In Geoffrey Chaucer’s The Canterbury Tales, there are several stories told through pilgrims traveling to a shrine. Through his humorous telling of these tales, Chaucer attempts to comment on many issues that were prevalent during his life, especially religious officials’ corruption. Chaucer also presents what may seem shocking narratives of characters about their lives and the stories they will tell. In “The Wife of Bath’s Prologue” Chaucer presents an early feminist model in the title character who rebukes the religious men who condemn her for her numerous husbands. Chaucer also presents a character in the pardoner, who is well aware of his corruption as a religious official and even explains to the group how he cons people to give him money. …show more content…
It is established that the pilgrims will each tell a story to amuse the company on their journey. The stories that will be discussed in this essay include “The Knight’s Tale”, “The Wife of Bath’s Tale”, and “The Pardoner’s Tale”. In “The Knight’s Tale” a romantic story of two cousins who compete for the love of a beautiful young woman is told. Then, in “The Wife of Bath’s Tale” the older woman weaves an interesting tale of a dishonorable knight who is sent on a quest for knowledge. Finally, in “The Pardoner’s Tale” the story explains the fate of three greedy friends. All of these tales convey a message to the other pilgrims and to the …show more content…
Chaucer’s work, The Canterbury Tales, was written for the entire population to be able to read, which was a revolutionary idea during Chaucer’s time. His portrayal of the nobility and the church could have largely affected the peasant’s willingness to pay taxes, which would have been supplemented by the feelings that were still lingering from the Peasant’s Revolt some years earlier. Chaucer also uses the stories that are told through his characters to comment on the social climate and how England modeled itself after supposedly “great” societies in history. Much of the lower class’ attitudes are revealed through this novel and it is one of the only works that give us an insight into peasant life during this time
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
Each pilgrim claims to have a tale good enough to match, or "quite," the previous tale told. The constant presence of competition in the tales—which often takes on an odd tone, as the combatants treat it more as a debate over whom the gods will or should choose to support and guide to victory— is echoed by the "route" of travellers telling them. And yet, as each character boasts of his or her tale, they constantly hedge their own bets, warning of the possibility that they might err in some way as they tell their story, and asking their company to absolve them of their flaws in advance. The most striking example of this is the Miller. The drunk, boorish Miller interrupts the pecking order, leaping over "better" men such as the Monk and the Man of Law in order to share a tale with which he plans to "quite the Knightes tale." When told by the Host to know his place, he threatens to leave the company unless he is permitted to tell his tale, and has to this point come across as brash and very confident in his abilities. However, when the Host relents and allows the Miller to have the floor, he backtracks: "But first I make a protestacioun, That I am dronke--- I knowe it by my soun." While the Pagans in the Knight 's tale blame failures on Fortune, the Miller, far more plain and earthly than the Knight or any of his characters, has a more practical scapegoat in mind: the
The Canterbury Tales by Geoffrey Chaucer is set up with a frame tale with 29 pilgrims, and these pilgrims are going on a journey to Canterbury to worship at the shrine of Thomas Becket. These pilgrims represented different parts of society during the time of Chaucer, and Chaucer used the pilgrims to draw critism of the different classes of his time. Chaucer used how society viewed the appearance of people and how it related it to their characteristics to make his critiques of certain aspects of society.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
The moral compass of mankind has always piqued the interest of authors. The Middle Ages was a time of immoral behavior, corrupt religious officials, and disregard of marital vows. Geoffrey Chaucer used The Canterbury Tales to explore his personal views of this dark time. In particular, he crafted “The Wife of Bath’s Tale,” “The Prioress’s Tale,” and “The Shipman’s Tale” to portray the tainted society, using women in all of them to bring forth his views. In The Canterbury Tales, Chaucer depicts women as immodest and conniving beings to suggest the moral corruption of the Middle Ages.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
Throughout literature, relationships can often be found between the author of a story and the story that he writes. In Geoffrey Chaucer's frame story, Canterbury Tales, many of the characters make this idea evident with the tales that they tell. A distinct relationship can be made between the character of the Pardoner and the tale that he tells.
