Sacrifice In Casablanca

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Michael Curtiz’s film, Casablanca, the film follows the love triangle between an expatriate, Rick Blaine, his former lover, Ilsa Lund, and her husband Victor Lazlo. Rick being a well known figure in the community must use his congenial disposition with the other to not only maintain his life style, but at the request of Ilsa, aid in the escape of Victor; an enemy of the state in Germany. Casablanca, acts as a middle point for European refugees fleeing Nazi Germany and eventually making it to the United States; causing the city to become a buzzing capital due to the massive influx of foreigners. Although the film demonstrates the power of self-sacrifice, the depiction of native citizens in Casablanca manifests in a negative way. Quite often “The Other”, or foreign entities are represented and embodied under …show more content…

Not only in clothing and cleanliness, but also in the environment; the saloon hat Rick manages is a staple for the European crowds and is clean, sprawling, and up kept, but the native market is dusty, congested and made of tents and small saloons. This physical representation immediately gives a tangible line between the citizens and well off foreigners. The Other are portrayed as simple people trying to take advantage of the visiting Europeans, as seen in the scene where Ilsa considers buying fabric from a native. The native immediately pulls Ilsa in trying to get her to buy the fabric, telling her how special it is, and the special price that comes with it. It isn’t until Rick challenges the quality that the merchant continuously drops the price in order to not lose the sale. This instance demonstrates the films negative depictions of the natives in Morocco, as the merchant is shown as trying to take advantage of Ilsa for the hope making money. Inherently, this scenario places a negative connotation upon the indigenous

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