Sister Souljah told Philip the journalist that the problem is that the white house administration does not want to deal with inner city urban …show more content…
It is subgenre that tests the ruling cultural, political, philosophical, and economic agreement. Political hip hop often interfere with conscious hip hop and the two terms are used mutually. However, conscious hip hop is not really openly political; instead discuss social matters and conflict. Religion aversion of crime, and violence, culture, the economic, or simple depiction the struggle of ordinary people are focus of conscious hip hop. Conscious hip hop helps public to know the social problems and to make their own decision without been forced to take actions that they can make on their own. “How we gonna make the black nation rise?” by brother D. was the first social conscious hip hop song, grandmaster “the message” reflect much of political and conscious hip hop track, tells the poverty, violence and dead end lives of the community poor time. Some of the artists of conscious hip hop are Mos Def, Talib Kweli
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Conventionally, there are more than twenty derivatives of Hip-Hop. The Hip-Hop style which is the most familiar to the world is known as “conversational rap” (Higgins, 2013). This form consists of the artist using a conversational method of rapping where they appear to be telling a story or holding a personal discourse. Conversational Rap is utilized by many of the industry’s current juggernauts. Some of the artists which use this style of rap are: Drake, Lil Wayne, Nicki Minaj, and Wiz Khalifa. It is universal to understand that Hip-Hop is indiscriminative. In his article Hip-Hop Judaica: The Politics of Representin ' Heebster Heritage, Judah Cohen observes that “Rap music, on the other hand, is anti-classical, a UN-friendly music with dozens upon dozens of subgenres to accommodate and account for the full range of experiences that make up the human condition—irrespective of one 's race, gender, age or geography.” (Cohen,14). Moreover, Hip-Hop/Rap’s most problematic form is known as “Gangster Rap”. This form of Hip-Hop/ Rap is understood to be the turning point in the world of Hip-Hop culture. The “thug life” movement within Gangster Rap started with rapper Tupac Amaru Shakur, known as 2pac. In her article titled “East Coast/ West Coast Rivalry, Yvonne Bynoe states that throughout the 1990’s, 2pac and New
Hip-hop music is a popular type of music admired highly across the globe for its famous style, art and mode of expression. This highly admired music genre can include love, broken families, racism, hard times, sexism and adversity as its main theme. It has the power of evoking a different kind of mirth and sentiment in you. When it is sung at its full peach with a DJ, the listeners become ecstatic. If you are music lover or fond of pop song, you are sure to reach a different kind of state- a state of forgetfulness that is far ahead of the common ebullience of life and rustic mirth.
John H. McWhorter’s essay was first seen in City Journal in 2003. It focuses on rap retarding black success by reinforcing the stereotypes that long hindered blacks, and by teaching young blacks that a thuggish lifestyle is a genuine response to a racist society. (McWhorter 44) Hip Hop started off as an expression of emotion and to tell what was happening in society, but it seems to have gone downhill.
Notably, hip-hop is the culture from which rap music emerged. According to Keyes, rap music is a musical form that makes use of rhyme, rhythmic speech, and street vernacular, which is recited or sung over a musical soundtrack (Rap Music and Street Consciousness, 1). Rap is a combination of MCing and DJing, which are two of hip-hop’s four
From Beethoven, to the rap artists of today, music has developed from classical masterpieces to garbage that glorifies negative behaviour. Rap, or gangster rap as it is commonly known, is a form of music that glamorizes thug life. This glamorization is destroying our communities and urban centers. Youth especially are influenced by this because they start to see the lifestyle described in rap as expensive cars, gorgeous women, and jewellery. The media tells them about these things but conveniently leaves out the fact a rap stars lifestyle is actually about drugs, violence, gangs, crime, and the objectification of women. If youth knew that most rap stars are actually prison inmates or living off welfare, they probably would not be so keen on adapting rap culture and would focus on getting an education instead. The media d...
