Vincent van Gogh’s Starry Night represents the overpowering waves of change sweeping change over an unsuspecting town, stuck in the ways of old. Just one look at this painting evokes a feeling of old versus new. As you study the work of art you can’t help but feel the struggle between these two powerful forces. Vincent van Gogh does a wonderful job telling the story of a town not ready to adapt to a new world. The swirling blues and yellows of the night sky in Starry Night represent the new ideas of the people. The night sky shines brightly on this town, so bright that it’s impossible to miss, but many houses, possibly in an attempt to drown out the light of change, have left their own lights on. The night sky, even with light pollution from below, is still shining bright with no signs of dulling, showing how powerful change and new ideas can be. The town in the painting represents the natural tendency to stick with what you know and are comfortable with. Each house in the town is its owner's personal echo chamber which shields the people from the light of change produced by the night sky. Going outside would be enough for these people to see the way of the new world, but instead, they stay within their echo chambers, only seeing and hearing the things that they already believe. …show more content…
First, the viewer may see a massive wave, in this case representing some event that will destroy the people's echo chambers and allow them to see the light, changing how they view the world forever. The viewer may also see an impenetrable wall surrounding the town in the form of a mountain range. If this is what the painting contains this may be why the town is so stuck in its ways in the first place; isolation from the outside world. The painting then becomes about how even when in complete isolation from the outside world the lights of change still manage to shine
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
A old sandy color bridge is cast upon the middle of the painting, which is crumbling apart and crashing into the water. The water in this painting is dark blue and white showing the choppiness of the water. In the middle of the painting is a white statue with its head broken off, but still standing, holding a black shield leaning forward towards the center of the painting. In the background fire and gray and black smoke cover the landscape. The gray skies linger over the town with a dark depressing tone. While the river banks are roaring with fire. In the lower center of the painting is a woman dressed in white jumping to off the river bank with a warrior behind her. In the lower portion of the painting ships are on fire. Throughout the whole painting you will see thousands of people, some enemy warriors some townspeople. The enemy warriors are wearing red. While the townspeople are dressed in typical daily life clothing
“The Starry Night” by Anne Sexton describes her experience of visiting Van Gogh’s painting during a gallery showing. Anne Sexton’s Poem “The Starry Night” is written in reference to Vincent Van Gogh’s painting The Starry Night sent to his brother. She writes this poem with a heavy hearted tone, and the understanding of Van Gogh’s work to be a destructive painting, full of darkness and longing for death to come. Sexton views the town at the foot of the hills as decaying and silent as it slowly disappear below the starry night. More importantly Sexton sees the tree that looks like the hair of dead woman drifting in the blue sky which is like a serpent that is sly and deceitful. Like the understanding of the evil of the sea in the times of the ancient near east, she saw the swirling sky similarly. Through this she then sees the night like a beast that brings chaos and destruct, removing all that is beautiful. For she says the even the eleven starts, so beautiful with the moon will be swallowing up by the beast of the night. She writes as if all of this was once beautiful and a source of life to this earth, however is now destroyed, and source of longing for the destruction of life.
Van Gogh, Vincent. Webexhibits , " Letter from Vincent van Gogh to Theo van Gogh Saint-Rémy, c. 2 June 1889." Accessed March 29, 2014. http://www.webexhibits.org/vangogh/letter/20/593.htm.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
Overall, by analyzing The Starry Night I saw that it is more than just a simple painting
The paining ‘Starry night’ was made when Van Gogh was in a mental asylum after he had an episode that resulted in him cutting of his own ear. The painting depicts the view from his asylum room, which Bennett could incorporate into his feeling of being trapped in a society that doesn’t accept him.
By first referencing “Starry Night”, a painting generally considered to be undoubtedly beautiful, Bogard establishes that the natural magnificence of stars in a dark sky is definite. A world absent of excess artificial light could potentially hold the key to a grand, glorious night sky like Van Gogh’s according to the writer. This urges the readers to weigh the disadvantages of our world consumed by unnatural, vapid lighting. Furthermore, Bogard’s alludes to Paris as “the famed ‘city of light’”. He then goes on to state how Paris has taken steps to exercise more sustainable lighting practices. By doing this, Bogard creates a dichotomy between Paris’ traditionally alluded-to name and the reality of what Paris is becoming – no longer “the city of light”, but moreso “the city of light…before 2 AM”. This furthers his line of argumentation because it shows how steps can be and are being taken to preserve natural darkness. It shows that even a city that is literally famous for being constantly lit can practically address light pollution in a manner that preserves the beauty of both the city itself and the universe as a
Vincent Van Gogh never gave up his style and insight in his early work compared to his later work. I will discuss the comparison of the Potato Eaters and Starry Night and even though there are obvious differences, the core of his passion and eccentricities can be seen.
Vincent Van Gogh’s piece titled Starry Night, represents the artist’s insanity and isolation from the outside world. Van Gogh painted the view that was seen from the room, mixed with the emotions he felt inside. Starry Night is an oil painting on canvas and is two dimensional. The painting is found in the Museum of Modern Art located in New York. The variety of elements and principles of art, help to bring the painting to life, and help viewers understand what the art could represent.
Starry Night and View of Toledo are both landscapes featuring a town, a church, and a beautiful night sky. Both artists used the contrast of light and dark to detail their paintings. They both also took liberties in arranging the cities the way they saw fit.
...ter. His focus on nature and organicism is illustrated through the de-emphasis of the couple and the boats. The down-to-earth tone that the combination of the elements creates is magnificent because it just shows the effort and time Vincent Van Gogh put into to creating this highly sought after work of art. Starry Night over the Rhone will forever be one of the most distinguished, most sought-after, most popular artworks in the world, and it’s all thanks to the one and only Vincent Van Gogh.
Starry Night is recognized all over the world, being one of the most famous and well-known paintings of all time. While Midnight in Paris is not as widely known but still is quite famous as it won an Academy Award for best original screenplay. One similarity that you can see right away is that painting Starry Night is featured on the poster. The sky that Van Gogh painted is the one featured in the Midnight in Paris poster. The movie (for the most part) takes place in Paris, the place where Van Gogh first sent Starry Night (among other paintings) after he finished painting it. Van Goth had always loved the
The implied sunlight is natural that has an illusion of coming through the clouds, the reality of the sunlight seems to dry out the land. Yet, it symbolizes the overcoming of the end of a drought on the rural crop lands. The colors of neutral tones are used predominately throughout the landscape. The brown neutral-toned houses are surrounded by wisps of yellow, overgrown, grass which seem to represent the destruction that mankind has caused, in turn, is suppressing nature and holding back the potential beauty it could unleash. The dull grass and trees lack vivid colors and present a lackluster mood. Yet, the yellow grass draws you to the horizon of the painting. This seems to resemble the hopefulness of a new crop in the dry crop land. The yellow grass shows the harsh results of a drought that has been sprinkled with blue horizontal streaks. The blue horizontal streaks demonstrate puddles of water as if it has recently rained. The blue color emits a feeling of calmness as if the uneasiness of the drought season has been lifted. The colors lack blending and create a blunt contrast appearance. The dark shadow in the bottom right corner mysteriousness and an ominous feeling of an omniscient presence. The form the artist chose to work with demonstrated an organic form with a combination of a geometric form because of the three structures at the focal point of the painting (DeWitte, et al., 2015). The artist made this choice to show the results of a drought caused by the