Good and Evil in Billy Budd

1108 Words3 Pages

Good and evil exist in all things. In Herman Melville's novel Billy Budd, good is represented by Billy Budd and evil, by John Claggart. Together, they embody Melville's portrayal of opposing forces that run throughout all aspects of human experience. In addition, Melville provides for the possibility of a balance between good and evil through the character of Captain Vere. In Freudian terminology, I might view Claggart as Id, untamed instinct. Billy can then be seen as Ego, existing to contain and direct Id instincts in a productive fashion, Vere could be seen as Superego in his struggles with his conscience to decide between the letter of the law and his own view of Billy. This novel, Melville's final work, stresses his belief that good does not, indeed, can not, exist without evil, nor, since Adam and Eve, has either stood alone.

From the beginning, Billy Budd awed his companions with the strength of his love for life. When he was taken from the ship, The Rights of Man, Captain Graveling became disturbed at the thought of losing such a man, saying "Beg pardon, but you don't understand, Lieutenant. See here now. Before I shipped that young fellow, my forecastle was a rat-pit of quarrels. It was black times, I tell you aboard the Rights here. I was worried to that degree my pipe had no comfort for me. But Billy came, and it was like a Catholic priest striking peace in an Irish shindy...a virtue went out of him, sugaring the sour ones." Clearly from the start, we are made aware of Billy's goodness, his ability to bring peace to the roughest of men. He is likened to a Priest, and portrayed as exuding a sweetness which seems c...

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..., he could not have imagined using his physical strength to hurt Claggart. In fact, it seemed so out of character, yet he was pushed beyond endurance. Because Billy was unable to contain himself, he commits his ultimate and only crime.

Thus, like opposite sides of the same coin, Billy from his essential, but humanly flawed goodness and Claggart as the personification of pointless cruelty both meet their fates. Ironically, society tolerates needless cruelty as long as it is stopped short of death, but struggles with accidental death defined by a man who was later to be revered by the people with whom he worked. Perhaps for Melville, who draws heavily on religious symbolism, the sacrifice of Billy, like that of Christ, served to prove once again that man cannot tolerate difference in the form of pure goodness.

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