A Comparison And Contrast In Both A's Worn By Hester And Dimmesdale

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A Comparison and Contrast In Both A's Worn By Hester and Dimmesdale

The two A's worn in the novel by both Hester and Dimmesdale are dramatically different, yet they are born and made by the same identical sins.
These letters are also differentiated by the infinitely changing emotional state and physical well being of the character, the towns views of morality and natural order, and the affecting environment. The two sins of most importance in the novel and that serve the greatest beneficiality in the appearance of the
A's are--of course-- adultery and hypocrisy.
The separation in the appearance of both of the A's begins with each characters own personal interpretation of the extremity of their sins. Where
Hester's A is beautiful and artistically done ("fantastically embroidered and illuminated upon her bosom; pg.37) her interpretation of the extremity of her sins is one of self composure and nonchalantness. She views her sins solely as a "violation in the natural order" of the environment and therefore cannot even perceive her sin as being evil except through outside brainwashing. While
Dimmesdale's personal interpretation as to the extremity of his own sins is a
"violation of God's law," which is the law that he is totally dedicated to and supported by. Dimmesdale's interpretation of his sin is much more severe than
Hester's, it is a breach and direct contradiction of his own self consciousness and physical existence. Therefore the appearance of his A, even though it is never directly described in the novel, must be raw, jagged, and brutally crooked
(...a ghastly rapture; pg.95). Maybe Dimmesdale's self torture is so horrifying or inconceivable that it is either indescribable, (...too mighty to be expressed only by the eye of his figure; pg.95), or best left up to the reader's imagination. Unlike Hester, Dimmesdale, because of self interpretation, cannot in any way conceive his sins of being anything but evil.
Although the appearance of the A's are proportional to the interpretation by each character; also the appearance of the A's is directly correlated between the consequences each character receives because of their sins, both Hester's and Dimmesdale's punishment is introduced through a new character and some sort of isolation. The new character's are a form of abstract contrasting where each new character is an extension of the sinner's
"A" itself. Where as Chillingworth is a doubled extension of Dimmesdale's consciousness; Pearl is a contrast to Hester's creativity, patience, and composure. Dimmesdale's punishment through Chillingworth is one of mental bombardment and spiritual torture which supports the theory that Dimmesdale's A must be horrifically putrid and indescribable. Pearl's punishment towards

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