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Essay for human character
The prologue of canterbury tales analysis
The prologue of canterbury tales analysis
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The Canterbury Tales by Geoffrey Chaucer is a piece of work that resembles both a historical and sociological introduction the late middle ages. Chaucer’s ability to interpret basic human nature from different viewpoints is exemplified in the characters he created. I have selected two stories, The Prioress Tale and The Knights Tale, within the Canterbury Tales that manifest the strengths and weaknesses of human character. Than I will compare Chaucer’s pilgrims to figures portrayed by Dante in the Divine Comedy.
The Prioress' Tale is originates in a small Christian town in Asia beginning in a school for young Christian children. The school is located at the far end of the street through the ghetto where the Jews are isolated, so children walk freely through the ghetto to and from school. A young boy, the son of a widow, hears children singing O Alma Redemptoris and decides to learn the song. He asks a fellow classmate what the song is about and learns that the song is in praise of the Virgin Mary. The boy decides to memorize the song so that on Christmas day he may pay reverence to...
Which tale would win the storytelling contest? In The Canterbury Tales, there are several pilgrims traveling 55 miles by horse from Southwark to Canterbury. The Pilgrims are traveling to Canterbury for different reasons, such as physical and spiritual healing, something to do, or they were forced to go. Due to the fact that it was going to be a long trip, The Host proposed to have a storytelling contest. Each Pilgrim would tell two tales on the way to Canterbury, and two more on the way back. The Host would be the one and only judge. The prize for the best tale is a free dinner from The Host’s Tabard Inn, but it must adhere to the criteria necessary to win. If the judge decides that the tale is not morally sound or entertaining then that Pilgrim must pay for the expenses of the pilgrimage. Between The Knight and Prioresses’ tales, The Knight would win the storytelling contest because it is entertaining, morally sound, and the crowd has a positive reaction towards the tale.
Once you see the Medieval Times Knight battle you will have a whole new appreciation for knights; a castle garden. It all started with the stairs. When it was time for the show to begin my family and I went to the grand staircase. Once we got there two trumpet players dressed in baggy pants and shirts started playing. Their trumpets were unusually long with banners on them. One banner had a lion's head on it and the other had a shield. The trumpet players played the most crisp and majestic sound I have ever heard. The sound rang through the castle and all of the crowds fell silent.
The journals expose two different attitudes because these two authors have different personalities. Knight is intolerant with others. When she is questioned; she makes jokes pretending not to be bother, but she does. Basically, Knight is a bright woman who likes to observe others and for that, she makes use of sarcasm to criticize, especially women’s” bad tongues,” as Julia Stern describes on “To relish and spew disgust as cultural critique in The Journal of Madam Knight” another thing, she certainly dislikes interrogation, mainly because she is from Boston and well educated, so she has a refined background, and has trouble dealing with rural people. She believes that Bostonians are better and for that, she perceives herself, as superior in class
“The Canterbury Tales” was written in the 14th century by Geoffrey Chaucer. These tales constitutes a frame story which each pilgrim has to tell their own story to the Chaucer, the pilgrim; not the poet. As we know, the tale itself is a satire, but the stylistic structure in the tales creates a sense that can be a parody as well. To support this idea of parody, it is need to know the definition of parody and how Chaucer use this style to make his own ideas clear through the general prologue and the tales such as “The Miller’s Tale” and “The Knight’s Tale”.
Geoffrey Chaucer’s Canterbury Tales embodies Middle Age ideas while incorporating his own values. He conveys these ideas and values by creating stories for twenty nine different men and women taking the religious pilgrimage to the Canterbury Cathedral. These characters include immoral clergymen, poor, yet virtuous farmers, an honorable knight and more. Chaucer’s value of honesty, humility, and hard work juxtaposes Middle age ideas such as religion, wealth and hierarchy.
In Chaucer's Canterbury Tales, Chaucer the author and Chaucer the pilgrim are both quick to make distinctions between characters and point out shortcomings. Though Chaucer the pilgrim is meeting the group for the first time, his characterizations go beyond simple physical descriptions. Using just twenty-one lines in the General Prologue, the author presents the character of the Miller and offers descriptions that foreshadow the sardonic tone of his tale and the mischievous nature of his protagonist.
