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Motif: The repetition of the Varsouviana Polka in Blanche’s mind throughout the story points out the moments in which Blanche finds herself reliving the suicide of her young husband. Because she feels guilty of his death, every time she hears the polka it causes her to be worried, traumatized, and uneasy. The motif serves as a reminder of what caused Blanche to become the person she is: a person who is afraid of revealing the truth to others and someone who prefers to create her own reality rather than face the judgement of other.
Anecdote: One important part of the play was when Blanche reveals her tragic backstory to Mitch after going out on their first date. She reveals that she married young (in her early 20’s) to a man; she always sensed
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His suspicion of her increases when she would only say that Bella Reve was lost and not offer any details; he initially thought that she sold the estate and took all the money instead of giving Stella and him their part of the suspected sale. Even when she provides him with the documents of the estate, he still doesn’t leave her alone, even at the request of Stella. This suspicion then continues throughout the play and ends when he finally finds out Blanche’s true character when he discovers that she liked to sleep with a lot of strangers and was actually fired for being in a relationship with a 16 year old.
Suspense: When Stanley comes homes after taking Stella to give birth at the hospital, he rapes Blanche while being extremely drunk. For the rest of the play, there is a moment of continuous suspense since it is unknown whether Stella will believe Blanche and leave Stanley along with her baby, or choose to forgive him the same way she forgave him when he beat her up, or choose to believe that Blanche is lying. In the end, she doesn’t believe Blanche since Stanley has informed her that Blanche isn’t the innocent lady that she used to
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
The moment their eyes first meet, there seems to be an immediate attraction between Blanche and Mitch, causing them to take a “certain interest” in one another. After their first close encounter while the poker game is taking place, Blanche notices that Mitch is not like Stanley and the others. Telling Stella, “That one seems—superior to the others…I thought he had a sort of sensitive look” (Williams 52), Blanche takes interest in Mitch’s perceived sensitivity, and is immediately attracted
Blanche, in particular, is much more of an anachronism than Stella, who has, for the most part, adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters. Where Blanche's marriage, to a man whom she dearly loved (Miller 43), proved catastrophic to her, Stella's marriage seems to be fulfilling her as a woman. Blanche's marriage to a young homosexual, and the subsequent tragedy that resulted from her discovery of her husband's degeneracy and her inability to help him, has been responsible for much of the perversity in her life.
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
She passionately raves at length about the horrible deaths and her experience of loved ones dying around her; “all of those deaths… Father, Mother, Margaret, that dreadful way!” The horrific visions of bloated bodies and “the struggle for breath and breathing” have clearly cast a permanent effect on Blanche’s mind. She talks of the quiet funerals and the “gorgeous boxes” that were the coffins, with bitter, black humour. The deaths of Blanche and Stella’s family are important to the play as they highlight the desperation of Blanche’s situation through the fact that she has no other relative to turn to. This makes Stella’s decision at the end of the play seem even harsher than if Blanche had just simply shown up on her doorstep instead of going elsewhere.
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
She is introduced as a fragile woman, who the readers begin to feel sympathy for her. She had been asked to leave her job, and she lost the family estate. The readers also learn that Blanche is conflicted with her past; she tries to hide who she was.... ... middle of paper ...
As the play progresses, Stanley feels the disruption in his household. His privacy is being invaded with Blanche so close in the other room. Stella is standing up to his authority more often, with prompting from Blanche. Blanche continually berates him in front of Stella and his friends. He does not believe her story as to why she came. He also feels she is lying about most of her life story. This places him on a slow burn to find out why Blanche is in his home and how to get her to leave. He is determined to restore his household to its pre-Blanche condition. After he learns Blanche’s secrets, he plots to expose her and get her to leave. Due to his nature, he does not care if she is destroyed in the process. Blanche is depressed, lonely and just wants some peace. She has suffered through, death of a spouse, death of several family members, including mother and father, loss of their ancestral plantation, loss of her teaching job and finally loss of her dignity by selling herself for money. She strikes up a relationship with Stanley’s friend Mitch. She is not really interested in Mitch as a person. She just wants to be married, have a home to live in again and be at peace with her past. This in not to be, she is exposed and raped by Stanley, dumped by Mitch and has a psychotic
She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part about Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story of her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lies not only in the many funerals but also in the silence and the constant mourning after.
Stanley plays a major role in the downfall of Blanche, as he coordinates it with no repentance. He begins by searching for the negative incidents of Blanche's past, and frequently initiates conversation with her, which makes Blanche believe that he is aware of her unhealthy past. This causes her to act insecure; as she believe her act has been broken. During his initial confrontation with Blanche after learning about the loss of Belle Reve, he says "Don't play so dumb. You know what (Williams, 41)." Stanley uses his some of his new found acquired knowledge and confidence, to make Blanche act uncomfortable. He does this in order to observe changes in her reactions, and find the truth about her stay. Soon after, Stanley acquires the takes of young Blanche, and goes on to spread them to the two closest people to Blanche, one of whom eventually turns on her (Mitch). Additionally, on her birthday, Stanley continues to mistreat her, and presents her with a gift, which makes Blanche feel both scared and insecure; bus tickets back to Laurel. Stanley, knowing her past is aware of Blanche's reputation in the small city, and intentionally buys these tickets to further harass her deliberately. He is aware, that these bus tickets will also signal that she has overstayed her welcome at his home. Following the tragic incident with Mitch, Blanche becomes extremely battered emotionally and Stanley inflicts more damage upon her. In an attempt to please, Blanche lies further about a lover named Shep Huntleigh, who is supposedly rich. Stanley, knowing that Blanche would be using these false lovers as her salvage decides to play along with her act and says, "Well this lover of yours, he better be the smart kind (Williams, 83)." Stanley is aware of Blanche's fibs about these lovers, and begins to ask and make peculiar comments, to which Blanche can, no
At the beginning of the play, Blanche is already in a nervous breakdown as she was drinking wine that she found in Stella’s house. She was using it to calm her nerves. When Stanley came home from his bowling game, he had a conversation with her. At the end of the scene, he asks her about her husband. She started to break apart as she says “The boy – the boy died; [She sinks back down] I’m afraid I‘m - going to be sick! [Her head falls on her arms],” (p. 31). This represents that her husband’s death has resulted her to go into a depression. She is unstable whenever she is reminded of her husband. She had some memories with her husband that she cannot forget causing her to be really sad. It is later revealed in the play that her husband was with another man. He killed himself due her revulsion towards him. She states “by coming suddenly into a room that I tho...