The Canterbury Tales is a literary masterpiece in which the brilliant author Geoffrey Chaucer sought out to accomplish various goals. Chaucer wrote his tales during the late 1300’s. This puts him right at the beginning of the decline of the Middle Ages. Historically, we know that a middle class was just starting to take shape at this time, due to the emerging commerce industry. Chaucer was able to see the importance and future success of the middle class, and wrote his work with them in mind. Knowing that the middle class was not interested in lofty philosophical literature, Chaucer wrote his work as an extremely comical and entertaining piece that would be more interesting to his audience. Also, Chaucer tried to reach the middle class by writing The Canterbury Tales in English, the language of the middle class rather than French, the language of the educated upper class. The most impressive aspect of Chaucer’s writing is how he incorporated into his piece some of his own controversial views of society, but yet kept it very entertaining and light on the surface level. One of the most prevalent of these ideas was his view that certain aspects of the church had become corrupt. This idea sharply contrasted previous Middle Age thought, which excepted the church’s absolute power and goodness unquestionably. He used corrupt church officials in his tales to illustrate to his audience that certain aspects of the church needed to be reformed. The most intriguing of these characters was the Pardoner. Chaucer’s satirical account of the Pardoner is written in a very matter-of-fact manner that made it even more unsettling with his audience. Chaucer uses his straightforwardness regarding the hypocrisy of the Pardoner, suggestive physiognomy of the character, and an interesting scene at the conclusion of the Pardoner’s Tale to inculcate his views of the church to his audience. The way that Chaucer used these literary devices to subtly make his views known to an audience while hooking them with entertainment, shows that Chaucer was truly a literary genius.
In Geoffrey Chaucer’s The Canterbury Tales, a collection of tales is presented during a pilgrimage to Canterbury Cathedral. The pilgrims on the journey are from divergent economic and social backgrounds but they have all amalgamated to visit the shrine of Saint Thomas. Chaucer uses each pilgrim to tell a tale which portrays an arduous medieval society. The values, morals and social structures of the society can be examined through the fictitious tales, unravelling a corrupt, unjust and manipulative world, a world that is based around an ecclesiastical society.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Chaucer identifies a pardoner as his main character for the story and utilizes the situational and verbal irony found in the pardoner’s interactions and deplorable personality to demonstrate his belief in the corruption of the Roman Catholic Church during this time. Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of a story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.”
The Canterbury Tales by Geoffrey Chaucer is a collection of stories by a group of pilgrims who are heading to Canterbury Cathedral. In this book, the pardoner and the reeve show antipodal characters in many ways. The pardoner is beautiful blonde hair man who is being loved by everyone. However he is very corrupted and smart and sells fake religious stuff to people saying very good compliment. On the other hand, the reeve is very serious and honest business man. He is very smart enough to know what criminals think and do. The pardoner story-tells a great example (or tale?) of seven deadly sins and reeve’s story is mocking of the miller. These very different characteristic men tell story telling that human beings are always punished for being greedy. The crooked pardoner and the honest reeve have different purposes for telling their tales, but their stories have the same major theme; sins deserve punishment.
Many of the religious characters in The Canterbury Tales represent character traits that are different from what is traditionally expected of them. This is because the Catholic Church, which ruled all of England, Ireland and most of Europe in the Fourteenth Century, was extremely wealthy. Extravagant cathedrals were built in every big city while the people suffered from poverty, disease and famine. The contrast between the wealth of the church and misery of the people was overwhelming. As a result, the characters in Chaucer's tales were portrayed as deceitful and greedy. Two examples of this are the Summoner from the "The Friar's Tale" and Death from the "The Pardoner's Tale."
In Geoffrey Chaucer’s The Canterbury Tales, an eclectic mix of people gathers together at Tabard Inn to begin a pilgrimage to Canterbury. In the General Prologue, the readers are introduced to each of these characters. Among the pilgrims are the provocative Wife of Bath and the meek Pardoner. These two characters both demonstrate sexuality, in very different ways. Chaucer uses the Wife and the Pardoner to examine sexuality in the medieval period.
The Canterbury Tales by Geoffrey Chaucer is a piece of work that resembles both a historical and sociological introduction the late middle ages. Chaucer’s ability to interpret basic human nature from different viewpoints is exemplified in the characters he created. I have selected two stories, The Prioress Tale and The Knights Tale, within the Canterbury Tales that manifest the strengths and weaknesses of human character. Than I will compare Chaucer’s pilgrims to figures portrayed by Dante in the Divine Comedy.