The Canterbury Tales is a literary masterpiece in which the brilliant author Geoffrey Chaucer sought out to accomplish various goals. Chaucer wrote his tales during the late 1300’s. This puts him right at the beginning of the decline of the Middle Ages. Historically, we know that a middle class was just starting to take shape at this time, due to the emerging commerce industry. Chaucer was able to see the importance and future success of the middle class, and wrote his work with them in mind. Knowing that the middle class was not interested in lofty philosophical literature, Chaucer wrote his work as an extremely comical and entertaining piece that would be more interesting to his audience. Also, Chaucer tried to reach the middle class by writing The Canterbury Tales in English, the language of the middle class rather than French, the language of the educated upper class. The most impressive aspect of Chaucer’s writing is how he incorporated into his piece some of his own controversial views of society, but yet kept it very entertaining and light on the surface level. One of the most prevalent of these ideas was his view that certain aspects of the church had become corrupt. This idea sharply contrasted previous Middle Age thought, which excepted the church’s absolute power and goodness unquestionably. He used corrupt church officials in his tales to illustrate to his audience that certain aspects of the church needed to be reformed. The most intriguing of these characters was the Pardoner. Chaucer’s satirical account of the Pardoner is written in a very matter-of-fact manner that made it even more unsettling with his audience. Chaucer uses his straightforwardness regarding the hypocrisy of the Pardoner, suggestive physiognomy of the character, and an interesting scene at the conclusion of the Pardoner’s Tale to inculcate his views of the church to his audience. The way that Chaucer used these literary devices to subtly make his views known to an audience while hooking them with entertainment, shows that Chaucer was truly a literary genius.
The Canterbury Tales by Geoffrey Chaucer, (written c. 1387), is a richly varied compilation of fictional stories as told by a group of twenty-nine persons involved in a religious pilgrimage to Canterbury, England during the fourteenth century. This journey is to take those travelers who desire religious catharsis to the shrine of the holy martyr St. Thomas a Becket of Canterbury. The device of a springtime pilgrimage provided Chaucer with a diverse range of characters and experiences, with him being both a narrator and an observer. Written in Middle English, each tale depicts parables from each traveler.
In his Canterbury Tales, Geoffrey Chaucer assembles a band of pilgrims who, at the behest of their host, engage in a story-telling contest along their route. The stories told along the way serve a number of purposes, among them to entertain, to instruct, and to enlighten. In addition to the intrinsic value of the tales taken individually, the tales in their telling reveal much about the tellers. The pitting of tales one against another provides a third level of complexity, revealing the interpersonal dynamics of the societal microcosm comprising the diverse group of pilgrims.
Chaucer identifies a pardoner as his main character for the story and utilizes the situational and verbal irony found in the pardoner’s interactions and deplorable personality to demonstrate his belief in the corruption of the Roman Catholic Church during this time. Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of a story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.”
The Knight’s Tale and The Miller’s Tale are both told by pilgrims on their way to Canterbury. Although the two stories are set in the same time period and have a similar theme, they each have a distinctive tone. The Knight tells a romantic story that reflects his higher social class during the era in which he lives. The Miller tells a story in which lust, not love, is the guiding motive for the characters. The Miller is in fact drunk when he tells his story, so the Miller’s Tale contains lots of dirty jokes and complicated tricks. The Miller’s tale mirrors the Knight’s tale in a lot of ways. Both of the stories contain a love triangle.
The Canterbury Tales is a great contemplation of stories, that display humorous and ironic examples of medieval life, which imitate moral and ethical problems in history and even those presented today. Chaucer owed a great deal to the authors who produced these works before his time. Chaucer tweaked their materials, gave them new meanings and revealed unscathed truths, thus providing fresh ideas to his readers. Chaucer's main goal for these tales was to create settings in which people can relate, to portray lessons and the irony of human existence.
The Canterbury Tales is an in-depth narrative analysis of twenty-nine unique characters and their Host on a collective pilgrimage to Thomas Becket’s shrine in Canterbury. Chaucer paints vivid pictures of each pilgrim through his description of their physical appearance, inner nature, and outward behavior towards others. The individuals are not given names but the reader can identify them by their titles. One of the clearest cut characters in this work is the Parson. Chaucer presents the Parson in The Canterbury Tales to create a stark contrast for the other religious figures by his description of the Parson’s inner constitution, outward actions, and shepherd like qualities.
we see how Chaucer the pilgrim has been swayed and convinced by what the other pilgrims tell him. So much so that he reports qualities that are often the opposite of the true personalities of the characters he is describing. This ambiguity reveals a very clever sort of irony on behalf of the writer - while Chaucer the pilgrim is easily drawn in by their deliberate misrepresentations, it is up to the readers to see how wrong he is and draw their own, more accurate, conclusions. It shows many of the pilgrims to be very different people than those symbolised by the ideal qualities they want others to see.
The Prioress is just one example of the many flip-flop characters in Chaucer’s tales. On the outside, the Prioress appears to be someone who your parent’s wish you were like. However, once you get to know the Prioress through her tale, you wonder if she should instead join Hell’s Angels. Her thirst for the death of the young Jewish boy makes her frightening, if not almost evil, but at least she wipes her mouth neatly with a napkin.