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Character Analysis of Michael Curtiz's Casablanca
Sacrifice in Casablanca movie analysis
Character Analysis of Michael Curtiz's Casablanca
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Recommended: Character Analysis of Michael Curtiz's Casablanca
Casablanca (1942) is an American romantic drama film that was directed by Michael Curtiz.Set during world war two, the story focuses around the life of Rick, who is an American expatriate who runs a nightclub in Casablanca. In a series of events, he comes into possession of extremely important letters with evidence related to the war. In a cruel fate of irony, his ex-lover comes to Casablanca with her husband in search of the letters and to escape to America. IIsa, the woman Rick loved more than anyone else then comes to him and asks for the letters, this causes a spiral of emotions in Rick as he still loves IIsa but holds anger towards her for leaving him. However he then learns the truth as to why she ran away from him in the first place, without ever contacting him again. As the truth comes out, he realizes that he must put his feelings aside and see IIsa and her husband to safety as the Germans are after them. In the end, IIsa leaves safely with her husband and Rick says goodbye to the only woman he has ever loved. …show more content…
IIsa must give up her love for Rick to be with her husband, whom she had thought originally to be dead. Victor, her husband ends up understanding that IIsa is still in love with Rick, even though she told him otherwise and accepts this, but takes her away for her own safety. The moral ideology that love means sacrifice is prevalent throughout the whole storyline, as everyone sacrifices something important to them. The story of Casablanca is one filled with this ideology, sacrifice is a central theme throughout the whole film. It is a key component as it shows different sides to the characters involved and creates depth to the overall
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
In 1982, the journalist Chuck Ross, in an experiment for Film Comment, mailed the script of Casablanca to 217 agencies under a different title and under a different authorship name. Although many rejected it for external reasons, eighty-one agencies read it and of those, fifty-three did not recognize it as the classic. But here’s the cherry on top: forty-one agencies criticized the iconic, Oscar-winning script with harsh words. One wrote, “Story line is thin. Too much
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
Audience members, when seeing Casablanca, would associate it as a war film, and I agree with that, but to be more precise, it is a pro-Allie war film. The literary elements in the film are the reasons why it can be viewed this way, with the emphasis on the plot and characters. The timing of when the film was released also supports the idea of it being an anti Axis film. Although it was set in 1940, it was made a year after Pearl Harbor and America entering the war, but it was released right before the Allies had a meeting in Casablanca, so the filmmakers seemed to have wanted the audience to empathize with the Allies. The whole plot seems to be focused around how Rick is neutral at the beginning of the film, but because of an old flame coming into his life once again, he slowly becomes in favor of the Allie side.
All Quiet on the Western Front shows the change in attitudes of the men before and
The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents for those who are willing to pay the price for their freedom. Hidden deep within his memory are the reflections of a women that he once loved, Ilsa Lund, played by Ingrid Bergman. The third leading role was that of Paul Henreid who played the Ilsa’s husband in the movie. Victor Laszlo, a Jewish activist who was on the run from the German Regime was once believed to be dead after being captured and placed in a concentration camp, during which time his wife (Ilsa) fled to Paris and ultimately had an affair with Rick Blaine.
The song “As Time Goes By”, plays a specific role in connecting the past of Rick and Ilsa in Paris. The first time Ilsa walks into Rick’s cafe she asks Sam to play that very song. Sam at first seems hesitant because he knows the pain the song can put on Rick. The song brings him back to when they were happily in love, and the pain he felt when she didn’t show up at the train station. Just like the other guests, Rick tries to forget that pain by trying to never hear that song again. Sam eventually decides to play the song, and it turns out for the best. Rick even though remembering the hurtful past experiences, remembers the good ones as well. They eventually become reacquainted with each other. This allows Rick to keep his life moving because when Ilsa ditched him, he has been in halted state. Now that Rick had his life back up and running, he could setout to be the hero depicted towards the end of the
Casablanca debuted in 1942, shortly following the bombing of Pearl Harbor and the United States' entrance into World War Two, although there was plenty of anti-Nazism sentiment, the movie fueled these feelings. There is pro-Allied forces propaganda to support the war, from the scene with La Marseillaise, to the characters of Renault and Rick, and to the last scene. Although the majority of the French patriots were elated to sing their national anthem, it created tension with the German soldiers who imposed their patriotic songs on the crowd, representing the imposition of Germany on France during the war. Captain Louis Renault, who tries to placate who he believes will be the winning side, seems flimsy when compared to Rick, the firm patriot who believes in freedom at all costs. The phrase, "Louis, I think this is the beginning of a beautiful friendship" represents the new strong bond between France and the United States once Nazi-Germany has fallen. Although the film is propaganda against the Nazis, the political language in the movie does not glorify American courage and valor, nor is it militaristic. The movie presents the facts while emphasizing the poor qualities of the Nazis.
Afghanistan was a war country where people got attacked by the talibans. In the kite runner a novel by Khaled Hosseini Afghanistan, was a dangerous country. It's the story about a relationship About 2 boys called Hassan and Amir that at this time in the book they were victims and innocents and don't deserve a punishment on the story. People gain empathy when others need the help, when they lose someone, when there's a bond between people and are demonstrating when others have help us we want to help them.
Ilsa comes into Rick’s club with her husband Victor Laszlo, a Czech freedom fighter wanted by the Germans. From the beginning, women love Rick far more than they love Victor because of his mysterious masculinity. Victor Laszlo is a hero yet, not nearly as loveable as Rick. Rick holds the only two letters of transit that can guarantee Victor and Ilsa’s escape. We are left wondering and waiting to see if Rick will do the right thing and give Ilsa the papers.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Throughout history, the film industry has seen many directing styles and techniques. The early part of the 20th century saw a factory style of film production, but as the years went by, director's began to employ new and untried techniques in their pictures. One such technique which these director's implemented was a new approach to the use of the camera and camera angles. "Casablanca," an Academy Award winning film of 1942 saw director Michael Curtiz manipulate the camera in ways others had not. He uses the close-up, point-of- view, and creative shot motivation methods in his film starring Humphrey Bogart and Ingrid Bergman, to create an American cinema classic.
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
The film Les Misérables, based upon Victor Hugo’s 1845 novel and directed by Tom Hooper, follows the life of Jean Valjean upon his release from prison and his attempt to live honourably in successive years. Valjean spends his life working his way out of poverty, dealing with many different social classes and ways of life during the French Revolution. The characters Javert, Fantine and the bishop all demonstrate different approaches to life; Javert focusing on enforcing the law, Fantine willing to do anything to support her child, and the bishop demonstrating generosity and forgiveness towards Valjean's wrongdoings. As Valjean encounters each character, he learns to accept differing mindsets, circumstances, dreams and desires. Through these encounters, Hugo’s underlying message and ideology remain the same. Compassion and empathy are essential for human fulfillment. Through the musical Les