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Theatre history chapter 15
History of British theatre
The development of the theater
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Acting companies have been around almost as long as theatre itself. The first of the professional stage companies recorded were back in the 1560s. They were mostly used for their comedic trade. They can be seen as part of tribal rituals all the way to Broadway musicals making their way across countries. There are many forms of acting companies. There are companies that meet once a year or they can travel around countries for long periods of time. There are also many different skill sets needed to be a part of these companies. Stage companies are a large part of the theatre culture and community. Acting companies became prominent during the Elizabethan Era in London. Families that were able to have a household players group in their homes …show more content…
There are many different forms of acting companies in this culture. Amateur acting companies come together annually. These companies perform different rituals, traditions, or sacrifices in the local temple. They also are used to celebrate national events and holidays (Brown, 460). Another type of company is called itinerant bands. These are troupes of professionals that travel, just like Elizabethan era troupes, throughout their linguistic region for a whole year only pausing their journey for monsoon season for safety reasons (Brown, 460). There also seems to be a custom expected if an itinerant band comes to a village. This village is expected to give them their evening meal, usually offered to them by the headman of the village. After they have eaten, they will nap and then unpack and begin preparing for their performance (Brown, 460-461). This itinerant band also needs to obtain skill sets that have been seen in Elizabethan actors. These actors needed to have a broad repertoire of performances and they needed to adapt quickly. The actors were only told about an hour before they performed the type of performance the village wanted to see. This rushed them to come up with a plot, memorize, and rehearse with whatever time was left before the performance (Brown, 461). They would then move onto the next village in India and do this all over …show more content…
There are many touring companies in the United States today. One traveling company is an educational company. The Bright Star Touring Theatre has a repertoire of around one thousand educational performances to young audience members over a variety of cities throughout the country. This group focuses mainly on bringing literature to life for their audiences (Wright, 2015). The Bright Star Touring Theatre’s actors must hold the same professional qualities that have been travelling through the centuries and continents. They must be able to perform multiple productions at a time due to the number of shows in their repertoire and they must be able to adapt quickly depending on the crowd, city, and situations that may arise, illness or recasting if need be. Another touring company is the National Players. This is the longest running tour group in the United States to date. It was created from a Catholic university and is now stationed in Maryland. Their mission is to “present classical plays in surprising accessible ways” (Wright, 2015). Their 2015 and 2016 season will be touring Julius Caesar, A Midsummer Night’s Dream, and A Tale of Two Cities (National Players). These are only a few of the many touring companies and acting companies in the United States this
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
They operate, maintain and guard the technical assets of the theatre. This includes supervising the use of lighting, sound, communications equipment, and the use and maintenance of stage facilities. They are also in charge of supervising and assisting with set and stage construction and management. They are also the ones who monitor the condition of equipment such as the lights, sound. Finally, they are the ones who arrange for the repair and replacement within budgetary constraints.
In 400-500 B.C. the initial motive for theatre and performing arts was not entertainment, but specifically for the people to see and hear stories about Greek heroes and gods. Oedipus Rex, is known for its horrific plot, but it was also one of the first performed plays. It was controversial and caused distress because the plot contended with their former believe about fate and one's control over their life. Theatre was used to influence the thinking of the audience and forced them to see things from a different perspective not only on stage, but in their life, long after the last scene was performed. This is where communication comes into play because if it is not carried out the way it was intended, one scene or line can change everything. For an actor, paternalism can take place the moment they audition and the script is in their hands. The process begins with reading the physical lines. Once they are read and understood, the creating of the character begins. Whether the character has 2 lines or 100 lines the character needs to be developed. Some of questions that need to be asked and answered are: who is this person, where are they going, who are they talking to, what emotions are they feeling and depending on the feelings, are they showing them through their words or body language? Their specific job is to have an understanding of what the piece is about and
Theatre Journal 57.4 (2005): 598-600. Print.
iii. empty space that was extended out into the audience and it could be viewed from three sides
... look out for high profile contacts and good image building activities especially due to the on going outsourcing concern. As community theatre boards include executive level staff these consulting companies could get high visibility and a sophisticated image by pairing up with something as ?cultured? as theatre. These companies can be requested by the boards of community theaters to sponsor the building and maintenance of the theatre websites in exchange for good PR and contacts.
Lazarus, Joan. "On the Verge of Change: New Directions in Secondary Theatre Education." Applied Theatre Research 3.2 (July 2015): 149-161. EBSCOhost, doi:10.1386/atr.3.2.149_1.
As more people joined, the plays quickly grew away from the church and started to take on many different genres. During the Elizabethan time period, acting was just spreading everywhere and involving more and more
Actors were expected to memorize hundreds of lines at a time. While one play could be performing, actors would be practicing lines for their next show. Play writers also began to make roles for the actors in the theatrical pieces. The theaters that actors performed in were roofless so that the sun could be used as lighting. Theatrical shows were held in the afternoon because it provided the best amount of light for the show. When the people gathered into the theater, the different classes of people were separated by where they could afford to sit and watch the show. The lower classmen were situated on the bare earth where it was dirty and smelly because it was never cleaned. The owners’ of the theaters found it less expensive if they did not keep high maintenance of their establishments. Higher classmen sat under a roof and for a penny more, they could buy cushions for their seats.
In the Greek theater, the conventions are very different. Unique Greek performances, which were performed hundreds of years ago, were put on to please the god Dionysos. In these performances, artificial light was impossible and there were no footlights to illuminate the faces of the actors. Spectators had to have a great imagination to create a mood themselves. The actors had to project their voices even more, and they used numerous masks, to reveal different characters. Plays were done in an amphitheater, which was a circular type theater, so that projection was very loud, and the actors could be heard all around. The actors were less active and effected less emotionally but still with their costumes, masks and roles, they belonged to the characters rather than to the audience.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Mainly the initial aims of these companies was to stimulate, educate and inform young people through encouraging them to participate in enjoyable and imaginary based theatre programmes. Despite early attempts in Britain in the mid 1930’s, where a Glasgow Director of education allowed the Bertha Waddell’s company to perform in junior schools within school time, the majority of the advances within the movement came after World War Two. Due to the nature and after-effects of the time, many post war Education Authorities felt the need to sponsor drama and live theatre companies to aid in their areas learning processes. One could perhaps say that due to the sheer devastation of the war many education authorities felt that through the use of drama therapy and role play style interaction that students would be able to address their true anxieties and would therefore have a more rewarding time in post war school. Around this time parallel groups were beginning to form in Birmingham and London.
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.
For as long as humankind exists, theatre will always take on an important function within its cultures. Through theatre, a culture expresses itself, reflects its society, and displays its individuality. It invites people to experience other cultures.
Aparna, Bhargava. Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947. New York: University of Iowa Press, 2009.