Hip-Hop is produced on the role of coercion and power. The diversity of the culture supposes to create meaning not chaos. Social order is maintained by domination, and the power of the song lyrics. The black youth is more likely to be victimized by crime than any other group. Hip-Hop influence the music that we listen to that a new artist can directly affect how we dress, talk, dance and etc. For example, “prison inspired hip-hop styles like sagging black pants and oversized t-shirts” (Baxter & Marina 2008, 110). Sending a culture shock across the country, some may believe it could be a good thing and others may believe it could be a detriment to our youth and
Both movements use “rhythm and poetry” (Gladney 291) to address social issues affecting the black man, including racism, education and drug use. These movement can both be linked to extreme examples of frustration and rage felt be a large part of the black community, like “the Los Angeles riots of 1992 and the riots that followed the assassination of Dr. Martin Luther King in 1968” (Gladney 292). However, Gladney observed that the Hip-Hop genre has developed more of a focus on commercialism and only in the underground rap world do we still see the idealist who is in touch with the pulse of the black communities. Many rappers in the mainstream lack the political, racial, and social tone of the black community. The notable exception being the groups who use shock and a sold ghetto theme to crossover to the commercial market but maintain their artistic
Many artist and groups in hip hop groups like N.W.A and Ice-T had ties to gang activities and spoke violence in their songs. Many hip hop groups during this time played songs that were considered to be “gangsta rap” songs. Gangsta rap was not only about the music but it was about the lifestyle and “thug’ attitude. “Between 1984 and 1994 the homicide rate for black males aged 18 to 24 doubled compared to years prior” (Robinson). Violence and police brutality towards blacks was big in hip hop during the 1980’s and 1990’s, like it is today. Many black hip hop artist and fans felt that they were being targeted and treated differently by police compared to whites in American because of their skin color and what neighborhood they lived in. In 1988 N.W.A song Fuck The Police came out and the song title speaks for itself in how N.W.A felt towards the police, “I’m brown and not the other color so police think they have the authority to kill a minority”. This song spoke to minorities in America who felt this way towards
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Hip hop is a subculture and global movement that started in the South Bronx, New York City during the late 1970s. In a post-civil rights era, where deindustrialization dominated, where racism and discrimination still existed, hip hop gave discriminated youths a chance to voice their opinions, and address their struggles in America. It created jobs for African-Americans and has forever transformed America’s politics and culture. Since then, it has only spread worldwide. The culture of hip hop has made its way to other countries such as Germany, South Korea, Australia, Africa, etc., becoming a global phenomenon. The issue, however, is that hip hop is often misunderstood, and seen only as the stereotypes society and mainstream hip hop perpetuates.
Hip Hop is a genre of music that was born around 70’s. This type of music doesn’t really involve singing but words that are spoken. Hip Hop is in a poetic form with simple phrases and it usually has end rhyme. The music genre known as Hip-Hop produces positive effects on teenagers of this generation.
When teens listen to the rap music, they hear the lyrics of gang violence, sex, drugs and parties. Many believe that Gangster rap is being related to youthful crime. With artists like Eminem, singing lyrics like, "But I'm not like you. I didn't...
Hip-hop was a cultural movement. It emerged in the early 1970s from the South Bronx. Hip-hop came from the “ghetto” and it became a cultural force of social protest and creativity. But from the 1990s and onward hip-hop changed from a cultural creative production to one of mass consumption. Hip-hop began to grow and through mass marketing targeting larger and whiter audiences hip-hop evolved in to relying on the images of crime and sex. Hip-hop has changed from a tool of social change to cars, women, and drugs. There is a gap between the civil rights movement and the newer hip-hop generation. This is not to say that there are not artists in the hip-hop community that talk about things that need to change such as racism, exploitation of the poor, police brutality, and the lack of education for the black and the poor. But the mainstream music on the radio is mostly about female body parts shaking and grinding, having sex, getting really drunk, high, and/or violent. It is not entirely the fault of hip-hop artists there are people who do not know Malcom X, Susan B. Anthony, or Thurgood Marshall but most people will know overrated artists with trash lyrics such as Lil Wayne, Nicki Minaj, Soulja Boy, and 2 Chainz.What once was a helpful tool for creating social change is now hurtful. Hip-hop has created a lot of powerful African Americans with a lot of money and influence but it has ceased to have its power reflect and reveal social awareness to inspire culture change because not many rap about the need for change. By exploring the change of hip-hop from the civil rights movement to the modern day hip-hop this paper will attempt to show that hip-hop has been grown from a powerful tool of social awareness in to a monster of mass consumpt...